Category: Album Reviews

[Album Review] ROVER (3rd Mini Album) – KAI (EXO)

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Finishing off today is the album review for Rover, KAI’s 3rd mini-album. Rover is KAI’s last album release prior to his enlistment in the military. However, we did get to see KAI in the two EXO pre-releases for EXIST (EXO’s more recent album release). Anyway, back to Rover. The mini-album was released back in March of this year, and features the title track of the same name and five other side tracks.

To me, Rover is a mix bag of an album release. There were some really good songs on the mini-album. But other songs earned a luke-warm response from me. Find out which songs on Rover got what type of response by reading the rest of the review below, and let me know if you agree with my sentiments of Rover and the individual songs.

Rover Album Cover

1. Rover (Title Track) – Click here to read the full review for Rover. (9/10)

2. Black Mirror – Black Mirror is a solid hip-hop track that provides commentary on our dependence on social media on our phones, with the title Black Mirror making reference to what the phone becomes when it is off or not in use. I liked how the producers kept the song low, which takes advantage of KAI’s deeper tone quite well. On the flip side, however, I just found it hard to connect as there wasn’t anything memorable or catchy coming the song, especially when it came to the choruses. (7/10)

3. Slidin’ – With the R&B genre in play, Slidin’ enables KAI to bring a sensual tone to the song, which per past tracks sees KAI in familiar territory. This sensual tone allows more appealing moments to come to life, which helps makes the song more appealing and notable (when compared to the preceding track). The instrumentation, for the most part, consists of a continuous loop of a harp-like synth and trap elements. A heftier set of string comes into play at the very end of the song. Despite its late introduction in the song, it interestingly felt well-placed and (retrospectively) allows Slidin’ to finish on something that isn’t what we have heard previously in the track. (8/10)

4. Bomba – Bomba is the side track on this mini-album that caught my attention when the mini-album was released months ago. And it still continues to stand out for me. Bomba goes for a reggaeton-inspired instrumentation, whilst also bringing a pounding rhythm and some really nice synths into the mix. All of this makes Bomba into an effective track. KAI’s vocals were quite well executed and lively in this track (comparison to the other songs on the mini-album), and the melodies and repetitive hooks are all very catchy and memorable. A definite 10/10 for me. (10/10)

5. Say You Love Me – Say You Love Me returns the mini-album back to R&B and hip-hop territory. I found this track to be super easy to get into and enjoy, with a simple yet catchy chorus driving this home for me. I also really like how KAI becomes dynamic in his vocals and rapping in this track. My biggest gripe about Say You Love Me is that quivering synth we hear in the background. It just gives off an unstable vibe, which I didn’t think the song should be exuding. (7.5/10)

6. Sinner – Sinner begins with KAI’s deep yet monotonous-like vocals and a very minimalistic yet atmospheric instrumentation consisting of piano and synthesizer. I did wish the instrumentation in the beginning was a little tighter, just so KAI’s vocals felt more form-fitting. You kind of need to stick around to fully appreciate Sinner, which the start of the song might undermine. I personally felt that the producers went a touch too light on the instrumentation in the beginning, which might turn people away who gets the impression that Sinner is plain and lacking. If you do stick around, Sinner changes gears and intensifies towards the end of the song, allowing the synthesizer to take over the song and close it out in a well-rounded manner. (8/10)

Overall Album Rating – 8.3/10

Rover Teaser Image

[Album Review] seOul cOllectiOn (5th Mini Album) – OnlyOneOf

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The next album to be reviewed on the blog is OnlyOneOf’s seOul cOllectiOn, which was released back in March of this year. This is my first time reviewing an album from OnlyOneOf. They have such different music to other artists in the past, so I thought I give them an album a try and see what else they have to offer. Apologies that it has taken me a while to actually get around to reviewing on their albums.

In my opinion, there is a bit to like on this mini-album, which includes the title track seOul drift (which, spolier alert, is the lowest ranked track on the mini-album, in my opinion) and six other sides tracks (2 of which are the Korean version of previously released Japanese singles and another is the English version of a previous Korean track promoted by the group). I won’t tell you the title of those songs, so scroll on down to find out what they are and to check out my thoughts on seOul cOllectiOn.

seOul cOllectiOn Album Cover

1. chrOme hearts – Originally released a Japanese single, the Korean version of chrOme hearts kicks off this mini-album (retitled as chrOme hearts). The start of the song takes me back to their libidO era. But as chrOme hearts builds, the beat gets harder and the EDM synth choice becomes so much more metallic and unique. chrOme hearts ends up being quite an intense and powerful number. The vocals, especially in the choruses, were so sleek and I really enjoyed how fitting the gritty texture of song. a standout from the very beginning. (10/10)

2. seOul drift (Title Track) – Click here to read the full review for seOul drift. (6.5/10)

3. mirage – Briefly moving away from the synths and EDM is mirage, which brings forth acoustic guitar and softer beats to the mini-album. It holds very well after all of that intensity and power. The track is detailed with some jazzy touches, which gives it a classy feel. The jazzy touches also serve as the backing for the raps, which gives mirage some oomph. I also really like how breathy the vocals are and the flowy melodies the vocalists bring to life in the song. (7.5/10)

4. candy bOmb – The synths return in candy bOmb. I really like how deep the synths go in this track, while the beat keeps the track going forward. The tempo of candy bOmb is very quick – the saying “blink and you will miss it” applies to this song. I wished the melodies and vocals were a bit more developed. There is some catchiness to them, but they really need to be more memorable to offset the tempo. The bridge of candy bOmb is a complete 180, going into a dreamy mode for a matter of seconds, before the main beat and synths come back to close out the song. (8/10)

5. blueblueseOul – blueblueseOul is the Korean version of Hidoi Otoko, a Japanese single which comes from the group’s Cunning Woman single album. I really like the atmospheric vibes that kick off the song. While the atmospheric vibes continue in the background, the beat and guitar work grounds the song. We get breathy vocals once again, which sound blissful in blueblueseOul. It was a nice listen, and paired with the instrumentation, is well produced and amazing track. (9/10)

6. nabi – The final new track is nabi, the group’s answer to the obligatory ballad for every KPOP album release. It is nice to hear the group away from the intensity that they build their image and sound upon. It is a delicate number, with the members sounding soothing and the instrumentation gives off that swaying effect I look for in balladry numbers. However, I wished there was a more memorable melody to pull me back to the song. (7/10)

7. dOra maar (English Version) – I haven’t actually reviewed dOra maar yet, even though it has been over three years since its original release in Korean. It is a slow R&B dance track which is quite engaging to listen to. The members do an amazing job with the delivery of the track, bringing a mature and sensual tone to life. I enjoyed the clanging beat, which is a bit different. I did wish there was a bit more to the song towards the end, just to give the song a bit more edge and keep it interesting. But overall, a strong reason for me to revisit some of their earlier works. (8/10)

Overall Album Rating – 8/10

[Album Review] READY TO BE (12th Mini-Album) – TWICE

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Today’s album review is for TWICE’s 12th mini-album, READY TO BE. Released back in March of this year, READY TO BE features the title track SET ME FREE (and the English version of the song), the all-English pre-release single MOONLIGHT SUNRISE and 4 additional side tracks. It also serves as the group’s first Korean album release since BETWEEN 1&2 from August of last year.

I have checked my records and READY TO BE is my pick for the best TWICE album yet, earning the highest ‘Overall Album Rating’ ever for a TWICE album since I started reviewing TWICE’s albums in 2017 (I know, I have missed a few albums released prior to 2017). While the title track and pre-release had the lowest rating on this mini-album, the side tracks on READY TO BE really pulled through and boosted the mini-album to the high rating. And I think they deserve some recognition for this, so I have inserted a recommended icon at the bottom of the review, so that you know this mini-album is additionally worthy of a listen if you are ever looking for one.

READY TO BE Album Cover

1. SET ME FREE (Title Track) – Click here to read the full review for SET ME FREE. (8/10)

2. MOONLIGHT SUNRISE (Pre-Release Single) – Click here to read the review for MOONLIGHT SUNRISE. (7/10)

3. GOT THE THRILLS – GOT THE THRILLS is honestly a standout track for me. The chorus is without the doubt the best aspect of the song. Here, Jihyo, Nayeon and Jeongyeon’s vocals really packing a punch. The rest of the members did a really nice job in this dance-pop track, as well. I also liked how beachy and summery the instrumental is, particularly during the verses and the synth selection. The speed of the instrumentation was also perfect and really gets you going. If you want a blast of energy, then GOT THE THRILLS is the song for you. (10/10)

4. BLAME IT ON ME – We enter rock territory with BLAME IT ON ME. Again, it is a solid song. The song features grungier vibes of the instrumentation which I find to be an unexpected yet fitting sound for TWICE. The song also thrives with amazing vocals from each of the members, particularly the main and lead vocalists really coming through in the song once again. The pre-chorus tones back the song, which serves as an extra treat for the listeners as this allows the choruses to become explosive and so much more impactful. My only gripe with BLAME IT ON ME is the processing of Dahyun and Chaeyoung’s vocal work in the bridge of the song. I am not a fan of the filtering that happened here. (9.5/10)

5. WALLFLOWER – WALLFLOWER brings a subtle Latin feel to the mix. It tones back the album a bit, as the song doesn’t have much of an impact, which the preceding tracks had. However, WALLFLOWER comes together and holds quite well. The vocals captivate, and they bring WALLFLOWER such so much charisma and matureness. The rapping was also well executed. I also enjoyed the groovy undertones of the single. I wished they somehow incorporated some more oomph to the song, just so it feels on par with the other smashing songs. (8.5/10)

6. CRAZY STUPID LOVE – It is the melodies that steal the show of me in CRAZY STUPID LOVE. It just makes the song so easy to get into and brings a nostalgic factor, a feeling that is very much built upon by the early ‘00s pop-rock instrumentation. Unlike all of the songs before it, the best showing of vocals for this song are in both the verses and choruses. I also can hear their passion and emotions in this track, which makes it a very successful number on the mini-album. (9/10)

7. SET ME FREE (English Version) – See above for the review of SET ME FREE.

Overall Album Rating – 8.7/10

MOONLIGHT SUNRISE Teaser Image

[Album Review] MASTER: PIECE (5th Mini Album) – CRAVITY

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Next up on the album review block is CRAVITY’s MASTER: PIECE, the group’s fifth mini-album since their debut in 2020. The mini-album was released in March this year. Leading the mini-album is the single Groovy and five side tracks. It follows the group’s 2022 PARTY ROCK era and their fourth mini-album NEW WAVE, which I reviewed previously earlier this year.

While MASTER: PIECE is not necessarily a masterpiece in itself, it is still a solid mini-album from the group. I didn’t find a single song in which I disliked and the group really showed themselves off in this mini-album. As such, I have placed a recommended sticker at the bottom of the review, just to indicate that I would recommend this mini-album (if you are looking for new music to listen to!).

MASTER: PIECE Album Cover

1. Groovy (Title Track) – Click here to read the full review for Groovy. (8.5/10)

2. FLY – I have been listening to a few musical numbers lately and FLY definitely hits that spot directly. It is such a super duper vibrant and upbeat track, and the members make it a casual and fun affair. The opening synth and electrical guitar work were such a cool opener, and this combination brings out a funky tinge to the song when it reappears as an instrumental break. I also really liked slight change in momentum in the chorus. Overall, it is all very catchy and a strong side-track. (9/10)

3. Get Lifted – Get Lifted merges a hip-hop motif with a rock instrumentation. While I did like Get Lifted, I think there were moments (i.e. the rapping in the verses) that could have gone harder. The vocals bring a neat pop colour to the song, but I think the strongest aspect of the song was within the choruses. The anthem approach taken, hype energy, and the crunchy guitar work makes it a very cool centrepiece. (8/10)

4. Baddie – The rock elements carry on from the previous song, but Baddie sees the rock intensifies, creating an urban rock track that I am all for. Many elements stand out in Baddie, but it is the instrumentation that really wins me over. It has this slightly grungy, bad boy vibe, a sound that feels like CRAVITY is very much in their element. The electric guitar work, particularly in the instrumental break, was awesome. Elsewhere, the members executed this track perfectly, with both vocals and rapping earning big praises from me. (10/10)

5. A to Z – A to Z attempts to bring a new and different sound to the album, thanks to the fast beats and synths that come together to create something synthwave-esque. But there is some pop mixed into the instrumentation to give it a more upbeat and buoyant feel. The vocals and rapping were solid efforts, but I wished there was something more within these elements (i.e., texture) to add additional flair to level-up A to Z. (8/10)

6. Light The Way – As an ode to fans, the album ends with Light The Way, which is an acoustic ballad-like track. It serves as a heartwarming ender to the album and brings out some wholesome feelings from the group. I enjoyed the repetitive backing vocals in the choruses and appreciated the flowy melodies of Light The Way. (8/10)

Overall Album Rating – 8.6/10

MASTER: PIECE Teaser Image

[Album Review] BE AWAKE (8th Mini Album) – THE BOYZ

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The next album to be reviewed on the blog is THE BOYZ’s BE AWAKE, the group’s 8th mini-album, which was released back in February of this year. The mini-album features the title track ROAR and five additional side tracks. This comeback is the first comeback from the group since BE AWARE / WHISPER in 2022 and also marks the return of Eric, who had taken a hiatus due to health reasons in early 2022.

If there was one aspect that was showcased in most (if not all) songs on BE AWAKE, it was THE BOYZ’s vocals and rapping. I particularly enjoyed their deep and raspy vocal tones featured in the first half of the mini-album, and how well fitted (and sometimes unexpectedly good) the rap sequences were on this mini-album. This consistent showcase of the members really helped make BE AWAKE a captivating mini-album and is a definite improvement from BE AWARE (which got a fair reaction from me). Check out the mini-album below to see if you agree with me (and my overall rating of the mini-album)!

BE AWAKE Album Cover

1. Awake – Kevin’s narration at the start, the group’s vocals and rapping were bone-chilling and so riveting to listen to. The R&B and EDM instrumentation for Awake came together to create a paced and sensual atmosphere, with the members really showing the latter through their deep and raspy tones. The song also features elements from the title track, which makes it an ideal track to kick off the mini-album and lead into the title track that follows. (9/10)

2. ROAR (Title Track) – Click here to read the full review for ROAR. (7.5/10)

3. Blah Blah – Blah Blah changes up the mini-album, diverting to a brighter territory (compared to the opening and title track). The producers of Blah Blah do maintain the deep tones from the earlier in the songs, allowing the track to still fit into the mini-album. But they offset this with some subtle groove in its melodies and hooks. However, I did think there was room for Blah Blah to do a bit more on these fronts, just to make the track more appealing. That being said, though, Blah Blah’s central piece was smooth and velvety to listen to. (8/10)

4. Savior – The 4-minute track on this album has a lot of great moments/elements. Some of my favourite include the hard-hitting and dynamic rap that changes up Savior out of nowhere; the groovy EDM that without a doubt enables THE BOYZ to show off some create choreography; and the sensual energy from the R&B motif at the start of the song, showcasing the members’ vocals. Savior pulled me back a few times when the mini-album was released, and it continues to do so months after its release. Definitely a sign of a great song. (10/10)

5. Horizon (숨) – Horizon is the BE AWAKE’s answer to a ballad piece. The instrumentation is made up of a range of balladry regulars, such as acoustic guitar, piano and orchestral strings. I liked that the track builds as it progresses, ending with some dramatic drumming. This helps makes the ballad more riveting, yet also maintaining a peaceful exterior. In addition to that, the vocals and rapping in the track are so captivating to listen to. A strong ballad, overall. (8/10)

6. Diamond Life – Ending the mini-album is Diamond Life, which has a lot more crunch thanks to its electronic synths. I vividly remember when I first checked out the album months ago, this track caught me off guard (more so scared me) as it a dynamic and bolder track following on from a calm and peaceful ballad. There are catchy bits in the song, and the vocals and rapping were solid works from the group. I would have liked Diamond Life to have a bit more of a zing to it, just to close out the mini-album on a lesser consistent note (as the song does feel a bit repetitive after listening to it a couple of times. (8/10)

Overall Album Rating – 8.4/10

ERIC’s teaser image for BE AWAKE
YOUNGHOON’s teaser image for BE AWAKE
SUNWOO’s teaser image for BE AWAKE
SANGYEON’s teaser image for BE AWAKE
Q’s teaser image for BE AWAKE
NEW’s teaser image for BE AWAKE
KEVIN’s teaser image for BE AWAKE
JUYEON’s teaser image for BE AWAKE
JU HAKYEON’s teaser image for BE AWAKE
JACOB’s teaser image for BE AWAKE
HYUNJAE’s teaser image for BE AWAKE

[Album Review] Cabin Fever (5th Mini Album) – PURPLE KISS

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Today’s album review post focuses on PURPLE KISS’ fifth mini-album, Cabin Fever, which was released back in February of this year. Alongside the title track Sweet Juice are five additional side tracks. PURPLE KISS hails from RBW, which is home to artists whom I have written albums reviews for constantly in the past such as MAMAMOO, ONEUS and ONEWE. And with two albums (memeM and Geekyland) already reviewed – both of which shows promise behind PURPLE KISS, it makes perfect sense for me to revisit PURPLE KISS under this segment of the blog and to review their latest mini-album.

And like in the previous album reviews, Cabin Fever is another indication of the talent and promise behind the female group. Unfortunately, the title track Sweet Juice happens to be the weakest song on the mini-album in my opinion. But the rest of the mini-album is very strong, so do check out the other tracks below!

Cabin Fever Album Cover

1. Intro: Save Me – Save Me is a spine-tingling introduction to the mini-album, and is probably their best introductory track to date. I really liked the mysterious and eerie atmosphere that both the music and vocals contribute to. Save Me is also all in English and also has a performance video associated to it. Just like the track, it is worth a watch, as well. (8/10)

2. Sweet Juice (Title Track) – Click here to read the full review for Sweet Juice. (7.5/10)

3. T4ke – T4ke changes the atmosphere of the mini-album, diverting the release down a more sinister route. It is still eerie listen just like the above tracks. But to me, it feels more driven by a main character than just imposing that feeling on the listener. The instrumentation does a really good job of bringing that all of time and is also feels textural loaded. Yuki’s rapping is very gripping, while the harmonies at the end between Goeun and Chaein were amazing. (9/10)

4. Autopilot – Retro synths open and stay a constant in Autopilot. It reminds me of EVERGLOW’s music and easily could have rivalled the likes of LA DI DA (which to me is still their best song to date). Autopilot is more refined and less punchy, but still has that similar tinge. Back to PURPLE KISS, their vocals in Autopilot were so crisp and clear, and this is one of the best elements of the song. They just brought such a vibrant feel to the retro number. The acoustic finish (courtesy of Swan) was a very nice yet unexpected twist to the song. As much as the change is a complete 180° from the rest of Autopilot, it is such a well-executed moment that it is hard to dislike. (10/10)

5. agit (아지트) – I think the biggest problem is that agit wasn’t released closer to the summer season. It is just a bright and upbeat pop number, perfect for the summery season. The instrumentation felt refreshing and super fun. If anything, the vocals could have been a little chirpier and buoyant, but the group still pulled off a solid effort nonetheless. Yuki’s rapping was just perfection and just gave such a nice pop vibe to the song. (9/10)

6. So Far So Good – So Far So Good is a pop ballad that highlights the group’s sweet and pleasant vocals. Once again, the crisp and clear vocals just make this song. The instrumentation is pretty basic and simple, but yet it provides a nice backing to this melodic number. Together, the song has this calming and comforting presence, ending the mini-album on a more loveable and brighter note than the dark and eerie likes of the opening and title tracks of the mini-album. (8/10)

Overall Album Rating – 8.6/10

Cabin Fever Teaser Image

[Album Review] Killer (2nd Studio Album Repackaged) – KEY (SHINee)

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Following on from the release and promotion of KEY’s second studio album GASOLINE in August 2022, KEY made his solo comeback earlier in February 2023 with the repackaged album of the second studio album, retitled as KILLER. The repackaged album features all the songs from the GASOLINE studio album (including the original title track of the same name) and three new singles, one of which serves as the title track and is also titled KILLER. Today’s review obviously focuses on the new additions to KEY’s second studio album. However, if you want to view the original album review for KEY’s second studio album (there are a few amazing nuggets on there), do check it out via the links above.

The new singles featured on KILLER are consistently great, each earning the same rating based on my scales. But each single just does not feel right with a perfect rating, hence the consistent ratings of and average of 9/10 for the new songs. When considering the entirety of the GASOLINE and KILLER era, the consistent 9/10 ratings for the new songs actually help bring the overall album rating (of 14 songs) to 8.7/10, which is still ‘great’ territory.

KILLER Album Cover

1. KILLER (Title Track) – Click here for the full review of KILLER. (9/10)

2. Heartless – Heartless incorporates a serious bout of rock into the album, but does so in a playful manner that feels nostalgic. I do like how the song goes between seriousness and fun, creating a unique range that we don’t see that much in the confines of a particular song. The seriousness comes through most intensely during the moments when KEY is rapping, while the playful comes through the most during the song’s most melodic sections like the pre-choruses and choruses. In terms of execution, Heartless is a successful song and a highlight of the repackaged album. (9/10)

6. Easy – The third and final new song on the repackaged album is Easy. This track is a lot moodier, compared to the previous song. The track is a mid-tempo pop song a consistent atmospheric instrumentation, accented by dramatic thumping beats. Both these combined to create an alluring piece. KEY’s vocals complement this instrumental piece quite well, creating a captivating listen. I also really liked how his vocals soars in the song. (9/10)

Overall Album Rating (including the songs from the GASOLINE album) – 8.7/10

KILLER Teaser Image

[Album Review] Second Wind (1st Single Album) – BSS (SEVENTEEN)

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BSS (Boo Seungkwan, Lee Seokim aka. DK and Kwon Sooyoung aka. Hoshi of SEVENTEEN) made their highly successful and popular comeback back in February of this year with Fighting (ft. Lee Young Ji). It is also one my favourite singles of the year thus far for its encouraging and positive message and exciting energy. Released alongside Fighting are two other singles, which forms BSS’ first single album Second Wind. This comeback also marked the trio’s first release since their debut back in 2018 with Just Do It. My overall comment on Second Wind is that the single album is fairly consistent, but a good listen nonetheless.

Second Wind Album Cover

1. Fighting (ft. Lee Young Ji) (Title Track) – Click here to read the full review for Fighting. (8.5/10)

2. LUNCH – LUNCH tones down the single album with a neo-soul R&B track, going with a much less “in-your-face” approach compared to the title track. The instrumental was a groove, and super enjoyable. The vocals here are much more soothing and delicate, which I very much appreciate following the likes of Fighting. The melodies are also pleasant. While all the of the above is good, LUNCH faces a bit of a repetition issue. I do feel like my interest of the song wanes as the song progresses. But overall, a good listen. (8/10)

3. 7PM (ft. Peder Elias) – Rounding out the single album is 7PM. It is a soft pop ballad, half in Korean and the other half is in English. This was a lovely pleasant listen, with melodies that is bound to make you smile. 7PM also features Peder Elias (who leads the English half of the song). Peder’s vocals meld extremely well with BSS, creating a harmonious and inviting atmosphere in the final song. (8/10)

Overall Album Rating – 8.2/10

Second Wind Teaser Image

[Album Review] The Name Chapter: Temptation (5th Mini Album) – TXT

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Ahead of the release of TXT’s new collaborative single with the Jonas Brothers next month, I am finally getting around to reviewing TXT’s fifth mini-album, The Name Chapter: Temptation. This mini-album was released earlier this year and features the title track Sugar Rush Ride alongside four other songs. Once again, this mini-album is a great release from the group, proving the group’s music appeal. Throw in their unique concept for this mini-album and amazing visuals (as seen in the feature and teaser image at the end of the video), TXT definitely knows how to appeal to their audience!

The Name Chapter: Temptation Album Cover

1. Devil By The Window (자정의 창가에서 만난 악마의 목소리는 달콤했다) – Despite having a Korean title, the lyrics of Devil By The Window is completely in English. It is a super ear-catching opener to the album, with the mix of pop rock and pounding bass being quite a drawing factor. I also enjoyed the underlay of funky and groovy undertones in the choruses. The vocals were amazing, with each member adopting a very low and breathy tone which comes off as sensual and intriguing. The pre-choruses were so melodically driven and brought on an undeniable swaying motion state. The vocal only ending to the song felt like you were drifting out of conscious (like falling asleep), while the abrupt ending/final breath leaves you hanging for me. There is a lot to like in Devil By The Window, and opens the mini-album in spectacular and alluring fashion that you would expect from TXT. (10/10)

2. Sugar Rush Ride (Title Track) – Click here to read the full review for Sugar Rush Ride. (7.5/10)

3. Happy Fools (ft. Coi Leray) – Happy Fools is a peppy pop track that feels refreshing. To be honest, the track pop-centric approach is pretty standard and feels relatively safe, compared to the other songs on this mini-album. But it is still a number that is fun and playful. The hooks were catchy and the bossa nova intro was a great intro. Coi Leray’s featuring brought an extra buoyant feeling, driving up that upbeat factor of the song. (7.5/10)

4.Tinnitus (Wanna Be A Rock) (돌멩이가 되고 싶어) – Afro-beats come into play in Tinnitus, which gives the song a groove and a vibe that you just want to move your body to. There honestly isn’t much to the instrumentation, but it is what the producers and TXT do with the beats that are present that makes Tinnitus a standout. The rhythm and flow of the song (thanks to the afro-beats) complements the melodic direction of the song and the members do a fantastic job of expressing themselves without doing too much and overbalancing the song. They too also contribute to the groove in Tinnitus. (9/10)

5. Farewell, Neverland (네버랜드를 떠나며) – Latin influences find itself effortlessly weaved into this pop rock song. This alone gives Farewell, Neverland so much character. On top of that, the pounding beat and bass we hear in Farewell, Neverland adds definition, while the members give off a vivid tone with their vocals. There are also falsettos and breathy tones in the song, which were on point. I really liked the melodic approach taken in Farewell, Neverland overall, which smooths you out of the mini-album. (8/10)

Overall Album Rating – 8.4/10

The Name Chapter: Temptation Teaser Image

[Album Review] Chapter 0: WITH (1st Mini Album) – Jinyoung (GOT7)

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Jinyoung released his solo debut mini-album, Chapter 0: WITH, back in January of this year, prior to his military enlistment last month. It is lead by the single Cotton Candy and features an additional four songs (including the side track Letter, which also got the music video treatment). Jinyoung is the final member of GOT7 to make his solo debut, who I noted continued to focus on his acting career following GOT7’s departure from JYP Entertainment back in 2021 in the Cotton Candy review. Despite that, Jinyoung is not the final member of GOT7 to be reviewed on my blog. So, once again, an apology to Yugyeom. Hopefully, I will actually review one of his solo singles soon.

As for Jinyoung, he leaves us for the next two year or so with a really beautiful mini-album, which focuses more on his softer side and vocal tones. Ballads were the main feature of this mini-album, but there were some artistic ones that just sound so good. So, if you like ballads, definitely explore this mini-album. More on the individual songs below.

Chapter 0: WITH Album Cover

1. Animal – Chapter 0: WITH starts off with Animal, a beautiful and stunning ballad. The classically traditional balladry instrumentation of Animal stands out for its super captivating properties and being a stilling backing piece. Without even consideration of the vocals/lyrics, the instrumental adds a layer of emotions and complements Jinyoung’s vocals wonderfully. Whilst on the topic of vocals, Animal shows Jinyoung’s vulnerable side, as he expresses his feelings and emotions around loneliness and heartbreak following an unsuccessful relationship. But even without the context or translations of the lyrics, Animal manages to still hit hard – confirming Jinyoung’s skill of captivating the audience. (9/10)

2. Cotton Candy (Title Track) – Click here to read the full review for Cotton Candy. (8/10)

3. Our Miracle (너를 만남이란 기적) – Following the title track is Our Miracle which feels like a callback to JJ Project’s second mini-album era (Verse #2). Our Miracle features some riveting instrumentation through the use of electric guitars and synths. The guitar work was particularly intriguing and gives the track so much uniqueness. The combination gives the song texture, but yet Our Miracle manages to also come off as consistently smooth. Jinyoung’s vocals are the main driver of this (but the instrumentation manages to contribute to this as well) and he oozes so much personality in this song from his vocals. Overall, a favourite of mine from this mini-album. (10/10)

4. Sleep Well – We re-enter balladry territory with Sleep Well. But rather than having a repeat of the classical instrumentation we heard in the opening track, Sleep Well continues the use of electric guitars from the previous track and incorporates some trap elements as well. Despite these elements usually lending well to more upbeat numbers, Sleep Well comes off as soothing and peaceful for the most part. When it comes to the choruses, however, Sleep Well pulls off a soft yet impactful punch that helps give Sleep Well a moment of memorability. Once again, Jinyoung sounds really nice in the track, but his vocals are lesser compared to the above tracks. (8/10)

5. Letter (편지) – Acoustics and classical instrumentation close out Jinyoung’s first mini-album. Again, the instrumental diverts the song back into balladry territory, but the combination of Jinyoung’s vocals in the verses and the resultant combination of acoustics and classical instrumental gives Letter a folksy tinge. This is interesting and stunning in its own way. It is a beautiful ender to the mini-album and leaves us with a beautiful song whilst Jinyoung is away on his military enlistment duties. (8/10)

Overall Album Rating – 8.6/10

Chapter 0: WITH Teaser Image

[Album Review] Stamp On It (1st Mini Album) – GOT the beat

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The next album to be reviewed on this blog is GOT the beat’s first mini-album, Stamp On It, which was released way back in January of this year by SM Entertainment’s super female group – BoA, Taeyeon and Hyoyeon (SNSD), Wendy and Seulgi (Red Velvet) and Karina and Winter (aespa). It is led by the title track of the exact same name, and features an additional five tracks. If I had to share my thoughts on this mini-album and GOT the beat as a whole, I choose to echo part of the final sentence of song section of the Stamp On It review I wrote back in January this year – “a strong lineup, but yet the song choices for promotions have been a total letdown.” This sentiment stays true until this day. Honestly, SM Entertainment (which has been a mess this year) could have picked any song from the mini-album other than the title track, and that choice would be many times better than Stamp On It. I do prefer one track over the others, so keep on reading to find out which one of the other five songs I would choose.

1. Stamp On It (Title Track) – Click here to read the full review for Stamp On It. (5.5/10)

2. Goddess Level – While I do hear the potential behind Goddess Level, there is just too much going on in the choruses all at once. Maybe if the producers lost one layer of instrumentation in the chorus, Goddess Level would have been fine. Definitely retain the saxophone layer and the bass beat, though, as both are very cool and makes Goddess Level stand out. The vocals and rapping at certain points were very strong, while at other moments (namely the verses) were pretty bland and just doesn’t live up to the standard the stronger moments had imposed on the song. (7/10)

3. Alter Ego – Alter Ego is a grower. Not in the sense that it took a few listens to get into the track. But rather, the opening and first verse didn’t do much for me. It was moody and dark set-up for the song, but I wished there was more to it. Instead, it was the choruses/post-choruses that really wins me over. The melody and vocals in the choruses was super addictive, while the post-choruses gave such an edgy and memorable tone to the song. (8/10)

4. Rose (가시) – Deep hip-hop beats open up Rose. Then comes the exploration of silky harmonies and vocals, and some low-tone rapping, confirming the strength of the song from the get-go. As Rose progresses, the song becomes even more complex with the instrumentation taking up more electronic synths and textures, while the members showcase soaring vocals, and more alluring and darker rapping. I would have appreciated a touch more consistency in the song, as it developed. But this isn’t a major issue for me. Rose is definitely a journey, and I was not disappointed by it. (8.5/10)

5. Outlaw – If you looking for a track that is completely full of texture and abrasiveness, then Outlaw is the song for you. I liked the fact that the instrumentation was relentless in both areas and it helped the song become quite dynamic as a result. I am super impressed by the vocals and rapping in Outlaw. Not only did they contribute to the dynamism of the song, the members stood out strongly over the instrumentation. BoA’s high note was impressive and the crashing percussion/gunshots at the end was such a cool closer. (10/10)

6. MALA – MALA tones down the album, closing out the mini-album in an impeccable manner. We still have the electronic touches, but nothing as high-powered as the tracks preceding this one. Instead, we get a flowy instrumentation. The flute in the background throughout the song was quite interesting. We get the usual mix of vocals and rap in this song, but I liked the more delicate notes in MALA when it comes to the vocals, while Karina and BoA’s rapping I the bridge ended up having quite an impact. (8/10)

Overall Album Rating – 7.8/10

Stamp On It Teaser Image

[Album Review] The Piece OF9 (12th Mini Album) – SF9

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SF9 made their latest comeback in January of this year with the release of Puzzle (the title track – link below) and The Piece OF9 (the group’s 12th mini-album). Today’s album review focuses on this mini-album release. The Piece OF9 features a total of 6 tracks (including the title track) and seven of the nine SF9 members, as Youngbin and Inseong had enlisted into the military last year and Rowoon rejoined the group’s lineup after missing the promotions of SCREAM and The Wave OF9. Following this comeback, Jaeyoon also enlisted into the military.

The Piece OF9 is a particularly strong album release from SF9. I gave two songs a perfect 10/10 score and ranked the rest of the songs on the higher end of the spectrum. Find out how each song on The Piece OF9 ranked by continuing to read this post!

The Piece OF9 Album Cover

1. Puzzle (Title Track) – Click here to read the full review for Puzzle. (7.5/10)

2. Love Colour – The second track on the album is a really neat and rhythmic R&B pop piece. I liked the layering of the instrumentation, which was full of texture and felt subtly groovy. And yet, Love Colour manages to still be quite smooth thanks to the flow of the song and the members vocals, which were enjoyable. I also enjoyed the vibrant feel of the song, which allows this R&B piece to be more appealing than other R&B tracks out there. (8/10)

3. New World – New World is quite the shake-up following the likes of Love Colour. I get an epic revolutionary or an adventurous cinematic journey vibe from this anthemic dance track, which makes sense given the title of the song. The vocals and rapping were amazing, and gave off a sense of accomplishment, which was a great complement to the aforementioned vibes. A minor suggestion, but I think some more pronounced electric guitar riffs during the final chorus to electrify the end would have made New World even more epic. (9/10)

4. Fighter – Fighter is the song on the album that you really need to turn the volume up and blast out loud! There is some serious charge to the song that comes off so subtle. The chorus is super addictive and gets the adrenaline pumping throughout your body. Even the verses had some momentum, and the rapping that featured in the verses was fire. The pre-choruses were appreciably smooth and another strong aspect of the song. A clear 10/10 for me. (10/10)

5. Tight (꽉) – We enter groovier EDM territory with Tight. The bass is also quite something. The marching drumbeats in the pre-choruses were a really nice bridge between this and the preceding song, and also built great momentum towards the choruses. The choruses were doubled down on the grooviness, and also had a fun tinge when the whistles kicked in. Again, the rapping and vocals are on point in this song, particularly Hwiyoung’s expressive rapping and Jaeyoon’s stunning high note. Another 10/10 song for me. (10/10)

6. Stay With Me (Jaeyoon Solo) – From a mile away, I could tell Stay With Me was going to be the balladry song on the mini-album. Stay With Me is also a solo single from Jaeyoon. It is a nicely instrumented with the traditional piano and band instrumentation. I quite liked the electric guitar in the background, which helped give it a less typical ballad feel. Jaeyoon vocals were heavenly, and you can feel the emotions that he poured into and out of the song. (8.5/10)

Overall Album Rating – 8.8/10

The Piece OF9 Teaser Image

[Album Review] Incense (3rd Mini Album) – MOONBIN & SANHA (ASTRO)

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One of the first reviews I wrote this year was for Moonbin and Sanha’s Madness, which at the time, no one knew would be Moonbin’s final release before his unfortunate passing just a month ago. I contemplated for the last month whether I would write an album review for Incense, in case I had some negative things to say about one of the songs on the album. It wouldn’t seem respectful to the late artist (and likewise Sanha, who I am sure is still hurting over his friend and bandmate’s passing). But I am sure that Moonbin would want to enjoy his music even after he left. And I indeed enjoyed this mini-album release. Incense follows the release of WHO and REFUGE from last year.

Incense Album Cover

1. Perfumer – Kicking off the mini-album is Perfumer, which takes on the sexy side of the R&B genre. It is a short track, spanning only two minutes. But it is neat opener and it captures this side of the R&B quite well. The atmospheric instrumentation and the very sultry tone that the pair exudes through their vocals brings the sensual energy to life in Perfumer. I would have liked a more memorable ring to the song or maybe a memorable element, just to give Perfumer more of an edge. (7.5/10)

2. Madness (Title Track) – Click here to read the full review for Madness. (7.5/10)

3. Desire (이끌려) – Desire is the first of two solo tracks we get from the members. Desire belongs to the late Moonbin, and ventures back into R&B territory. This time around, some pop influences also peek through, bringing more of an upbeat and playful vibe to the song. Moonbin’s vocals are really nice and clean in the track. The chorus also has a memorable ring, which emphasises that fun side to Desire. (8/10)

4. Wish (바람) – Wish is Sanha’s solo track and it is a stunner. It is pop-rock ballad in which Sanha expresses his gratitude for the fans/AROHAs. The instrumentation had some really beautiful moments in its calmer moments and soared to some spectacular heights as the song progresses and a more prominent pop rock ballad sound could be heard. As for Sanha, his vocals were very captivating and you could feel how sincere he was. (10/10)

5. Chup Chup – Chup Chup brings the two members of the unit back together through another pop R&B track. Chup Chup is also a start of the album’s more light and endearing side. The synths makes this a very bright and friendly track, while the duo showed us a more light-hearted and carefree tone. The hooks were cute and had a ring to them, thus tying the song together quite nicely. (8/10)

6. Your Day – Your Day is the probably the most concentrated track, in terms of upbeatness and fun vibes, on this side of the mini-album. The pre-choruses pack a punch, while the chorus features a super nice and bright rhythmic disco instrumentation that I just want to dance to. Both Moonbin and Sanha make sure their vocals are bright and vibrant, giving the track an even more fun vibe. What I felt was lacking in Your Day was a more prominent hook, which could have taken the track to a whole new level. (9/10)

Overall Album Rating – 8.3/10

Incense Teaser Image

R.I.P Moonbin. You will be missed.

[Album Review] REASON (12th Mini Album) – MONSTA X

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Welcome to the first 2023 album review of the year! Yes, I know it is May. And yes, this might technically not be the first 2023 album release to be reviewed this year. But it is the official start a more focused look at the 2023 releases. Starting my ‘focused look at 2023 releases’ is MONSTA X’s REASON, the group’s 12th mini-album, which was released in early January 2023. It is also the group’s first release since most of the members renewed their contracts with Starship Entertainment (with the exception of I.M, who chose to look elsewhere for solo promotions, whilst continuing activities with the rest of the group). The main single off the mini-album is Beautiful Liar, which also dropped on the same day. REASON follows the release of their SHAPE OF LOVE mini-album from 2022.

REASON Album Cover

1. Beautiful Liar (Title Track) – Click here to read the full review for Beautiful Liar. (8.5/10)

2. Daydream – Daydream features a creepy and haunting instrumentation, a complete shakeup if you were expecting something daydreamy. It is quite unsettling, but the track stands out because of this. As for the members, they do a decent job. I like that they do lean into the eerie vibes the song gives, telling us their desire to not wake up and realize their lover had left them. But I was expecting them to really kick Daydream up a notch. While they do go in that direction at certain moments, it doesn’t get Daydream anywhere, which is a bit of a disappointment. (7/10)

3. Crescendo (춤사위) – Crescendo is your typical hip-hop track with a traditional Korean twist to the instrumentation. It is a really cool mash of traditional and modern, with both sides feeling very balanced and harmonious with another (as far as a hip-hop track can go). There was never a dull moment in the song. Alongside the instrumentation, MONSTA X kills it with the rapping and vocals, always bringing an unexpected surprise as the song progresses. A personal highlight on the album. (10/10)

4. LONE RANGER – LONE RANGER incorporates a Wild West flair, giving the song a strong sense of character from the get-go. I like how it is more subtle than other songs that have the same influence, who tend to have it more in the forefront and in-your-face usually. The flair is paired with a relentless stomping beat, giving LONE RANGER intensity and propels the song forward. The vocals are very clean and deliver the catchy hooks effortlessly. Kihyun ended the song off amazingly with his ad-lib. The rappers of MONSTA X also do an amazing job as well, with Joohoney’s second verse rap sequence having a bit of a grow and an impact oomph in the song. (9/10)

5. Deny – Deny tones down the album with a smoother approach and a jazzier undertone to its instrumentation. The song falls more into R&B territory. I like the glow that radiates from the vocalists, while the rapping gives Deny a really sleek vibe. It was an enjoyable track to listen to, overall. (8/10)

6. It’s Alright (괜찮아) – Ending on a happier tone, the album ends with the single It’s Alright where they talk about going back to their lover. The track keeps true to MONSTA X’s hip-hop roots. But this time around, they go with an old-school 90s vibe. And this makes the track so likeable. The melodies in this track are amazing, especially the English lines in the choruses. There is some really nice piano work in the background, which just adds a classy tone to the song. (9/10)

Overall Album Rating – 8.6/10

REASON Teaser Image

[Album Review] Indigo (1st Studio Album) – RM (BTS)

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It has been a long time coming, but here are my thoughts on RM’s solo debut album. Released at the start of December 2022, Indigo follows the releases of mixtapes from RM back in 2015 (titled RM) and 2018 (titled Mono). It features 10 tracks in total, including Wild Flower and Still Life that I had already reviewed separately in their respective song review posts (links to both are below). The album itself is collaboration galore, with RM seeking the assistance of Erykah Badu, Anderson Paak, Tablo (from Epik High), Kim Sa Wol, Paul Blanco, Mahalia, Colde, Youjeen (from Cherry Filter) and Park Ji Yoon to tell some very deep and powerful messages in the songs that feature on the album. I think that pretty much says it all – Indigo is such an artistic and aesthetic album that explores so much in terms of lyrics, genres (though all come back to hip-hop in one form or another) and featuring artists. This is without a doubt a recommended listen.

Also, as I have previously mentioned time and time again in recent days, this will be the final album released in 2022 in which I will cover. Later this month, I will be turning my head towards the 2023 albums, which reviews are very much long overdue. But until then, here is what I have to say about Indigo.

Indigo Album Cover

1. Yun (with Erykah Badu) – Opening up the album is the single Yun. It explores a very chill, jazzy form of R&B. This track is stunningly smooth and I really enjoyed the glow that comes from the song. Alongside RM, Yun features the late Yun Hyong-keun as the narrator who we can hear at the start and end of the track. The song is also titled after him and whom RM draws inspiration from for this track, which explores the idea of going back to his younger days to rediscover his passion for music and art. Yun also features the Queen of Neo Soul, Erykah Badu, whom I understand does not collaborate with just anyone. Her vocals oozes so much charisma, as does RM in this song. (9/10)

2. Still Life (with Anderson .Paak) – Click here to read the full review for Still Life. (9/10)

I couldn’t find the official audio link for Still Life on YouTube, so I have linked the music video here instead.

3. All Day (with Tablo) – All Day packs a punch with its instrumentation. I always end up feeling the beat and head-nodding along to the song every time it comes on. I really liked the vibrancy of the song, with the beat and brass adding a liveliness to the song that feels super invigorating. The backing vocals in the chorus also have a similar effect. This alone makes the song one of my favourites from the album. All Day features the leader of Epik High, Tablo, who delivers his part with the same vigor as RM did in the song. The pair are super balanced and make an impact with their statement of fighting social pressures ‘all day’. (10/10)

4. Forg_tful (건망증) (with Kim Sa-wol) – RM trades in rapping for breathy vocals in Forg_tful, a ballad simply instrumented by an acoustic guitar. Folksy whistle also makes an appears, just to give the song just that something bit more. Just like every other ballad I have enjoyed during my time reviewing KPOP songs, the melody of Forg_tful has this subtle swaying effect, which already tells me that it is going to be success in my books. The song features folk singer Kim Sa-wol, who just has a beautifully delicate set of vocals. I really liked how RM bent his delivery to ensure it fits alongside Kim Sa-wol’s vocals, making Forg_tful quite a harmonious track. (8/10)

5. Closer (with Paul Blanco & Mahalia) – Closer speaks towards the idea of wanting to be closer to someone who just isn’t the right person. The track comes in the form of an alternative R&B song which features the likes of Paul Blanco and Mahalia, who both sound great in the song. It took me a while to get into the song, unfortunately. Just because it feels plainer than the rest of the album. But once I did get there, it was such a nice track to have in the background. (7/10)

6. Change Pt. 2 – So far, the album has been quite heavy with featurings from other artists (and there are more to come!). But we finally hit the two solo tracks from RM himself. The first is Change Pt. 2, which is quite a unique textural change-up. It is an experimental track that kicks off with quite an abrasive and crunchy set of synths and electronica that was very much unexpected. This transforms into a jazzy piano number, before slowing down completely at the end. The experimental nature of Change Pt. 2 continues through RM’s slurred delivery. There is definitely charm to delivering the track this way and it is quite artistic. But it is quite overwhelmed when paired with the boldness of the Change’s instrumentation. Overall, quite a surprise. But one that I do like. (8.5/10)

7. Lonely – Lonely is quite an enjoyable pop number instrumentally, with the guitar work being such a prominent feature of the song’s background. The powerful nature of the pre-choruses was quite an impactful sequence and I liked how RM effortlessly switch back to the pop vibes for the chorus. RM’s vocals are amazing and well appreciated in this song. However, don’t let Lonely mislead you. Despite it being of pop vibes, the lyrics are quite pessimistic and weighty on the topic of loneliness. Altogether, it creates an interesting atmosphere, which makes it a favourite in my books. (10/10)

8. Hectic (with Colde) – The city pop instrumentation that features in Hectic is my favourite aspect of the song. The beat is quite addictive, and paired with the synths, Hectic just takes on a groovy undertone. I also enjoyed both RM and Colde’s husky vocal tone, which was another highlight of the track. Another strong track that shows off RM’s versatility and Colde’s appeal. (10/10)

9. Wild Flower (들꽃놀이) (with Youjeen) (Title Track) – Click here to read the full review of Wild Flower. (10/10)

10. No.2 (with Park Ji Yoon) – Ending the album is the more positive No.2, which speaks of looking forward (rather than backwards). It is quite a comforting track, especially since the lyrics feature the line “You’ve done your best”. Park Ji Yoon’s nasally vocals shine in this song for me, while RM himself ensure the song stayed grounded. It is a nice closer to the album, and a nice ‘change of tune’ after the exploration of the heavy and deep messages that RM features on the album. (9/10)

Overall Album Rating – 9.1/10

Indigo Teaser Image

[Album Review] SKZ-Replay (3rd Compilation Album) – Stray Kids (Part. 2)

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Yesterday, I posted the first part of a three part album review for Stray Kids’ 3rd compilation album, SKZ-Replay. That first part focused on the A-Side of the album, which featured the lead single FAM, a single previously unofficially released through a special YouTube video and 8 solo songs from each Stray Kids member. Today, I post the second part of the album review, focusing on the first half of the compilation album’s B-Side. As mentioned yesterday, B-Side consists of 15 songs from the SKZ-RECORD or SKZ-PLAYER web-series from a few years back. These songs have never been released digitally until the release of this album.

For the purposes of this album review, I will be posting the album review in three parts – Part 1 focused on the A-Side. Part 2 (this post) will focus on the first half of the B-Side, and Part 3 will focus on the second half of the B-Side. Also, there was no teaser images for this compilation album. So I have gone through and selected images from past promotions to serve as the featured and teaser images for the album review.

SKZ-Replay Album Cover

1. Zone (Bangchan, Changbin & Han) – Starting off the B-side of the album is Zone, which was previously revealed four years ago by 3RACHA. Personally, Zone isn’t my cup of tea. But it is decent hip-hop track that shows us who 3RACHA are and what they are about. The powerful energy they channel through this track is quite bold. Changbin, who has been nominated for Best Rapper in a few KPOPREVIEWED Awards, proves to me why he is constantly stands out and worthy of the award. (7/10)

2. Close (Han Solo) – Most of the appealing elements of Close comes from Han himself. The instrumental itself was pretty chill and lowkey. This allows Han to show off a deeper tone than what I hear from him usually, and his rapping was well done. I liked how he varied his delivery in the song, which keeps listeners interested in Close, rather than going from start to end in a flat or consistent manner. The song is about meeting stranger by chance, being drawn to them, and the desire to get closer to them. (8/10)

3. Streetlight (Changbin ft. Bangchan) – You don’t need to know the language to hear the heartfelt message and emotions that Changbin pour into Streetlight. But in case you are interested, you can read more about the song from Changbin himself in the linked SOOMPI article. I have opted to not summarise the meaning of the song into a few words, especially since it touches on the topic of seeking help and is already beautifully explained by the songwriter himself. As for the music, I liked how consistent the drumming is, and how beautiful the piano and orchestral influences are in the song. I also like how the instrumental doesn’t get into the way of the Changbin and the message he is trying to deliver. Plus, his flow and tone are quite impeccable. (9/10)

4. I Hate To Admit (인정하기 싫어) (BangChan Solo) – For this particular half of the B-Side of SKZ-Replay, I Hate To Admit is my favourite track. The way Bangchan delivered this ballad was so captivating and gripping. It is one of the songs where you need to stop whatever you are doing to take it all in. You can feel the heartbreak and heavy emotions that Bangchan relays to us. It practically pours from the song when it reaches its peak. The piano and strings were beautiful yet minimalistic, allowing Bangchan’s vocals to front and centre, which was an excellent choice. (10/10)

5. I GOT IT (Han Solo) – Again, Han focuses on raps in I GOT IT. In terms of instrumentation, it is a repetitive hip-hop background. Nothing really special. But that is not the reason why I like I GOT IT. It is more so the rapping that floors me. He really showcases his talents in this song. He shows off how expressive he can be and the fast tempo he throws at us is literally fire. The autotuned high-pitched rapping at the end of the song was very interesting, but charming in its own way. (9/10)

6. Miss You (꼬마별) (Hyunjin Solo) – This half of the B-Side has been pretty 3RACHA dominant thus far. It is not until the sixth track (this one, in particular) do we hear from someone else. And that someone is Hyunjin. Miss You is a song dedicated to Hyunjin’s first pet, who has since passed away. Miss You is a touching and delicately instrumented song. Not exactly ballad territory, but you can feel the reflective emotion behind Hyunjin’s raspy tone in the song. It is a comforting listen. Personally, Miss You is not a track I have gone back to since its initial release two years ago, but revisiting it was a pleasant experience. (7/10)

7. Maknae On Top (막내온탑) (I.N ft. Bangchan & Changbin) – Maknae On Top is one of the two songs from the SKZ-RECORD series that is more recognisable then the rest. I.N is the main character in this one, with the entire song about him. I liked the colour and energy that the Latin influences bring. The combination of the influences with I.N’s playfulness makes this one fun and humourous track. And this effect is pretty much hard to avoid. Bangchan and Changbin also features in this track to help fuel the fun and humour, and the fact they feature in this track also helps reiterate the idea of the song that I.N is in fact the boss of the group. (8/10)

Overall B-Side Rating – 7.6/10 (this includes all songs from Part 2 and Part 3 of the album review, which focused on the B-side of SKZ-Replay)

Overall Album Rating – 7.9/10

Teaser Image from Stray Kids’ Mixtape: On Track era