Category: Reviews

[Review] Madness – MOONBIN & SANHA (ASTRO)

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Moonbin & Sanha are nominated for Best Subunit in the 2022 KPOPREVIEWED Awards. Support Moonbin & Sanha, along with your other favourite artists, songs and performances by clicking here to vote today. Be quick, as voting closes tomorrow night!

This week also sees the return of MOOBIN & SANHA, one of the two currently active subunits from ASTRO. If you can’t tell by the name of the subunit, the group consist of Moobin and Sanha, and they debuted with in 2020 with Bad Idea. Last year, the pair returned with the title track WHO and their second mini-album REFUGE. Yesterday, the pair dropped their third mini-album, Incense, and the title track Madness.

Madness features a funky and groovy energy to its dance pop profile. But before you assume, the track isn’t necessarily colourful like most funky and groovy songs. Madness also features a serious and a subtle powerful tone to it throughout its run that prevents a colourful or vivid tone to form, which actually allows the sound to fit neatly into the unit’s discography. I found this to be create a decent listen and a definite improvement from their last comeback. Madness features a solid set of vocals from both members, though I wished there was more of a zing to their delivery to make the song a bit more interesting. They were not competing with the instrumental in anyway, but I think a bit of volume (and even some definition) would have worked really well in Moobin and Sanha’s favour to allow them to stand out in Madness. A more interesting melody or delivery some sort would have great as well. There were some moments in which Madness could have built itself on, such as the pop start to the pre-chorus and rapping from Sanha (and briefly from Moobin). But ultimately, Madness joins the long list of songs that lack something memorable. The final aspect of Madness that disappointed me was the repetitiveness. I did like the repetitiveness at first, but with multiple listens, the song is drying up quite quickly. The final chorus doesn’t offer anything new to the song that the first two runs of the chorus had already offered. Overall, Madness is an appreciated step in the right direction for the duo, in my opinion. It just needs more to it.

The song likens the spread of one’s charm to the addictiveness of a scent, resulting in another person to be driven to a point of madness or insanity. And the two charms that we need to be wary of, based on the music video, belongs to both Moonbin and Sanha. In the video, we see them developing scents and breaking into a piece of ice that containing a bouquet of flowers, which might be the ultimate scent they are trying to achieve. I really liked the darkness of the sets, especially the choreography and solo sets we see at the end of the video. I also enjoyed how well timed the video is. When the song launches into the second chorus, we see the pair desperately breaking their way through the block of ice. It plays into the idea of madness slightly, which I thought was clever.

I liked the choreography, but there isn’t much that stands out in a memorable sense. Instead, I appreciated the smoothness that the choreography had, which worked well with certain moments of the song and gave a nice contrast during the song’s more jagged moments (i.e. the chorus).

Song – 7.5/10
Music Video – 8.5/10
Performance – 8/10
Overall Rating – 7.9/10

[Review] OMG – NewJeans

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NewJeans is nominated for Best New Female Group, Best Group Choreography (Female) for Hype Boy and Best R&B Song for Attention in the 2022 KPOPREVIEWED Awards. Support NewJeans and all your other favourite artists, songs and performances before voting closes this Friday by clicking here to vote.

As mentioned in the previous review for NewJean’s Ditto, I will also be covering the group’s first official comeback single, OMG, which officially dropped two days ago. This comes after the group debuted with Cookie (and pre-releases Attention and Hype Boy) in 2022, contributing to what has resulted in very intense battle for new female groups and debuts this award season in the KPOP industry.

It has been a couple of days since OMG‘s release and this short gap between release and review have really allowed me to evaluate the song and consider my thoughts on it. To me, OMG is an ‘alright’ song. I liked how NewJeans have forged themselves a unique sound in KPOP and this sound does comes through in OMG, despite the track gearing towards more mainstream pop and hip-hop influences. I enjoyed the upbeat nature of the instrumental, which comes to life as a result of the percussive and trap elements. NewJeans also sounds quite nice throughout the song. Their vocals really show off a youthful appearance compared to their previous releases and the brightness really cuts through the over-consistency that OMG was potentially heading in. What really held OMG back, for me, is the lack of a memorable element of some kind. Despite the number of listens of OMG over the last few days, I have failed to notice anything that really capture my attention and makes the song stay in my mind once the song ends. This is quite disappointing given the hype leading to OMG. Had the song had something more memorable to it, OMG could have ringed through. But because there isn’t a memorable ring or tinge to the song, I am not convinced that this is their greatest track. That being said, OMG had some pretty big shoes to fill following the likes the Attention and Hype Boy.

When I watch the music video for OMG, I can’t help but wonder whether the friends who Heesoo supposedly lost from the Ditto music videos (according to my theory) were sent to the asylum. When I wrote that storyline up based on what I saw, I hadn’t considered the events of OMG. But now watching the OMG’s music video and also considering how the school scenes were included as part of the performance videos, I am leaning towards a change my storyline – that Heesoo’s friends were sent to the asylum. The video also includes a bit of a twist towards the end, with the friends reminding themselves that they are actually NewJeans, which might also further alter the story theory I wrote for the Ditto music video. I quite liked the rewind montage that follows and the addition of a snippet of Attention to the video. Apart from that, I liked how they tackled the topic of mental health. It can be quite touchy topic, but my first impression of NewJean’s take was that it is light, felt liberating, and refreshing, which is much different to the more usual serious tone mental health garners in Western media.

I quite enjoyed the 90s touch some of their outfits had. It probably will be a case of regret in the future when NewJeans attempts more mature concepts, but it works really well at this point in time. As for the choreography, I really enjoyed the whole chorus sequence of the routine. Dubbed as the ‘OMG and crab dance’ according to the 1theKILLPO video, I do find the second half of the sequence to be more impressive, with the synchronisation and execution leaving me floored.

Song – 7/10
Music Video – 9/10
Performance – 8.5/10
Overall Rating – 7.9/10

[Review] Ditto – NewJeans

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NewJeans is nominated for Best New Female Group, Best Group Choreography (Female) for Hype Boy and Best R&B Song for Attention in the 2022 KPOPREVIEWED Awards. Support NewJeans and all your other favourite artists, songs and performances before voting closes this Friday by clicking here to vote.

The first two official reviews of 2023 belongs to NewJeans, one of the new female groups who literally took over 2022 with a series of releases including Attention, Hype Boy and Cookie. And judging by the digital charts at the time of writing this review, it looks like 2023 is also on their radar for a take-over, as well. The first review tackles their recent pre-release single, Ditto, which was actually released in the final weeks of the 2022. It was released in preparation for their early 2023 comeback, which officially dropped yesterday. And you guessed it, I will be covering OMG in my next review tomorrow.

While I did check out the new song while I was on break, I didn’t pay much attention to it and haven’t formed an opinion on Ditto until today. But I am happy to report upon further consideration today for this review, I quite enjoyed Ditto. The song just feels so atmospheric and dreamy with its lo-fi approach, making it hard to dislike the song. The smoothness of NewJeans vocals pairs extremely well with that same atmospheric and dreamy nature of Ditto, and helped make it become such a captivating piece. The melodies also build on this and have a memorable ring to them, which just adds more substance to the song. And while it was rather subtle, there is enough bass and percussion in Ditto to help keep it slightly upbeat and riveting enough to keep the song itself grounded. I also enjoyed the consistency of the bass and percussion in the song this time around, which to me added a hypnotic effect to the song that does wonders. The only thing about Ditto I am not 100% sure of at this stage is the longevity of the song. I feel like the song is designed to be quite effective in the moment, but repeat listens might just dull Ditto down. I am not tired of Ditto just yet, but it it is interesting thought to have crossed my mind whilst writing this review.

The music videos for Ditto was impressive. That’s right, the plural there signifies multiple version – two versions in the case of Ditto – Side A and Side B. Side A shows the group NewJeans as a group of friends, with a sixth member of their friendship group (Heesoo) filming the group as they go about their high school days. Interestingly, during Side A, Heesoo never appears on camera with NewJeans. As a side plot, Heesoo develops a crush on a male student. But the main story of Side A is that NewJeans might not have existed at all, and that Heesoo was only imagining their existence through the camera. Her not appearing on camera with the others adds fuel to that storyline. As for Side B, we see that Heesoo is imagining the existence of NewJeans at the school. But it is revealed in later scenes within Side B that NewJeans do exist outside of the school, and that Heesoo only watches them afar and had created NewJeans as a fantasy for her school life. We do see her drop her camera from the top of the building in Side B, which signifies the destruction of her fantasy, her growing up, which leads her to date the guy she had developed a crush on. At the end of Side B, we begin with the start of Side A (confusing, I know). The scenes on the video however do show Heesoo subtly on camera with a group of girls (but in a haunting manner, we don’t see their faces whatsoever), which leads me to suspect that the group of friends did exist at one point. But she lost them in some sort of accident (which would explain her cast). She later became deluded into thinking that the group of friends still existed and NewJeans was that friend group, but she slowly comes to terms that is not the case and comes to accept that her friends are no longer with her. It is all a bit confusing, but that is my take on the video. I really liked the 90s/early 00s aesthetic and the creepy factor that underlays parts of the video, which gives an added flavour that keeps the videos interesting.

I really liked how the choreography looks for this particular release. And this comes through many layers. Firstly, I liked how it was weaved into the music videos. Secondly, I really liked how the choreographer really embodied NewJeans youth and made it feel like teenagers were just freestyling and having some fun, rather than a set routine that feels rehearsed and refined. The subtle bounce we got added to this fun nature, in my opinion. Thirdly, NewJeans chemistry was quite cool and the smiles they shared with one another made the performance feel so much more convincing.

Song – 8.5/10
Music Video – 10/10
Performance – 8.5/10
Overall Rating – 9/10 [Updated ‘Overall Rating’ on 12/08/2023]

[Review] PLAY – LUCY

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LUCY is nominated for Best Band Performance for their PLAY release in the 2022 KPOPREVIEWED Awards. Support LUCY, and your other favourite artists, songs and performances by clicking here to vote today!

There are a few releases that I have nominated in the 2022 KPOPREVIEWED Awards this year that I have yet to review, and I am hoping to review some of them before the year ends. Unfortunately, I won’t be able to review all of them by the end of the year, so apologies in advance if I don’t post a review for your favourite group or song. First up is LUCY, who is a four member male band that I first reviewed last year as part of the 2021 KPOPREVIEWED Awards rush at the end of last year, but the band has been active since 2020. This year, I have nominated them for Best Band Performance once again, but for their 2022 single, PLAY. It is the title track from the band’s first studio album release, Childhood, which was released in August of this year.

PLAY starts off with a soothing and soft band background that almost mimics a soft ballad or a very soft pop rock track. When we get to the chorus, the instrumentation amplifies. But it is more of a mild amplification that retains the sentiment and soothing tone that started off PLAY, whilst also keeping the track light and airy. At the same time, the amplification also brings a burst of brightness to the song that helped give PLAY a bit more to talk about and I found to be quite appealing and enjoyable. The second verse and chorus repeats exactly what we heard in the first verse and chorus combination, but we do get a brief second of children laughter before the second chorus (which complements the meaning behind the song – more of this in the next section of the review). I liked the ‘echo’ that comes into play during the bridge of PLAY, giving the sense of depth. I also enjoyed the inclusion of the children’s “Na Na Na” and more laughter. This time around, it fits into the larger picture that is PLAY. In addition to the band instrumentation, LUCY’s unique addition of violin is present throughout PLAY, but I wished the violin was a bit stronger and more upfront. This would really allow LUCY shine even brighter. As for the vocals, I really like the nasally tone that the members brought to the song. And this gives PLAY a memorable tinge. The melodies unfortunately didn’t have the same effect. They were pleasant, but they just were not enough to make PLAY more memorable. Overall, a really nice track. Some improvements could be helping in bumping my PLAY‘s appeal. But still a great listen nonetheless.

PLAY presents the message to embrace your childhood, even as an adult. And that is what we see happen in the video. The video features a typical Korean salaryman, who could be in his late 20s or 30s, and whose life is quite grey and dull (which is the literally theme of the start and end of the video). When he slides down the slide at the start of the video, he enters a world full of colour and brightness. But he is only wearing black, representing his detached and deflated mood and feelings. Whatever he does, wherever he goes, he just can’t seem to get out of this mindset. And I don’t blame him. Adulting pressures are definitely hard and not advertised. On the train, he is thrown side to side and squashed by people. At work, he is scolded by his manager. At work parties, he is left with a burnt piece of meat despite being the one cooking it. When he boards the taxi, he wants to be in his own world. And while at the shops, he is emotionless and dejected from the world. But in the midst of all of that, we also see a child version of him, who embraces his youth and childhood, and the world instantly looks better. Sometimes we just need to think back to our childhood to remind ourselves of what life used to be. The child him is running around and having fun, interacting with the band. He is having parties with his co-workers and even enjoying his taxi ride. In the end, the salaryman slides down the slide, returning us to the beginning of the video with the grey colour scheme. He still looks sad and deflated, but you can hear a lady call out to him (presumably his mother), and a smile presents on his face soon after. And I quite like this conclusion, that it is a reminder that at the end of the day, whilst we are all adults, we are still a child because we are someone’s child. So embrace the childhood, as to many of us, it is inherently part of our lives already. Quite a nice and pleasant music video, with a beautiful reminder at the end.

Song – 8/10
Music Video – 9/10
Overall Rating – 8.4/10

[Review] Uh-Heung – DKZ

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DKZ is nominated for Rising Star and Most Underrated Song (for Cupid) in the 2022 KPOPREVIEWED Awards. Support DKZ and your other favourite artists, songs and performances by clicking here to vote today.

Final song review of the year! And the honour this year goes to DKZ! DKZ has had a very big year in 2022. They rose on the charts with their biggest hit yet, Cupid, and scored their first music show win since their debut in 2019 with their latest single, Uh-Heung. Both of these aspects played a part in earning them a nomination in the Rising Star category of the 2022 KPOPREVIEWED Awards. Today, I will be reviewing that latest single, Uh-Heung, which was released in October of this year.

Uh-Heung is a 180° turn around from DKZ’s other 2022 comeback (Cupid). That previous comeback was all bright and bubbly. Uh-Heung, on the other hand, is all dark and intense. While I do enjoy a change in sound or style, I did hope that DKZ was going to pull off something unique, given dark and intense is pretty ordinary territory for male groups in KPOP. Unfortunately, I don’t think they pulled off something unique. Uh-Heung had all the basic hallmarks of a typical male release. However, there are aspects of the song that still allowed me to enjoy Uh-Heung, however I still believe it is firmly rooted in that ‘typical territory’. The greatest appealing aspect of the song is he presence of the guitar at the start of the song. It started off the dance track in a very cool and refreshing manner. It hooked me in from the start and reeled me in for the rest of Uh-Heung. Interestingly, the guitar is replaced in the second verse with some traditional Korean instruments, which I thought was okay. It wasn’t as interesting or riveting as other examples of traditional instrumentation in an intense dance track as I felt like it was overpowered by the synths. But it was a decent effort. If I had it my way, I would have stuck to one or the other (preference is the guitar work at the start of the song), as it does create a bit of a mix-bag. The second big thing about Uh-Heung is the intensity of this track, which I find to be full-on, especially in the chorus. It felt like the tempo increased out of nowhere. But the increase created a very cool and robust backing that got the adrenaline running in your body. I also really like the rappers’ line that bridges the pre-choruses and choruses together. There was something quite invigorating from those lines that launched into the chorus and made it more intense and epic. Talking about rapping, both Jaechan and Sehyeon really shined in this song and showed off raspy tones that matched the intense side of Uh-Heung. The anthem-like chant at the end of Uh-Heung was also a great way to end off the intense track, by intensifying the track in a way that successfully caps it off. Overall, while DKZ does turn to typical territory in Uh-Heung, the group and their producers managed to make Uh-Heung shine enough for me to really enjoy the song.

Something I didn’t mention in the song component of the review is that Uh-Heung is the sound that a tiger makes, and there are tiger sounds throughout the song to further intensify the song. With this in mind, it makes sense for a tiger component to appear in music video. For Uh-Heung, the tiger comes at the start of the video, when we see Jaechan running away from something that looks like tiger (based on the shadow). Later on, we see Jaechan being cornered by someone donning a motorcycle helmet that has tiger prints over it, which is later revealed to be Jaechan himself. But what does this mean? Well, Soompi’s says the song ‘delivers the message of walking one’s own path with confidence and bravery in a world rife with temptation and fear’, and I think that the two Jaechan’s are one person – one that is walking with confidence and bravery, while the other is tempted and in fear from the world. Guessing on the intensity of the song, confident and brave Jaechan wins. The rest of the music video is quite cool, aside from the inflatable tube men we get in the background of one of the choreography scenes. They looked funny (as they always do) and don’t really add much fear or power to the video (though the messages written on them might say otherwise).

The intensity follows through in the choreography aspect of the comeback. And while the moves where the members go ‘Uh-Heung‘ definitely adds to the intensity and powerful energy, the constant repeats of it did feel a bit cringy. I much prefer the scratch move, which was less cringy and more subtle.

Song – 8.5/10
Music Video – 8/10
Performance – 7.5/10
Overall Rating – 8.2/10

[Review] Strawberry Cake – Xdinary Heroes

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Xdinary Heroes is nominated for Best New Male Group and Best Band Performance in the 2022 KPOPREVIEWED Awards. Support Xdinary Heroes, and your other favourite artists, songs, and performance by clicking here to vote today!

I guess if you are seeing a review for a side-track, you can confidently say that an album review is coming you way. In order to complete the album review for Xdinary Heroes’ 1st ever mini-album, Hello World, which was released back in July of this year (and features the title track Test Me), I need to review Strawberry Cake, a single from the mini-album that was selected for follow-up promotions. In terms of the album review, it isn’t scheduled until very early 2023. So keep your eyes open for that. But for now, here is another Xdinary Heroes’ review, this time for Strawberry Cake.

When you think of a song titled Strawberry Cake, you might think of something sweet or even potentially cute sounding. While that would be quite a stretch for Xdinary Heroes, who has ventured through the different styles of rocks since their debut, I was expecting something more along the lines of pop rock for this track (best of both worlds). Instead, Strawberry Cake delves into a punkish style of rock and spins the idea of a Strawberry Cake into a partner that acts sweet, but ends up being fake and a liar. I liked the paced lurching momentum the verses had, and the ramp-up to the chorus was clean. The chorus was a bit unexpected. With the shouty ‘Strawberry Cake‘ that kicked off the chorus, I expected the song to follow through with a robust and blastful punk rock piece. But instead, there is no drop and that expectation does not eventuate. Rather, we get an instrumental piece that serves like an anti-drop that we tend to find with EDM songs. It was an interesting flip and one that I find to help make Strawberry Cake come off as unique. Towards the end of the chorus, we do get into that blastful trajectory, but it doesn’t get too far, keeping in in-line with what Strawberry Cake has given us thus far. This ‘anti-drop’ like approach does allow the focus to be put on the members and their vocals. I really like the oomph and passion they put behind their vocals in this song, which speaks volumes and express the discontent and upset message behind the lyrics of the song. Overall, an unexpected twist to Strawberry Cake, but one that displays Xdinary Heroes’ creativity and individuality.

I understand that Strawberry Cake is just additional promotion for the group and doesn’t necessarily require a full fledged music video like the title track. But the difference between Test Me and Strawberry Cake‘s video is pretty night and day. Test Me had a video that was filmed with CGI technology, while Strawberry Cake was virtually empty. It is more of a performance piece than anything else. Strawberry Cake was shot in a train carriage, packing the group (and their instruments) into a very tight narrow space for all of the video. It doesn’t highlight the punkish sound that I mentioned nor does it add value to the side track. The video could have gone with a simple plot line featuring a relationship breakdown to aid the lyrics, or some sort of visual effect to really amplify the song’s sound/style. Just something to give the video Strawberry Cake a bit more body than just the group playing their instruments (though I appreciate the passion they are putting into the performance aspect of the video).

Song – 8/10
Music Video – 6/10
Overall Rating – 7.2/10

[Review] Young & Wild – TEMPEST

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TEMPEST is nominated for Best New Male Group and Most Underrated Song (for Can’t Stop Shining) in the 2022 KPOPREVIEWED Awards. Support TEMPEST, and your other favourite artists, songs and performances by clicking here to vote today!

I intend to post an album review for TEMPEST’s second mini-album, SHINING UP, tomorrow. This mini-album was released back in August of this year and is lead by the single Can’t Stop Shining. Following the release and promotion of Can’t Stop Shining, TEMPEST followed up with promotions of another single from the mini-album, Young & Wild. And this follow-up promotion also featured a music video of some sort, which makes it eligible for a review in its own right. Hence why we are here today.

In addition to the title track, Young & Wild convinced me to actually put the mini-album onto the review list. Well, to be precise, with this song opening the mini-album, there was very little convincing required. Opening up Young & Wild are some very cool and impressive rapping that did not rely on instrumental whatsoever. A strong impression from the very first few seconds speaks volumes to me. Then the vocals followed through (with some additional raps), all of which occurring over a tropical styled instrumental that felt fitting for the Summer season that KPOP was slowly getting out of in August, when the mini-album dropped. All is looking good thus far. However, it is the pre-choruses was what sealed the deal for Young & Wild for me. We get a rush abrasive pop-rock energy from the guitar riffs that caps off the verses in a trendy fashion and electrifies the song further as we lead into the choruses. The choruses was just as promising, following the pre-choruses with satisfying energy and momentum allows Young & Wild to give off cool vibes. I like the bit of hype they tack on to the end of the choruses. I also really liked the slightly shouty touch the vocals had throughout the chorus. It was well controlled and complemented that energy that I just mentioned. The bridge brings the best of Young & Wild‘s vocals and rap (though the latter was brief) in my opinion with Hyuk ending it with some really cool ad-libs. We then return to the chorus, which keeps up the hype energy and closing out the very cool opener to the mini-album.

The music video that we got for Young & Wild was more so a performance video, with the choreography being the main focus. There isn’t much else to the video other than choreography, though there was some closeups, which doesn’t allow the video to feel exactly like a choreography video at the end of the day. The set was pretty basic, featuring stone pillars, a circular platform in the background, a bright central light and white sandy floor. All of which contrasted well with the black background. Similarly, the members’ were donned in white outfits, with black accents and accessories being used to match the video.

Just like the song, the choreography for this single was cool. The sychronisation was insane, and I really liked the oomph the members put behind some of the moves (i.e. when they are stomping or during some of the chorus moves). The legwork and footwork was definitely impressive.

Song – 9/10
Music Video – 7.5/10
Performance – 8/10
Overall Rating – 8.4/10

[Review] Back Down – P1Harmony

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Support P1Harmony in the Best Overall Artist and Song categories of the 2022 KPOPREVIEWED Awards by clicking here to vote and nominate today!

As flagged the other day, another P1Harmony review is finally here. Following their Doom Du Doom and HARMONY: ZERO IN promotions, the group more recently returned with their fifth mini-album release last month, HARMONY: SET IN, which is led by the single Back Down (the focus of this review post).

P1Harmony turns back to a very energetic form of hip-hop energy for this comeback. We have heard the group tackle the hip-hop genre in similar fashion before in the past (e.g. Do It Like This). It just Back Down goes in a bit harder and it doesn’t ‘back down’ in anyway as the song progresses, which I appreciate. It is a hype track from start to end, and doesn’t stray away from its foundation. I personally quite enjoyed Back Down. The rapping in the verse was quite cool. The first verse could have been a bit more thrashed out, but the second verse rap had a more of a memorable tinge to it. The vocally sung pre-chorus was a definitely a highlight and showcases the vocals of Theo and Keeho quite well. I really like the swing they brought to the song, which helped made Back Down a little more interesting and gave Back Down a sense of depth. Then comes the choruses, which were rather catchy. The chorus is the main reason why I have pushed the review to be written much sooner than other releases. It does get a little repetitive (and hence one-dimensional), especially when the same refrain is repeated for the final chorus without much change. I wished they had added something to the final chorus, just to signal the end, like a high note of some sort. But overall, Back Down manages to show the consistent potential that P1Harmony has in the industry.

I think of this music video a bit of a villain origin story for some of the members. Unfortunately, after accidently plugging in the wrong wires into the wrong holes, the entire P1Harmony are zapped. A fight ensues between the two halves of the group, one of which is determined to press the button, while the other half is advocating for the button to not be pressed. A dance battle and fight follows. But in the end, two sides become diplomatic. But it turns out fate has other plans when a light fixture comes crashing down and hits the button instead of any of the members. The entire group is zapped again, leading them to pass out. Afterwards, the group regains consciousness, correctly swap the wires and plug them in correctly, before all pressing the button. But the video cuts out right afterwards, so we don’t know what the button actually does. I know what a rollercoaster ride of a video. But I managed to find it interesting and thought it was a fun one. I really liked their outfits throughout the video.

The choreography was pretty decent. It wasn’t exactly the most memorable routine out there. But it does have its charm and fits in with the hype and hip-hop energy that Back Down exudes. Not exactly sure if I am describing the moves correctly (do I ever?), but I liked the fight- blocking moves that come during the choruses.

Song – 8/10
Music Video – 8/10
Performance – 7/10
Overall Rating – 7.8/10

[Review] Hype Boy – NewJeans

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NewJeans is nominated for Best New Female Group, Best R&B Song (for Attention) and Best Group Performance (Female – for Hype Boy) in the 2022 KPOPREVIEWED Awards. Support NewJeans, as well as you other favourite songs, artists and performances by clicking here to vote today.

In addition to Attention, NewJeans also pre-released another single prior to the release of their NewJeans mini-album and their official debut single, Cookie. The single in question (and the focus of this review) is Hype Boy, which ended up going viral in South Korea for their choreography for the track.

Just like Attention, I didn’t pay much attention to Hype Boy when it was first released. I only started to pick up on the pop song as its performance started to go viral and was continuously covered by other artists. Since then, I have grown accustomed to the song and quite enjoy it. Structurally, it is a fairly simple song, made up of 2 sets of alternating verses and choruses. The producers chose to make the verses and choruses consistent and repetitive, which really helps make Hype Boy memorable. But there is more to the song that makes it memorable. Hype Boy begins with this interesting warped synth loop, which I still find quite intriguing. Similar (can’t tell if they are the same) warped synths present itself in the chorus, creating an equally interesting backdrop to the chorus. In addition to the warped synth, the chorus also features a heavier dose of percussion (in comparison to the verses), bright vocals and a unique and vibrant melody that just pulls you into the song. Together, the chorus ends up being quite an ear-catching central piece to the song. As for the rest of Hype Boy, there were some really good melodies and a strong showing from the members in the vocal department. But as the main attraction of Hype Boy was very much the chorus, you don’t really remember much from the verses. However, I did like the descending pre-chorus melody that led into the chorus. Overall, Hype Boy is short, simple and memorable.

As far as I can tell, there are four music videos and 2 performance versions for Hype Boy‘s promotion. I guess watching all of this would repeat the song enough times to have it literally engraved into your mind. Each music video tells a story that is centric to one or two members. The first video to be released focused on Minji, who falls in love with a friendly guy and changes herself so that he pays attention to her more. But in the end, he doesn’t remember who she is. The next video features a story line that focuses on Danielle and Haerin, who both fall in love with the same guy and he ends up two-timing the pair, ultimately lead the girls to choosing friendship over a relationship with the same guy. The third video features Hyein, who falls for a guy who ends up making fun of her and her group. The final video focuses on Hanni, who falls for someone over the internet, but it is not who she had expected. All of these videos feature a central theme of falling in love with a hype boy, but it just doesn’t pan out the way they had expected it to be in their head. I liked how each video converged onto one party, despite it all can be viewed as standalone. A really cool and unique concept.

The dance for Hype Boy is probably the most viral aspect in KPOP in 2022. Everyone was dancing it at one point in this year. And I don’t blame them. The entire chorus routine looks super cool (I will not attempt to name the move or describe it, as I just won’t do it justice), and the members bring a refreshing energy to the performance, making it addictive to watch. Altogether, it made me nominate Hype Boy for Best Group Choreography for female groups in the 2022 KPOPREVIEWED Awards.

Song – 9/10
Music Video – 9/10
Performance – 10/10
Overall Rating – 9.2/10

[Review] Attention – NewJeans

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NewJeans is nominated for Best New Female Group, Best R&B Song (for Attention) and Best Group Performance (Female – for HypeBoy) in the 2022 KPOPREVIEWED Awards. Support NewJeans, as well as you other favourite songs, artists and performances by clicking here to vote today.

I am finally getting around to reviewing more songs from NewJeans. For those who have missed their debut, they officially kicked off their career back in July of this year through the release of their third single Cookie and self-titled mini-album. But ahead of the release of Cookie, NewJeans also pre-released a number of singles. One of them is Attention, which (if we are speaking in chronological order) was NewJeans first release. It was an unexpected one, as the music video for Attention dropped without notification, to the surprise of fans and new listeners alike.

Personally, I didn’t pay attention it it as much when Attention was first released. But over the last few months, my attention for Attention has really picked up. So much so that Attention is currently being nominated for Best R&B song in the 2022 KPOPREVIEWED Awards. When you first tune into Attention, you don’t get a sense that the track is actually an R&B track. The choppy sound effect at the start of the song (which reminds me of a crowd of some kind) seems like the start of something pop-like. But when more of the dreamy style instrumental start filtering in, I find Attention starts too smooth out like an R&B track. A more pop energy comes through the instrumental as Attention progresses. Altogether, you get a pretty chill and wispy track. When the vocals start and as the song progresses, everything becomes subdued and I quite enjoyed this effect. There was a nice display of vocals skills for the new group, and the melodies had a memorable tinge to it. But the highlight of Attention comes during the opening line of the chorus, when the members beautifully drag out the ‘Attention‘ in “You got me looking for attention“. At the time of release, I didn’t think much of it. But as time went on, it just more stunning. Attention does repeat itself and all the elements that I have describe, but I just haven’t seem to gotten to that point where I have gotten bored of the song. A great hallmark for any song. Overall, Attention has stole my attention (pun intended) and I really enjoy the track to this day.

I am not exactly troubled by the fact the group is very young, but I am not exactly sure if the concert at a bar is the best place to start off their first music video. It seems a bit questionable, in my opinion. But hey, I will leave the production to the producer. They clearly have a plan in mind. All the other scenes in the video, with the members getting ready for the day and spending the day shopping, was perfectly fine. The choreography scenes in and around the stadium looked good and fits the chill vibe of the song (no flashing lights, no boxed or studio sets). Everything was lowkey and this worked well with the song.

The choreography for this comeback was pretty good. Nothing too crazy, with smoothness being a priority in this routine to match the smoothness that comes from the song. I did liked how the outstretched arms and hair flicks accentuates the opening line of the chorus.

Song – 8.5/10
Music Video – 8/10
Performance – 8/10
Overall Rating – 8.3/10

[Review] Beautiful Christmas – Red Velvet & aespa

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Red Velvet is nominated for Best Group Performance (Female) for the 2022 KPOPREVIEWED Awards, while aepsa is nominated for Best Female Group of 2022. Support Red Velvet and aespa, along with your other favourite KPOP artsists, songs and performances by clicking here to vote today.

If you have not been made aware of it yet, we are currently in the festive month of December. So it is time to put those Santa outfits on and bring out the Christmas tree. Red Velvet and aespa have the right idea. They have joined hands for a collaborative single Beautiful Christmas, which dropped last week. This new single serves as the title track of the upcoming 2022 Winter SM Town: SMCU PALACE album that will drop the day after Christmas. I guess some of the songs are not exactly Christmas themed, which I believe was the case for last year’s SM Town album.

As per most Christmas-themed songs, Beautiful Christmas exudes a lot of that festive energy that brings a smile to my face. And you know me, I won’t say no to an upbeat track that makes me want to get up and have a boogie, which is also what Beautiful Christmas makes me want to do when it comes to the chorus (more on that in a second). It has the classic tropes of the Christmas holiday such as sleigh bells, Christmas carol references in the lyrics and twinkling percussion. But Beautiful Christmas also features some brass and some deep piano notes, which to me, added a fun vibe to the song. Going back to the chorus, I really enjoyed the sing-along shouty style of the first half of the chorus. It was simple to get right into and just radiated so much positive energy. But it is the second half of the chorus, with the shouty chant that wins me over. I also like how they broke it up between groups for the first two line, before coming together for a third line. Elsewhere, great vocals featured throughout the song, with Wendy and NingNing delivering the peak of Beautiful Christmas with their high notes. The rapping (in the second verse) was a little standard for my liking, but it still fitted into the song. As for the rap-speak in the bridge, that was cringy. My only other gripe about this song is the lyrics. Not something I usually pay attention to, but ‘To my friends and to my family, You mean to me the Christmas time” just doesn’t make any sense and sticks out a sore thump as it is the line that peaks off the song. And given that it delivered to us by Wendy who is a native English speaker, it is a bit embarrassing. But that is just me being picky. Overall, the upbeatness and energy of Beautiful Christmas just wins me over.

Christmas and Winter Wonderland are the two themes running throughout this video for quite obvious reasons. And it is a nice video to compliment the likes of Beautiful Christmas. I did notice a few things (both positive and negatives) that I want to point out. I found Yeri’s “I Like Winter” to be quite cringy when she sings that Winter. It is such an expected pun knowing that aespa was involved in this release, so it came as no surprise to me. NingNing really needs to loosen her facial muscles, particularly for that high note. It looked like she was disinterested from the whole thing at the point. It is quite disappointing, as she was pretty much all smiles throughout the video. Similarly, not too sure why there were some serious facial expressions throughout the video. It was not the time nor place for that! On the most positive side, I really liked the sets that were built for this music video. It all looked really cool and super detailed. I also liked the red dresses that both groups donned during some of the choreography scene. It looked very cute.

I don’t think the choreography for this release is supposed to be taken too seriously. But it is a simple routine that expressed the positivity and upbeatness of the song quite well. I pretty much enjoyed it.

Song – 8/10
Music Video – 8/10
Performance – 8/10
Overall Rating – 8/10

[Review] Candy – NCT DREAM

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NCT DREAM is nominated for Best Sub-Unit and Best Male Group in the 2022 KPOPREVIEWED Awards. Glitch Mode is nominated for Best Concept and Best Music Video, while Beatbox is nominated for Best Pop Song, Best Male Group (Choreography). Definitely an all-rounder group. Supper NCT DREAM, their songs, and all your other favourite artists, songs and performances by clicking here to vote today.

NCT DREAM officially makes their comeback today with a special Winter mini-album, titled Candy. The same-titled single (the focus of this review) leads the mini-album. The single is also a remake of H.O.T’s Candy, which was released way back in 1996. This is the group’s first comeback since their Glitch Mode and Beatbox comebacks from earlier in the year.

Given that Candy (NCT DREAM’s version) is a re-recording of the original (cue the comparison), the newer version is fairly same as the older version. The melodies haven’t changed and NCT Dream retains the upbeatness of the original song. However, there are some distinct differences with the newer version that I actually liked more so than in the original. The main difference I could hear instantly is how much more modern the instrumental is. While it is similar enough for listeners to gain a bit of familiarity and nostalgia from NCT DREAM’s version, I enjoyed the extra intensity that the producers had put into NCT DREAM’s version. This definitely helps modernise the 1996 hit to current times and gives Candy a lot more oomph, which in turn makes way for some awesome execution from NCT DREAM. Talking about execution, I also find NCT DREAM’s vocals and raps to be a lot more polished than the original. I guess we can attribute that to advances in technology since 1996 – a lot has happened since then. The second verse gets an extra (super intense) rap sequence and I liked that NCT DREAM did not opt for as much overlap between vocals and raps as H.O.T had incorporated. They do bring that overlap into play later on in the song, but it is a lot cleaner and more refined than the original. Maybe it is a generational thing as I didn’t grow up during that era (I was born a few months after the song’s original release) and I am used to the modern style of KPOP, but I definitely prefer NCT DREAM’s version of Candy by a long mile.

When you think of H.O.T’s Candy, the group’s terrible outfits come to mind. Or at least, I thought they were terrible. It is the main thing that I still cannot wrap my head around until this day – how the colourful overalls and massive oven mitts got approved. I guess it was to fit the more vibrant and upbeat style of Candy, but boy do they look awful. I am glad that NCT DREAM’s stylist did not opt for the same style choices. However, H.O.T’s outfits were iconic in the end, and so NCT DREAM’s outfits were influenced by the look from 1996. Jeno’s massive trapper hat looks like it could have been lifted from that era. But as it is just an influence and their outfits do look fairly tame, I am fine with that. Other than that relief, the music video’s candy manufacturing set reminded me of Glitch Mode‘s technology set. And per usual, I really liked the colours. Some parts however were cringy to me.

At the time of writing, there was no official stage for NCT DREAM’s version of Candy. They are however confirmed to perform the single at the 2022 KBS Music Festival, which is being held today. But from what I can see, the choreography retains some of the key moves from the original version, but also intensifies the moves to match the intensified music we get in the newer version.

Song – 9/10
Music Video – 8/10
Performance – 8/10
Overall Rating – 8.5/10

[Review] Doom Du Doom – P1Harmony

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Support P1Harmony in the Best Overall Artist and Song categories of the 2022 KPOPREVIEWED Awards by clicking here to vote and nominate today!

Another track I am finally getting around to reviewing. P1Harmony returned in July of this year with their fourth mini-album, Harmony: Zero In, and the lead single Doom Du Doom. It follows the group’s earlier comeback in January with Do It Like This and their collaboration with Pink Sweat$, Gotta Get Back. More recently, P1Harmony returned in November with their fifth mini-album and the single Back Down. I will be reviewing that in a future post, which will be coming soon. Also keep your eye out for Harmony: Zero In‘s impending album review, which I am looking to post this weekend. But for now, here is my long overdued review for Doom Du Doom.

I am of the opinion that Doom Du Doom could have gone harder and concentrated itself into a better track. It is already a great track as it is, but I find that it is missing oomph which would have really bolstered up the track and given it an even more memorable ring. Doom Du Doom had a very catchy and playful chorus, which was an expectation formed after hearing the opening refrain. I enjoyed the simple hook and monotonous delivery of the first half of the chorus (which ultimately came off as stylish to me), and the second half of the central piece of Doom Du Doom turned the song into more of a pop piece by amplifying the instrumentation and going with a heavier dose of vocals that flowed well from the first half of the chorus. I did think there was a missed opportunity for the group and their producers to really make the move from the first half to the second half of the chorus more explosive and energetic, just to give Doom Du Doom more of a wow factor. Also, the track is pretty light on when it comes to definition and intensity, which is a slight letdown given that rock tinge thanks to the electric guitar riffs and the amazing rap segments (courtesy of Intak and Jongseob) that appear in the song. An instrumental that features a bit more intensity and some sort of definition would have really aided in bulking Doom Du Doom up and just make those parts a bit more epic. But despite my extra wants and wishes of Doom Du Doom, I still found the released Doom Du Doom to be a fun and memorable track from the group.

The music video jumped on board with that playful side by showing a play on the Olympics. But instead of the Olympics, P1Harmony are participating in the OOOOOO Games and the standard sporting events have been adapted to be more urban and street in this version of the games. Taking boxing choreography, electric guitar baseball, traffic sign throw, cart racing, drone shooting and breaking window (with a grenade) as examples of events at the OOOOOO Games. Much more interesting that the Olympics. There were also opening and closing ceremonies to these games that are pretty low budget, but also make you give off a fun laugh. I definitely enjoyed this video.

The choreography for this comeback was definitely fun. I really liked the isolated moves when it came to the first half of the chorus (and the blank facial expressions made it look funny, which I think was a perfect match for the song). In the routine, Soul got his time to shine, with a dedicated solo freestyle moment in each performance during second half of the second chorus. He amazed me in the performances I have watched with his skills and his flexibility. My bones may be aching when I watch his freestyle, but it is still worth watching given his energy and abilities.

Song – 8/10
Music Video – 9/10
Performance – 8.5/10
Overall Rating – 8.4/10

[Review] All About You – THE BOYZ

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THE BOYZ is nominated for Best Group Performance (Male) in the 2022 KPOPREVIEWED Awards with MAVERICK. Support THE BOYZ and your other favourite artists, songs and performances of the year by clicking here to vote today!

Last week, THE BOYZ released a new single, All About You, to celebrate their 5th anniversary since their debut in 2017. Since their debut, THE BOYZ have definitely risen in the ranks of KPOP groups and are now considered of the biggest male groups in KPOP. This is also THE BOYZ first release since WHISPER and BE AWARE from August this year.

With that piece of context, it is clear as day that All About You is a fan song, with some of the members penning the lyrics to the song for their fans. Usually, I do not say much about these types of songs, as the intention of these tracks tend to be pure and warm-hearted. And plus, I don’t want to look like a prick by saying mean stuff about such a song. All About You is a mid-tempo acoustic pop track that comes as quite pleasant and warming. The verses are melodic and soothing, with the members’ vocals opting for a lower tone. This plays nicely into the pre-choruses, which also opts for a low vocal tone. But this segment has been slightly autotuned to make it come off as monotonous and there is also a panning effect, which gives the song a bit of texture and doesn’t it make it overly smooth. We then proceed into the choruses, which features more defined vocals (relative to the opening verse) and a nice swayable melody that I enjoyed. Rapping makes a presence in the second verse. Usually, raps don’t fit into these songs as well as they do with other styles, but they stood out for me here in All About You. I enjoyed the way it has been moulded into the song and the pace was quite calming. The rest of the song falls into line with what we have heard so far, keeping a nice consistency overall.

The music video fits in nicely with the song. THE BOYZ are just acting casual in the video, as if they are college students and having fun with one another throughout the video. They already appear to be a tight-knitted group in their more ‘behind the scenes’ type of material and other works, but to see it here was quite cute and enjoyable. It is also nice to see Eric as part of the lineup again. For those who may not know, Eric has been sitting out of promotions for a while now due to his health. But he is officially back from the looks of it and it is a nice way to bring him back. Elsewhere, I enjoyed the golden hue of the video, which makes everything appear warm and inviting, which I am sure is the intention of the video, overall.

Song – 8/10
Music Video – 8/10
Overall Rating – 8/10

[Review] Hair Cut – Xdinary Heroes

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Xdinary Heroes is nominated for Best New Male Group and Best Band Performance in the 2022 KPOPREVIEWED Awards. Support Xdinary Heroes, and your other favourite artists, songs, and performance by clicking here to vote today!

After making a comeback in July of this year with Test Me, Xdinary Heroes made a slightly speedy comeback (relative to the period between their debut and their first comeback) with their latest single Hair Cut and the mini-album Overload. Just over a year ago, Xdinary Heroes made their debut with Happy Death Day, which earned them a few accolades at the recent MAMA Awards and nominations in the 2022 KPOPREVIEWED Award (where fan voting is still open).

Xdinary Heroes’ Hair Cut is quite a unique track, and I liked it for the most part. I appreciate the ambition this group has, exploring different areas of rock that haven’t really been approached by KPOP bands in the past. For Hair Cut, the band delves into a punkish form of rock. What they did in the first verse and pre-chorus was quite likeable. There was potential behind these segments and their delivery of these segments (i.e. vocals), and I enjoyed how Hair Cut ramps up to the choruses. But the trouble comes next. We are met with a low groaning ‘Get a hair cut’ repetition that was quite unsettling for me. We also get some scissor or knife sound effects, which didn’t add any value to the song. This all comes before a hard-hitting second half of the chorus, which is my preferred centrepiece for the song. But unfortunately, as a whole, the chorus pretty much disappointed me. The lack of cohesion, hooks that I was comfortable with or even memorable melodies upset the overall appeal of Hair Cut for me, and stuck out like a sore thumb. The chorus is then followed up with a rap verse, which was another miss element for me. The whole rap segment stripped out everything from instrumental to momentum, leaving Hair Cut bare and empty for a moment, and the whispery delivery itself (sorry Gaon) felt soulless. O.de’s contribution was fairly more promising, but that might because he was helping ramping Hair Cut back to mor enjoyable territory from quite a low point. The pre-chorus and chorus repeats, and my thoughts on both (positive and negative) have already been noted. The bridge portion of Hair Cut was a nice return to form and sounded solid. Then we go back to the not-so-good chorus. I was hoping they switch things up at this point, to give a satisfying end. But that didn’t eventuate. We did manage to get an instrumental outro, which I thought was decent. But with the mix feelings prior to this instrumental outro, it didn’t have a huge impact and swung me into liking or disliking the song. Overall, Hair Cut‘s chorus leaves quite an impact and not in a good way.

I am not one to usually negatively comment on members’ visuals. And I understand it is their concept for this comeback and all, but Xdinary Heroes really need to take advice from their own books and get a hair cut. This era is probably one they will regret in the future for the wacky and awful hair-do the members were forced into. I can already imagine the interviews consistently pulling up pictures from their Hair Cut days and the members expressing embarrassment over them. Aside from that, I do like their edgy profile, which works well with the punkish rock sound I mentioned earlier. I also like the use of the ‘scary fun-house’ location within the theme park, which seems to be JYP Entertainment’s go to location this year. As for the outro, I want to know what that ending means, with the police report being made and being reviewed. Potentially setting up for a future comeback? Who knows.

Song – 6/10
Music Video – 7/10
Overall Rating – 6.4/10

[Review] Chase – Minho (SHINee)

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Fellow SHINee members KEY and ONEW are nominated for a range of categories include Best Outfits, Best Concept and Best Album in the 2022 KPOPREVIEWED Awards. Support KEY and ONEW by clicking here to vote today!

MINHO makes his comeback a solo artist this past week with the single and debut mini-album that shares the same title, Chase. This is his first comeback since the release of Heartbreak at the end of last year. Since then, MINHO refocused on his acting career and released new music as a solo artist in Japan earlier this year. MINHO has definitely been busy.. In a rather interesting move (though not necessarily unheard of), MINHO released Chase (both the single and mini-album) digitally last week, while the physical version of the album and the music video dropped today.

Chase, as a whole, comes off as your typical R&B track. The slowness of the track helps makes the track sensual in nature, while the instrumentals help create a moody atmosphere. All of this was pretty successful. The instrumental was a combination of a neat piano loop, trap beats and a heavy bassline. Altogether, these instrumental created an alluring background piece. Another interesting aspect of Chase was the lyrics, which expresses the emptiness that one feels after chasing someone they cannot get to. Again, it feels like a message that is suited for the R&B genre. But aside from that, there isn’t much else from within Chase that attracted me to the song, and this limited appeal is why I put Chase down as a ‘typical R&B track’. In the vocal department, MINHO sings his lines for the entirety of Chase,. And while he does a decent job, they aren’t vocals that we can rave about, not like how I did in his previous solo releases. He handles the job well, but there are other compelling vocal performances out there. You might argue that it might be a bit harsh for me to judge MINHO as a singer, when he usually takes on the role of main rapper during group performances with SHINee. But from how I see it, he (or his company) had the opportunity to put out a song that showcase a better side of him, but the decision was made for Chase to be MINHO’s best foot forward. I get the need to show a different side of an artist in their solo work, but I don’t think Chase was the best choice. It also didn’t help that Chase didn’t have much of a hook to help make the track more memorable (i.e. during the chorus), not did it have melodies that could act in place of a hook. Overall, a fair effort from MINHO for his solo comeback, but I am sure that there are other styles and songs that fits MINHO’s profile better..

I found the whole music video for Chase to be quite an interesting watch. The very start of the music video features a suspenseful montage of shots from later on in the music video that perks up your interest. We see an affectionate couple, followed by a fiery accident and finally a shot of a female whispering into MINHO’s ear. The plot of the video then starts with MINHO waking up. We see flashbacks to a time when MINHO was lying in bed with his partner, but it is apparent from his messy surroundings in his solo shots that she is no longer around and he is heartbroken. At night, he visit bars to seek out his missing partner, but it earns him a bashing and bruised face. To be fair, he was pretty much disrupting the patron’s night. After failing to find her, he sits on the streets and his mind takes him back to the fiery accident I mentioned earlier. We see that he is practically unscathed from the car crash, but it turns out his lover was not as lucky as him. She was a fatality in the accident. In the midst of the accident, Minho notices his lover standing afar. But despite chasing after her, he cannot reach her. It is later revealed that her ghost has been haunting him by staring back through the mirror and whispering messages into his ear, which is probably why he cannot get her out of his head and ends up ‘chasing’ her every night. In the end, he takes a gun and shoots the mirror to stop her. As a quick sidenote, there was a sinister scene at the start of the video which flicked by where his lover staring directly at the camera whilst on the bed (see the 0:19 mark on the video), which gave me creepy chills.

It comes as no surprise to me that the moves in this routine were of the slow and smooth nature, which is complementary to R&B tracks of this nature. But it wasn’t the slow moves that stole the show for me. The formations of the dancers at the start and end of the performance, and their small bobs in time with the piano made me go wow. I also found the routine during the bridge to be quite cool, especially when MINHO and the female dancers all did a wave to bring him back up.

Song – 6/10
Music Video – 9/10
Performance – 8/10
Overall Rating – 7.3/10