[Review] Don’t Wanna Cry – Seventeen

Seventeen is officially back with their brand new title track, Don’t Wanna Cry. The title track can be found as part of their fourth mini album, Al1. The new mini album consists of tracks from each of Seventeen’s subunits and also features a song performed by both Jun and The8. Seventeen’s last comeback was in December of last year with Boom Boom.

From the very first second, the song’s instrumental felt more western than KPOP and it is a complete change in the sound, compared to Seventeen’s past songs. The song itself sounds similar to some Chainsmoker’s more recent works and hits (emphasis on ‘similar’). But still quite different in its own way. The instrumental itself is right up my alley. What surprised me was that the rappers didn’t really rap, but they sang their lines instead, which caught me off guard the first time around. The vocal work in this song is quite good, but I love that small section just prior to the chorus where DK and Seungkwan sing. The buildup and rhythm there was amazing. I thought the silence just before the beat drops is quite nice, providing more strength to the song despite it also did feel like a gaping hole in the song. Finally, what I loved the most about the song is the bridge. Wonwoo and Minggyu’s part in the bridge provided the punch that the song needed and I thought that was pretty good. Overall, I think it is safe to say that I really like the song. It sounds cool and very modern.

The video was quite nice. I believe it was shot in the U.S (not too sure though). Overall, I thought the aesthetics that was present in the music video and the teasers preceding their actual release of their mini album were superb. There is a lot that is going, most of which I have very little clue to. Together, it is a bigger mystery. Hahahaha… I am really bad at interpreting hidden messages in music videos. The cinematography in this video is also amazing and I really liked the places where they shot the video, especially the choreography shots.

Once again, Seventeen is proving to be competition when it comes to the choreography. I personally think this is their most dynamic performance yet. Everything looks amazing from the very first second to the last. The choppiness present during the chorus matches the song really well. My favourite part would have to be when DK and Seungkwan sing the pre-chorus, which on stage, looked pretty cool.

Song – 9/10
Music Video – 8/10
Performance – 10/10
Overall Rating – 9/10

recommended red round grunge vintage ribbon stamp

[Weekly Chart] 3rd Week of May 2017

Hello there, everyone! Welcome to the 3rd week of May for 2017. Hope you all had an amazing week! I am literally drowning in the amount of assignments and work that has to be done before the end of the semester and the exams. But, I will continue posting reviews even though I should focus on my studies. That being said, I won’t be posting a review today or tomorrow due to a test I am having on Tuesday. So, the next review I will post will be on Tuesday night!! And hopefully, there are no more interruptions with the reviews!!!

VIXX had taken out this week’s number one spot with their latest song, Shangri-La. This is also their first week on the chart with their new song. Joining VIXX is Triple H and Laboum with their respective songs. Fourth place goes to Twice’s Signal, while last week’s number 1 song, Dance Dance by DAY6 dropped down to fifth place. For more of the chart, scroll down below!!!

There are many comebacks this week, so I am going to be extremely busy with my studies, writing reviews for the latest songs (and keeping up to date),  and listening to the latest releases. Seventeen, iKON, MAP6, Yezi, A.C.E, Urban Zakapa and a few other artists have been confirmed to return with new songs this week. So watch out!!!

Here is a legend to help you understand the chart’s status column below:
Green (↑)  – Song has gone up in ranking
Red (↓) – Song has gone down in ranking
Blue (=) – Song has remained in the same position as the previous week
Orange (new) – Song debuts on the chart
Grey (Final Week) – Song appears on the chart for its final week.

14th May – 20th May 2017
Title Artist Status
1 Shangri-La VIXX (new)
2 365 Fresh Triple H (↑ 9)
3 Hwi Hwi Laboum (↑ 4)
4 Signal Twice (new)
5 Dance Dance DAY6 (↓ 4)
6 Suddenly Roy Kim (new)
7 Now, Us Lovelyz (↓ 3)
8 Palette IU ft. G-Dragon (Big Bang) (↑ 6)
9 Beautiful Monsta X (↓ 1) (Final Week)
10 Will You Got Out With Me? DIA (↑ 12)
11 Back:Hug Snuper (↓ 2)
12 Egoist Roy Kim (new)
13 Plz Don’t Be Sad HIGHLIGHT (↑ 10) (Final Week)
14 Rumour K.A.R.D (↓ 12)
15 Really Really Winner (↑ 15)
16 Easy Love SF9 (↑ 3)
17 I Luv It PSY (↑ 20)
18 Night Rather Than Day EXID (↓ 3)
19 I’ll Be Yours Girl’s Day (↓ 16)
20 Ending Scene IU (=)
21 Fool Winner (↑ 7)
22 Coloring Book Oh My Girl (↓ 12)
23 Wonderful Love Momoland (↓ 11)
24 Be Well SECHSKIES (↑ 1)
25 Across The Universe Junggigo (↑ 2)
26 New Face PSY (=)
27 Ninano Gong Minzy (↓ 14)
28 Spring Rain BOA (↑ 5)
29 Like You HONEYST (new)
30 Sad Song SECHSKIES (↑ 1)

Songs leaving the chart this week (and will not appear starting next week):

Title Artist Peak Position No. Of weeks in Top 30 Final Week’s Position
Plz Don’t Be Sad Highlight 1 9 13
Between Us CNBLUE 2 6 33
Girlfriend Henry (Super Junior M) 26 1
Beautiful Monsta X 1 9 9
Wee Woo Prisitin 7 7 45
Echo 7O’Clock 18 3 42
Spring Again Cao Lu (Fiestar), Kisum & Yerin (Gfriend) 26 2 51
Alive J-Min 22 2 53

Hope you all have another amazing week. Until next Sunday, enjoy!!!!

[Review] Like You – HONEYST

HONEYST is a new KPOP boy band from FNC Entertainment, where the majority of KPOP bands come from. They made their debut in the past week with Like You. The group consist of 4 members: Dongsung, Seungseok, Chulmin and Hwan. The band competed alongside SF9 on the show D.O.B (Dance or Band) to see who could debut first. SF9 won and made their debut last year with Fanfare and now it is HONEYST’s turn.

Given the group’s young age, it would be expected they would go for a certain bright and happy style. And that is exactly what we got here. While it is cliche, the new band does a pretty good job with it. I honestly just started to listen to it today and I am already hooked. The instrumental reminds me of something. It’s like a nostalgic sound that I find very appealing. I just cannot pinpoint what it is. The majority of the chorus is the group repeating the line “Falling For You (Banhagesseo Banhagesseo Banhagesseo)” but it works and has me singing along with it. The whistles added a nice touch but the pickup with the instruments right after the whistle gave the song more of a punch. The vocal work was good, but it felt very generic and it felt very neutral throughout the entire song. I guess that is the one downside to the song. The last few seconds of the song gave it more dynamics and how they ended the song was pretty nice (and that nostalgic feel is back). Overall, a solid debut with a great song!

The music video was okay. It did feel very generic as well, so it really didn’t catch my attention. It’s your standard “confessing to a girl” video type of scenario, just a lot more interactions with the camera and audience, which I thought was nice and different. But what did catch my attention is the scenery that they shot in. This video reminded me many different music videos that were shot in the area. From what I can identify so far: GFriend’s Rough and Super Junior’s Wonder Boy and possibly APINK and 2PM’s latest music videos for Only One and Promise (judging from the buildings). I am certain there are many other videos that I can’t remember at this moment that was filmed there. It is amazing to know how many different music videos you can get out of one location.

Song – 8.5/10
Music Video – 6/10
Overall Rating – 7.5/10

 

[Review] Egoist – Roy Kim

Two days ago, I reviewed Roy Kim’s main title track, Suddenly. I made a statement that I would review the other title track of Roy Kim’s latest comeback, Egoist, today. And here it is. For those who may have missed the review, Roy Kim made his solo comeback with his first mini album, which features two title tracks.

Roy Kim has always been known for his more acoustic sounds, such as his main past title tracks. So it came as a surprise when I first heard this song. Egoist delves into a more electronic instrumental, but still managing to maintain those acoustic vibes throughout the song. And the blend between the two is amazing. I personally think the tropical and more summery sounds that came out of this song was extremely fitting, for both the upcoming season and Roy Kim himself. I mentioned his voice in the past review and I have to mention them again here. Roy Kim sounds amazing in this song, as well! I love the chorus of the song, especially that line, which was at a higher pitch. I thought the buildup during the pre-chorus was really great as well, which built up from his already great verses to an even more amazing chorus. There is enough catchiness to the song that has me coming back for more. Overall, I thought the song was incredibly smooth and it is music that I would love to hear from Roy Kim in the future.

Matching that tropical and summer sound, we have a more colourful video for the song. It is also a nice contrast to the more dulled music video that was released for Suddenly. In this video, we see Roy Kim being quirky in the video. Also in the video is an equally quirky girl, who follows Roy Kim around. She is helpful at times but probably creeps Roy Kim out just a bit. He soon starts falling for her, while they both share the odd and weird activities that Roy likes.  The video made me laugh and it spoke to me on a level that no other video has. I thought the circumstances of how they met were quite cute. I personally liked this video a lot and you all should check it out as well!

Song – 10/10
Music Video – 10/10
Overall Rating – 10/10

[Album Review] Shangri-La (4th Mini Album) – VIXX

 

A few days ago, I wrote the review for VIXX’s latest title track. And given that I am a big fan of the group, it would be obvious that an album review would be coming your way. At first I thought I wouldn’t have time to write it today, but it is VIXX, so I pushed all my assignments to one side and wrote this. No regrets though, because it gave me another excuse to listen to their album and focus on the group entirely for one night. This is their 4th mini album to date, which is also titled as Shangri-La.

Shangri-La (4th Mini Album) Cover

 

1..Shangri-La (Title Track)  – Click here to see the full review of Shangri-La (8.5/10)

2. Into The Void – I love the introduction to this song. It sounds like a soundtrack out of a really good movie. Throw the group’s vocals on top of that soundtrack-like instrumental and the song turns into a spine-shivering song that sounds like pure amazingness. The chorus changes it up a bit, but still keeping that epic feel from the start. And then, Ravi’s rap throws the track into chaos. Not saying that is a bad thing here, it fits very well and gives the track that needed boost of energy just before the final chorus, in case it got oo repetitive. (9/10)

3. Black OutI think it is going to be an expected thing when it comes to VIXX albums. The presence of a questionable track that gets fans a little hot and bothered. Throw in the performance for a track like this and all I can say is damn… Out of all the songs, this one is the catchiest out of all. The track itself uses a seductive tone, especially from Ravi, which is extremely appropriate for a song of this nature. (9/10)

4. It’s Coming (다가오네) – The obligatory ballad on the album. Like I have mentioned throughout the review, their vocals are top-notch, which is amazing. It’s another song, regardless of its meaning or message, that makes me want to sway along to it. The percussion in the instrumental give the song that dynamic side, fitting in nicely with the upbeat tracks that preceded it. (8/10)

5. To Us (우리에게) – It’s the song that the album needed. A return from the previous ballad to the more upbeat songs of the tracklist, but not a complete return. I personally think this is an amazing song. It is easy to the ears and their vocals are superb in this song. Literally, their vocal work on this album is their best yet and they maintained that standard to the very end of the album. (9/10)

Overall Album Rating – 8.7/10

Teaser Image

recommended red round grunge vintage ribbon stamp

 

[Review] Suddenly – Roy Kim

Roy Kim is back with his first mini album, Blooming Season. For those who don’t know who Roy Kim is, he is South Korean soloist who debuted back in 2013, with the chart-topping Bom Bom Bom (Spring Spring Spring). Before 2013, he was a contestant on Superstar K4 and ultimately won the competition that year. Since then, he has been releasing songs here and there, such as Home and Love Love Love. His last comeback was in 2015 with The Great Dipper.

If there was one thing that captivated me in all of the songs that I have listed above, it would have to be Roy Kim’s voice. And it is the one thing that people look forward to when they hear a Roy Kim song. His deep yet mellow voice is definitely unique and stands out in the crowd. His deep voice literally sucked me into this song and has me going back to it over and over again. The emotions that he carries in his voice are subtle but they make sure they are heard. Suddenly is a Spring-time ballad that has a very nice melody. It’s another song that makes you sway along to it. The instrumental is incredibly simple. No instrument overpowers another. From the finger clicks to the trumpet (or saxophone) at the end, everything felt just right in this song. I actually love the instrumental section at the end of the song. I am never a fan of songs that fade out at the end, but here it is very fitting for the song. If you can’t tell by now, I totally like this song. And if you are waiting for more Roy Kim reviews, I will be doing a review for Egoist, which will be published on Friday (and my praise here is nothing compared to that review, trust me).

The music video isn’t as captivating as the song. But I will gladly glue my eyes to the screen playing the music video for the song. I thought the video showed Roy Kim daily morning routine. But instead, it shows him packing up, leaving the house and going away (he ended up throwing the keys away). He sings about moving on from a past relationship and the video seems to show him moving on from the memories that he had in that house. While I wasn’t into the video, the idea of the video and its storyline fits the lyrics very nicely. For a while, it felt cold and empty, but that was what was trying to be conveyed through the video. Reflecting on what I wrote, it probably is an amazing video if I wasn’t so narrow-minded. The video just felt dull and (like I said at the start) captivating.

Song – 10/10
Music Video – 6/10
Overall Rating – 8.5/10

 

[Review] Signal – Twice

The most talked about girl group, Twice, is finally back with a brand new song, Signal. They return with their fourth mini album, which is also titled as Signal. The group previously returned for a short promotional run for their song Knock Knock and their reissue of their third mini album. Twice is also gearing up for a Japan debut, so I am hoping for some original content from them in Japanese!!!

Sadly, I am on the fence with this song. It isn’t their best work out there, but it isn’t terrible as some people would describe it. Unlike all of their past songs, I don’t see anything that can be considered to be catchy. That leaves me a little disappointed because all of the songs that I love from Twice have that over-catchiness that makes it quite appealing. I am not a big fan of the opening or those ‘talking/chanting’ parts throughout the song. They felt awkward and very dull. Once the song starts picking up (and the members actually start singing), it gets a little better. And there is more colour to the song. The chorus was ‘alright’ at best. Like I said before, I can’t feel or hear any hooks in the song. The song also felt very neutral all throughout, with very little fluctuations or changes in the singing style that they go for. While the song felt very pop-centred, the neutralness does kill the track and prevent it from becoming that colourful track that Twice seems to aim for with all their songs. All of that being said, I don’t mind it. I can sit down and listen to it if it appears in my playlist. but I wouldn’t go through the effort of looking for the song.

So I guess the girls get transported to a different world and fall in love with a blue alien. But I love the only face (the  “IDGAF” face) that he gives throughout the video). Like I said yesterday, the music video quality is top-notch. What isn’t top-notch is the acting at the start, where they all faint in the field and the hair that some of the girl sport. Seems like someone ticked off the hair stylist recently. Each the girls also have a superpower (besides Nayeon. The Men In Black called and they want the Neuralyzer back). And I assume they decided to show off their powers to get the alien’s attention, which failed. In the end, it turns out they were all aliens, which explained their superpowers. It creeped me out a bit though. Overall, I thought this video is their cutest yet. And it is quite good!

I think the dance could pretty much be the next TT dance, with the alien ears. Their formations were also quite good. But watching their performance with the song, it felt weak and that left me a little disappointed. I just didn’t find it as cute as their past dances or like the video.

Song – 5/10
Music Video – 9/10
Performance – 6/10
Overall Rating – 6.5/10

 

 

[Review] Shangri-La – VIXX

VIXX has finally returned with their fourth mini album, titled as Shangri-La. The title of the title track also shares the same name. This is VIXX’s first comeback since their comeback at the end of the year with The Closer, which finished off their trilogy centred around Greek Gods. They went on to release Milky Way, which was a special track for their fans.

The first thing you notice is that Chinese inspired instrumental. The song also combines synths to make it unique, similar to Ten’s Dream In A Dream. The Chinese inspired instrumental dominates the verses, while the synth-based instrumental dominates during the chorus, which does make it an interesting mix. In its own right, the track is extremely powerful. While it may not have the bass that I would have love, the differing dominance between sounds does give off strength and toughness. Their vocal work here is also quite exceptional. We already know the level that Leo and Ken can reach, but the rest of the other members do shine as brightly as Leo and Ken. I love N’s little section during the bridge, it is quite haunting. Even Ravi’s raps are quite good. Maybe not as badass and tough sounding like their other works, but still quite good. But that leads onto the issue for me. The track doesn’t hype me up as their previous work. And that is something I look for when VIXX releases songs. I have listened to it for a few times now after their 6 pm KST release, but I am not blown away with it. Maybe tomorrow or the next few days, but currently, I have don’t feel anything after the track ends.

The music video is crystal clear. I honestly don’t know if I have been living under a rock for the past year or so, but many music videos have emerged to be fully high-definition, which amazes me. GOT7’s Never Ever, Monsta X’s Beautiful and even Twice’s latest comeback (review coming out tomorrow) have wowed me with their quality. Once again, I am probably reviewing the comeback a little too early, so there is probably no fan theories for the music video yet. There is something going on, but since I have been apparently living under a rock, some never-heard-before story everyone has heard of is what the video is based on. After a little research, Shangri-La is a mythical place where it is forever happy and that is all what I can get from it.  Back to square one. Also, while this isn’t the first time KPOP singers have performed with water at their feet, this video does it really cool. I also love the different lighting and sets in the video. All looked quite cool.

I have been officially ‘slayed’ with the choreography. Their use of the fans gives off an elegant yet very dominating feel. That powerfulness is portrayed nicely through their sharp moves and their precision is amazing in this performance. I love the start where their starting pose and the hand work that they show. Once again, VIXX has done it again with the choreography.

Song – 8/10
Music Video – 9/10
Performance – 10/10
Overall Rating – 8.5/10

[Weekly Chart] 2nd Week of May 2017

Welcome to the second week of May 2017. It is also Mother’s Day here in Australia, so to all the mothers, mothers-to-be and grandmothers out there, YOU ARE THE BEST!!! Love you, mum and grandmother!

It seems to be the rise of all song this week, with many songs rising from below Top 30 to the top 30 this week. The biggest jump this week was with Pattern by Lee Hae Ri, who jumped 35 positions to 18.  And after 5 months, DAY6 has finally clamped onto the first position with their latest song, Dance Dance. K.A.R.D, Girl’s Day, Lovelyz and GOT7 each rose from last week to the top 5.

With the presidential elections over in South Korea (I think), companies are now going to slay all fans with the many comebacks for this week. Hitchhiker & Taeyong’s collaboration will join next week’s chart, while VIXX, Twice, Roy Kim. (4 new songs ain’t much, but you wait until the next week and the week after that, and the week after that!).

Here is a legend to help you understand the chart’s status column below:
Green (↑)  – Song has gone up in ranking
Red (↓) – Song has gone down in ranking
Blue (=) – Song has remained in the same position as the previous week
Orange (new) – Song debuts on the chart
Grey (Final Week) – Song appears on the chart for its final week.

7th May – 13th May 2017
Title Artist Status
1 Dance Dance DAY6 (new)
2 Rumour K.A.R.D (↑ 4)
3 I’ll Be Yours Girl’s Day (↑ 7)
4 Now, Us Lovelyz (↑ 3)
5 Never Ever GOT7 (↑ 7) (Final Week)
6 Wonder If Junhyung (HIGHLIGHT) (↑ 2)
7 Hwi Hwi Laboum (↓ 6)
8 Beautiful Monsta X (↓ 5)
9 Back:Hug Snuper (↑ 23)
10 Coloring Book Oh My Girl (↑ 26)
11 365 Fresh Triple H (↓ 9)
12 Wonderful Love Momoland (↑ 33)
13 Ninano Gong Minzy (↑ 16)
14 Palette IU ft. G-Dragon (Big Bang) (=)
15 Night Rather Than Day EXID (↓ 6)
16 I’m Serious DAY6 (↑ 12)
17 Love Is Teen Top (↑ 23)
18 Pattern Lee Hae Ri (Davichi) (↑ 35)
19 Easy Love SF9 (↓ 3)
20 Ending Scene IU (↑ 27)
21 Between Us CN BLUE (↑ 12)
22 Will You Go Out With Me? DIA (↑ 12)
23 Plz Don’t Be Sad HIGHLIGHT (↓ 3)
24 Bibbidi Bobbidi Boo Berry Good (↑ 13)
25 Be Well SECHSKIES (↓ 20)
26 New Face Psy (new)
27 Across The Universe Junggigo (↑ 8)
28 Fool Winner (↓ 7)
29 Wee Woo Pristin (↓ 11)
30 Really Really Winner (↓ 19)

Songs leaving the chart this week (and will not appear starting next week):

Title Artist Peak Position No. Of weeks in Top 30 Final Week’s Position
You, Who? Eric Nam & Somi 23 1 51
Never Ever GOT7 1 9 5
Pick Me Produce 101 Season 2 18 1 39
It’s Still Beautiful Highlight 9 6 52
Take It MVP 31 58

And that’s all for this week! Enjoy your day to every mother out there and hope to see you all next week!

[Review] ID – UP10TION

This is the fourth and final Japanese song review for this week. As mentioned previously, I will find time to do another four reviews for girl group releases in Japan. But in the meantime, this is my review for UP10TION’s official Japanese debut. The boy group made their official debut with the single ID on 8th of March this year. Their most recent Korean promotions were late last year for White Night.

Out of all the four songs that I had chosen to review, this one didn’t reel me into the song, like how the others did. That being said, the song was still quite good and was incredibly strong in its instrumental and the group’s delivery. ID is an extremely synth-heavy, with its roots in electronic and EDM. Some parts did catch me off guard at first, but overall, the instrumental sounded pretty good. The vocals were mostly covered with autotune, which felt okay. It wasn’t misused or overused in any way, like in other songs. The raps could have been a little better. The reason why goes back to why I felt the song didn’t reel me in. The song felt extremely slow. The song’s tempo felt like it was in slow-motion the entire time, which did take the energy out of the synths. Going back to the raps, the raps were done so to match the tempo of the song. To me, the slowness sucked the energy out of that as well. Another thing is that the song didn’t have many hooks. There just wasn’t anything catchy about or anything that makes me want to go back, beside the powerfulness of the song. I would like to know what the meaning for “Dirty Little Freaks” in the song is (as it was mentioned during the heavily autotuned parts and throughout the chorus). Anyone willing to share?

The music video follows the same formula of choreography shots and closeups. The edgy vibes and toughness were portrayed through the industrial and urban sets. Overall, the sets were quite minimalistic, with the main focus on the group and their choreography. Hence, I have decided to join the performance section of the review with the music video. Honestly, their choreography for ID was quite amazing. The moves weren’t that special, but together, the dance that accompanied the song was great! The group is definitely emerging a group to look out for when it comes to choreographies.

Song – 7/10
Music Video – 6/10
Performance – 8/10
Overall Rating – 7/10

[Review] Ka-Ching – EXO-CBX

EXO-CBX will be making their official debut on the 24th of May, with the drop of their first min-album, Girls. While that date is two weeks away, they have already released the short version of the music video and gave a full performance for their debut track.  The EXO subunit previously made their Korean debut with Hey Mama last year. This is the third JPOP review of the four I promised, with the last one being released later today.

I was genuinely curious what style the subunit would go for. Hey Mama was so good and was a song that was more up my alley. Given that this release is more for the audience in Japan, it would be interesting to see what style the song delves into. And I am glad that I clicked on this song. Ka-Ching really catchy to listen to. Even after the song ends, I want more of it. The instrumental sounds like a soundtrack for the playboy who just arrived at a Las Vegas casino and has a bit fun in the casino. Which is obviously appropriate for a song that revolves around money. I love the vocal work in the song, especially the buildup during the pre-chorus. The “Ka-Ching” that is engraved into our minds by the end of the song sounds alluring and does a good job of keeping that catchiness of the song. Trust me, but “Ka-Ching” is probably the one thing you will remember for a while after listening to the song. The one thing that doesn’t sit well with me is the rapping in the song. It was pretty bad, to the point where I has to be one of the worst rap sequences I have heard in a long time. The song needed a rap sequence, just not that one. But overall, the song was pretty good.

I am honestly not too sure about the music video. A part of me likes it. Another part of me wants to ask what was going on during the circus scenes. Not exactly sure about those backup dancers and their creepy makeup. Sure, they added a little colour to the video to give it a more vibrant feel, but it looked really scary. The green screen for the circus background has a lot going on, so it felt overwhelming and complicated. The casino scenes looked a lot simpler and felt more open but those backup dancers were still there. I like the speech bubbles and the comic themed writing that appeared. Just not the word art for the line “We’re on a payroll”.

Getting on the trend of body rolls, Ka-Ching makes use of the body rolls during the chorus. It actually looks quite cool. My favourite part of the dance is the end, which isn’t shown in the music video linked below but rather the live performance that you can search up on YouTube, where Baekhyun starts off, then Chen and Xiumin, then the backup dancers.

Song – 8/10
Music Video – 6/10
Performance – 10/10
Overall Rating – 8/10

 

[Review] How To Cry – 100%

Following the review posted earlier today for BTOB’s L.U.V, the second JPOP release will be 100%’s debut single, How To Cry. At the start of the year, 100% made their official debut in Japan with How To Cry. They later returned a month later with their Korean comeback, Sketch U.

100%’s Japanese debut single takes every fan and listener back to their dance based songs. It wasn’t until recently that the group turned to more vocal centred tracks. And it is a return that I wouldn’t mind listening to over and over again. While their earlier tracks were of the same genre, I wasn’t into them like I am with this track. This one had great synths that caught my attention straight away. I thought the synths and instrumental would have been overpowering, but rather the vocals managed to shine through. I guess this is more proof that the group has vastly improved. The track is extremely powerful. This strength can be heard through the vocals, raps and the instrumental. The bass in this song is what I wish for in some songs. It sounds heavy, suiting the synths and dubstep-based sounds. It is also quite catchy, especially the chorus and the “How To Cry” line that is repeated over and over again. Part of me does feel like it is a generic dance song but the song mashes past 100% and present-day 100%, which could become a very interesting combination.

While I did sense the genericness in the song, the genericness in the video could be felt more strongly. Yeah, the video consists of the following, which is the formula that most music video nowadays: closeups, choreography and a few inserted scenes to give the video some meaning. They don’t have much appeal to them standalone and together they end up being even less appealing to watch. The darker vibes gave an edgier and tougher look to the group. But their acting and ’emotional reflection’ scenes don’t really go well with that. I honestly don’t know why I felt this mismatch strongly in the video because it is the same thing that I watch every single day when I watch multiple KPOP music videos.

Like I said above, the return to the stronger sound meant the return to even more powerful choreography. And that is what we got here. It’s tough, sharp and amazing. The “Tell Me How To Cry” dance move looked quite cool. The choreography during the chorus was definitely the highlight and fitted in well with the dramatic side of the song.

Song – 9/10
Music Video – 5/10
Performance – 8/10
Overall Rating – 7.5/10

[Review] L.U.V – BTOB

Due to this week’s lack of releases, I have decided to take some time and focus on the Japanese releases by KPOP groups. For the next two days, I will be releasing reviews for Japanese songs released by Korean boy groups. I will find some time (most likely after my exams) to do some reviews for JPOP songs released by Korean girl groups. Today’s focus is BTOB’s L.U.V, which was released in June last year. This is BTOB’s first single to top the album charts in Japan.

Out of all the song that I have chosen to review, BTOB’s L.U.V is the only one from last year. That is becaucse in the four songs, L.U.V has been my favourite and left the biggest impression. This song alone cements their vocal capabilities and continues on from their ballad trilogy (It’s Okay, Way Back Home and Remember That). The raps in the song are equally as great. But I think the vocals still steal the show. The ad-libs, which are commonly found at the end of the song, feature after the first chorus, which makes it different. Out of all of the BTOB ballads that I have heard, I think this one showcases the most emotions in both vocals and raps. I love the layering towards the end of the song. The ballad has the traditional ballad instrumental, which isn’t anything fancy, but it accompanies the vocals and raps gave a really dramatic theme to the song. Overall, I pretty much enjoyed the song, from when it was released to even today!

Matching the emotions felt in the song, the video showcases the same emotions into a story format. The main story featured was with Hyunsik and his partner. She had already passed away and Hyunsik cannot stand being without her. So he jumps off the top of a building to his death. At the end you see him running to his girlfriend in the afterlife, which I supposed shocked her. The other members are also featured in the music video and are there for more symbolic reasons, such as Changsub with the ballons, which represents the loss of one, then two lives. The use (or lack of colour) in the video was amazing as well, showing both sides of life in a very intresting way. The member’s acting is quite superb. Overall, it is a well thought out video that accompanies the song perfectly.

Song – 9/10
Music Video – 10/10
Overall Rating – 9.5/10

[Review] New Face – Psy

Yesterday, I wrote and posted one-half of the review for Psy’s latest comeback with his 8th album, 4×2 = 8. That review was centred around I Luv It. This particular review is for the other title track of Psy’s comeback, New Face.

Right off the bat, the brass catches your attention. The synths then kick in to transform it into one damn good song. Like most other post-2012 Psy songs, the level of addictiveness and catchiness for this song is quite high. However, the song makes me want more. It lacks bass, which could have transformed into a more impactful and strong song. The different segments feel like the song had multiple sounds smashed into one. But they give an interesting and dynamic appeal to the song, which makes me going back for more. His voice must be noted mainly because it showed different sides to the artist. He has a clear and strong rap voice. But his raspy pre-chorus vocals add to that dynamic feel as I mentioned before and that did make me go “Woah” in a good way when I first listened to the song. While I enjoyed most parts of the song, I felt the “anthem” of the song, where the dance break kicks in and Psy repeats “New Face”, didn’t necessarily have enough hype around it, leaving it feeling a tad dull and empty.

Like I Luv It, this music video also features Na-Eun, the youngest member of A-Pink. She joins the list of female artists who have joined Psy in the filming of the music video, which includes Hyuna, Gain from Brown Eyed Girls, CL from 2NE1 and Ha Ji Won (an actress). And she does a spectacular job with her presence in the music video. She features all throughout, joining Psy in his many costumes. They do act a while, while Psy lip syncs, but when that amount approaches in the song, they both dab for the camera. Honestly, I thought the video was of a great standard, joining the memorable music videos that Psy has released. I did think that the filter or colour of the video was a little off, but it didn’t ruin the video for me. I find the scene where they are on the escalator quite interesting. I wondered what happened when they got to the top.

Like yesterday, we have yet to see a full dance performance of New Face. That being said, the music video features (what I think is) enough to say that this is a pretty cool dance. It looks tiring, but Psy will manage somehow to pull it off, like he has done so with all of his dances. While the dab combo could potentially become another dance hype, the dab seems a little outdated (I sound like an old grumpy person, I know).

Song – 8/10
Music Video – 9/10
Performance – 8/10
Overall Rating – 8.5/10

[Review] I Luv It – Psy

Psy has finally returned with his 8th album, 4×2 = 8. For those who don’t remember who Psy is, he is the guy behind the worldwide hit, Gangnam Style. His last comeback was in 2015, where he promoted Napal Baji and Daddy (ft. CL). His latest album features two title tracks, I Luv It (reviewed today) and New Face (review for this will be released tomorrow). He had also enlisted artists Bobby (iKON), B.I (iKON), Taeyang (Big Bang), G-Dragon (Big Bang) and Zico (Block B) who either featured or participated in the production of Psy’s latest album.

I have to be honest, but I Luv It is a really groovy song. It’s another one of those songs that you feel the need to get up and dance. The song falls very nicely within the KPOP sound. The synths in the song are pretty good and they come together to give you an addictive song to listen to. The one thing that I am starting to notice but it follows up from Psy’s past hits. It attempts to deliver something new, but rather it feels very traditional and ‘done before’ (if you know what I mean). The one reason why everyone was drawn to Gangnam Style was because it was different. But here, from the sound (to even the other aspects of the comeback), everything felt similar and ‘done before’. However, that probably won’t stop me from replaying this song over and over again. I honestly did enjoy it and I loved that small Michael Jackson “yoo hoo” in the chorus, which did catch my attention the first time I heard it. Not entirely sure about the changeup of the song where the bridge is usually found, but overall, a truly funky song.

The accompanying video felt like a very Psy centred music video. Mainly because there were a million carbon copies of Psy in the video. But there is that Psy vibe to music videos that appear every single time. And that made it feel like it was ‘done before’. Which is a little disappointing, because I thought he would do something a little more different. That being said though, he invited two big names to this particular music video. Lee Byung Hun, a very famous Korean actor (who has starred in a few Hollywood movies) and the Pen-Pineapple-Apple-Pen guy, Pikotaro (still don’t know why that became a meme though). Overall, I thought the video was fitting for the song and it was also a pretty good video.

While there is no live performance yet, I think just watching the music video could give me a good enough glimpse into the dance routine. I personally think it has the potential to become another big dance hype. Joining the music, it seems the moves and the song were meant to be. However, I don’t think it would ever reach the level of his other famous dance, mainly because this one looks a little more complicated.

Song – 8.5/10
Music Video – 8/10
Performance – 9/10
Overall Score – 8.5/10

[Review] Dance Dance – DAY6

The 6th of May just went by and that means another DAY6 release. It has been 5 months so far and I have to admit that their monthly release system is doing a wonderful job. Sure, they might not be appearing on the charts but I am 100% sure that with their different sounds in the last 4 months, their fanbase has grown exponentially. This month release actually occurred on the 8th, as the 6th was a Saturday and it is rare (but not unheard of) for artists to release songs on the weekend. Last month they released I’m Serious, which seemed to start off the Summer season for them.

If you are looking for a fun rock song to listen to, I think you have just stumbled across the right song. The guys have returned to their rock sound that I think suits them the best. However, instead of an emotional sound, the guys have decided to have a little fun with their sound. Not exactly saying the song went weird but rather they adopted a more bright and happy vibe. The song sounds like it can fit within the soundtrack of any American suburban-set TV show that involves teenagers. The song is extremely addictive and their vocal work has to be the best yet here. That silence part after the bridge of the song does wonders and kept me at the edge of my seat. And then we were thrown back in the head-banging and foot-tapping quality music. The “I Feel Good, baby, I Feel Great” turns it into an anthem and had me singing along to it. The song only came out a few hours ago but I can already see it dominate my playlist this week. Overall, an amazing song.

The music video suits the song perfectly. Essentially, you will witness DAY6 getting a little wild and crazy in the music video, while they perform in their recording booth/room. And that fits the fun and cheerful vibes the song is going for. And I have run out of things to say with this music video. Mainly because I summarised the video within just one sentence, leaving me without much else to say.

Song – 10/10
Music Video – 10/10
Overall Rating – 10/10