[Special/Awards] 2021 KPOPREVIEWED Awards – KPOPREVIEWED Choice

Sorry for the slight delay. There was a lot of mistakes in my images that I needed to redo.

Welcome all, to the announcement of the KPOPREVIEWED Choice post for the 2021 KPOPREVIEWED Awards. In this post, I will be presenting to you who I personally think should be the winners in each category of the 2021 KPOPREVIEWED Awards. The KPOPREVIEWED Choices below are selected from the nominations that I had posted last week. Please note that the KPOPREVIEWED Choices are irrespective of the reviews that I have posted throughout the year – simply because my thoughts on artists and songs can change throughout the year.

But remember, these are not the final winners! You get to decide that in a fan vote! That will begin mid-November, so keep your eye out for the public voting post/link which I will publish in Mid-November.

As mentioned in the previous posts about the awards, the 2021 KPOPREVIEWED Award is part of the 2021 Critics Award Circuit. Announcement of nominations was made by The 555 Review108 Ent and deforestedmusic (including Seoul Music Critics Nominations and the 2021 Online KPOP Music Critics Awards) last week for their respective award ceremonies, with more coming your way this week.

This week The 555 Reviews And 108 Ent have announced the winners for their respective awards alongside me! So make sure you check out who won in their awards as well!

The post is very image-heavy, so if you prefer, a reader-friendly version on Google Sheets is included so that you can see who/what the KPOPREVIEWED Choice for the 2021 KPOPREVIEWED Awards is. Click on the link below.

READER-FRIENDLY VERSION OF NOMINATIONS LIST (Now showing the KPOPREVEWED Choices)

Also, due to the number of categories, I have elected to split this post into three pages.

  • To view the ARTIST-RELATED categories (including Best Male and Female Soloists, and Best Male and Female Group, collectively the Artists of the Year categories), stay on this page and keep on scrolling.
  • To view the CHOREOGRAPHIES, VISUALS and PERFORMANCE RELATED categories, click here or click to the second page at the bottom of this post.
  • To view the SONG-RELATED categories, click here or click to the third page at the bottom of this post.

So without further ado, I present to you the KPOPREVIEWED Choices for the 2021 KPOPREVIEWED Awards.

Best New Artists Award Categories

Nominees for Best New Female Group of 2021
| HOT ISSUE | LIGHTSUM | MAJORS | PIXY | PURPLE KISS | TRI.BE |

Nominees for Best New Male Group of 2021
| Ciipher | ENHYPEN | EPEX | JUST B | KINGDOM | MIRAE

Nominees for Best New Female Soloist of 2021
| Joy (Red Velvet) | Kwon Eun Bi | Lisa (BLACKPINK) |
| Rosé (BLACKPINK) | Wendy (Red Velvet) | Yuqi ((G)I-DLE) |

Nominees for Best New Male Soloist of 2021
| D.O (EXO) | HOSHI (SEVENTEEN) | Kai (EXO) |
| Kim Woojin | Youngjae (GOT7) | YOUNG K (DAY6) |

Best Delivery Award Categories

Nominees for Best Vocals of 2021
| BTOB for Show & Prove | Baekhyun (EXO) for Hurt | IU for My Sea |
| Jongho (for Kingdom Legendary War Performances) | Mamamoo for Where Are We At |
| Pentagon for Lovesick Boys (Lovesick Girls Cover) |

Nominees for Best Rapper of 2021
| Bobby (iKON) for U MAD | Changbin (Stray Kids) for DDU-DU DDU-DU cover |
| CL for Spicy | Do Hanse (VICTON) for Take Over |
| I.M (MONSTA X) for God Damn | JESSI for What Type of X |

Best Speciality Award Categories

Nominees for Best Band of 2021
| DAY6 | IZ | LUCY | N.Flying | ONEWE | W24 |

Nominees for Best CO-ED Group of 2021
| 777 | AKMU | CHECKMATE | HyunA & DAWN | K-TIGERS ZERO |

Nominees for Best Subunit / Unit 2021
| BDC | Even of Day | NCT 127 | NCT DREAM | WayV | WJSN The Black |

Rising Star and Most Underrated Artist Categories

Nominees for Rising Star of 2021
| aespa | Brave Girls | ENHYPEN | ONF | STAYC | WOODZ |

Nominees for Most Underrated Artist of 2021
| A.C.E | BDC | Dream Catcher | fromis_9 | Kim Sejeong | ONEUS |

Best Artists of the Year Categories

Nominees for Best Female Soloist of 2021
| CHUNG HA | HyunA | IU | Jeon Somi | JESSI | Kim Sejeong | Sunmi |

Nominees for Best Male Soloist of 2021
| Baekhyun (EXO) | Ha Sung Woon | Kang Daniel | Kim Jae Hwan | Taemin (SHINee) | Wonho | WOODZ |

Nominees for Best Female Group of 2021
| aespa | Brave Girls | Dream Catcher | (G)I-DLE | ITZY | OH MY GIRL | STAYC |

Nominees for Best Male Group of 2021
| Golden Child | ONEUS | ONF | SEVENTEEN | Stray Kids | THE BOYZ | TXT |

PaPage 1 – Artist Related Categories
Page 2 – Choreographies, Visuals, Performances Related Categories
Page 3 – Song Related Categories

[Special/Awards] 2021 KPOPREVIEWED Awards – Nomination Announcement

Welcome, all to the announcement of nominations for the 2021 KPOPREVIEWED Awards! As mentioned on Sunday, this year the Awards will be slightly different to previous years. For an explanation of what is happening, click here to have a read of the schedule for the 2021 KPOPREVIEWED Awards.

As mentioned in the previous post, the 2021 KPOPREVIEWED Award is part of the 2021 Critics Award Circuit, which is currently underway with the announcement of nominations by The 555 Review, 108 Ent and deforestedmusic for their respective award ceremonies. As a result, the 2021 KPOPREVIEWED are happening a month earlier than usual, which means the eligibility period for the 2021 KPOPREVIEWED Awards is now between 30 November 2020 to 24 October 2021. Songs released after 24 October 2021 will be considered in next year’s KPOPREVIEWED Awards.

These nominations are based on my thoughts and preferences from the year that has just passed. I have considered a wide range of acts, songs, albums, stages, videos etc. (including those I have not reviewed) as part of this year’s awards. Also, these awards are irrespective of the reviews that I have posted throughout the year – simply because my thoughts on artists and songs can change throughout the year.

PS. I tried to do something different this year with the announcement of nominees, by including pictures for the songs, artists and visuals nominated this year. I hope you can read them. I know for some, particularly the songs/album categories, the wording might be a bit too small. Don’t fret (or get angry at me). I have included a reader-friendly version on Google Sheets, which you can view by clicking the link.

READER-FRIENDLY VERSION OF NOMINATIONS LIST

Also, due to the number of categories, I have elected to split this post into three pages.

  • To view the ARTIST-RELATED categories (including Best Male and Female Soloists, and Best Male and Female Group, collectively the Artists of the Year categories), stay on this page and keep on scrolling.
  • To view the CHOREOGRAPHIES, VISUALS and COMEBACK RELATED categories, click here or click to the second page at the bottom of this post.
  • To view the SONG-RELATED categories, click here or click to the third page at the bottom of this post.

So without further ado, I present to you the nominees for the 2021 KPOPREVIEWED Awards.

Artist Categories

Note: Pentagon’s Lovesick Girls cover was uploaded at the start of November 2020. However, I didn’t view the video until December 2020, and hence why it is eligible for Special Performance and Vocal awards.

Artists of the Year Categories

Page 1 – Artist Related Categories
Page 2 – Choreographies, Visuals, Comeback Related Categories
Page 3 – Song Related Categories

[Special] 2021 KPOPREVIEWED Awards – Announcement

It might be a tad early this year, but I am proud to unveil and announce the beginning of the 2021 KPOPREVIEWED Awards. Once again, we are approaching the end of the year and it is time to look back at the year (ish) that has just passed. This year, things are happening in a slightly different order than previously (if you haven’t noticed, this particular post is coming out a month in advance than usual). More will be explained below.

The 2021 KPOPREVIEWED Awards will be part of the 2021 Critics Award Circuit, which is also soon to get underway. Keep your eyes out on other KPOP review blogs for their upcoming announcements. Think blogs that were part of the KPOP Songs of Summer collaboration that happened earlier this year, if you are wondering which specific blogs to look at. As those blogs post their awards posts, I will link to them here.

The 555 Awards of 2021: Nominations
10/10 – Music Critics Association Nominations
2021 deforestedmusic Awards Nominations

Okay, so now here are the details. I have once again added a bunch more categories to the awards this year. You will find out what they are in the coming days. This is on top of the many older categories such as Best New Artist, Best Artist, Best Choreography, Best Music Video etc. categories. And fan voting will still be a thing, so you will definitely still get to have your say in the final winners of each category.

In terms of eligibility for this year, any artist/song nominated will need to be active/released between 30 November 2020 and 22 October 2021. This will include songs such as ENHYPEN’s Given-Taken, Kai’s Mmmh, GOT7’s Last Piece (releases that occurred on 30 November 2020), up until track’s such as SEVENTEEN’s Rock With You and KINGDOM’s Black Crown (releases that occurred up until 22 October 2021). Any songs before the 30 November 2020 date were considered as part of the 2020 KPOPREVIEWED Awards, and any songs released after 22 October 2021 will be considered in the 2022 KPOPREVIEWED Awards.

See below for the Key Dates for the 2021 KPOPREVIEWED Awards (all times are based on my local time, AEDT):

24 October 2021 (i.e. today) – Announcement of the 2021 KPOPREVIEWED Awards (this particular post in question!)

9 PM (27 October 2021 (this coming Wednesday) – Announcement of the 2021 KPOPREVIEWED Awards nominees

9 PM 3 November 2021 – KPOPREVIEWED Choice of the 2021 KPOPREVIEWED Awards nominees – I usually hold off on announcing the KPOPREVIEWED Choice until I post the Winner Announcement post early in the new year. But this time, I will be posting who I think the winners should be in a week after the announcement of the 2021 KPORPEVIEWED Awards nominees.

12:00 AM 15 November 2021 – Public voting opens

11:59 PM 31 December 2021 – Public voting closes

(Date TBC) January 2022 – Announcement of 2021 KPOPREVIEWED Awards Winners

So based on the above, coming up very soon is the announcement of the 2021 KPOPREVIREWED Awards Nominees. Until then, have a great day/start of the week!

[Review] The View – Stray Kids

As flagged on Sunday, I will be posting reviews for the side tracks from Stray Kids’ second studio album, NOEASY, that we have music video for, in preparation for their upcoming album review this weekend. This include two group tracks and three unit tracks. First up is The View. It was promoted alongside Thunderous as a secondary promotional track and its music video was released in early September.

To me, The View was a standout track on the album. It went in a different direction to their other singles on the NOEASY album despite it being in the same boundaries of EDM. It was relatively light and quite atmospheric to listen to, and I find such qualities make The View fitting for the Summer season (in which it was released). I also appreciate the simplicity of the song’s melodies, which gave the song an overall sing-song approach that was flowy, breezy and just easy to get into. Thus, the vocals flourished effortlessly in this song. The View also was a great platform for the rappers. Felix (with his infamous deep voice) took things slow, making his voice more approachable than his usual harsh delivery. Jisung went with a much faster approach, throwing energy behind his delivery but still keeping it in line with the rest of the song. My favourite bit has to be Changbin’s section in the song. His section (in the second half of the bridge) was like a curveball, changing the momentum of the song ever so briefly with the heavier trap sequence and adding a bit of a ‘growl’ to The View. It changed things up, but doesn’t go overboard. His section just stuck out at me and really added a bit of a wow factor (for me) into The View. Overall, simplicity is sometimes key and I think The View is a prime example of this.

To match the breezy feel of the song, the music video was shot in the fields. It was very fitting and the closeup concept felt appropriate. I also quite enjoyed the scenic views throughout the video. However, I did want choreography scenes in this music video. As much as I find the ‘formula of closeup and choreography’ to be unoriginal and generic, I think it would have been a good inclusion for this music video. I also liked the tie in with the other videos at the end (i.e. the scene with Felix blowing out the candle and the other members are surrounding him). It is like a continuation of the events of Mixtape: OH, where he wished for the members to reunite.

I liked the performance, as it was light-hearted. I thought this was very appropriate for the song and match the vibes of the song that I mentioned above. The chorus had a nice bounce and the members looked like they were having fun on stage throughout.

Song – 10/10
Music Video – 8/10
Performance – 9/10
Overall Rating – 9.2/10

[Special] Celebrating 10 Years of KPOPREVIEWED

Excuse the mushiness of this post and cringy feature image I created. I have the creativity of a log. 🙂

Yikes! 10 years ago, I started KPOPREVIEWED. The date was 3rd October 2011 (on WordPress). To be honest, that is the date that I have on hand as the start of this particular blog. KPOPREVIEWED actually started earlier elsewhere by a few days, but I have deleted that blog and don’t have any of that information on hand anymore.

Over the few days, I have been in this nostalgic mindset thanks to writing this particular thank you post. Hence, I thought it was nice to look back at the very reason why we are all here and so interested in the KPOP industry – the songs, albums, artists, music videos and performances. If you had a keen eye, you would have noticed that I stopped ‘Looking Back’ past 10 years (though I did throw a few extra artists, videos, choreographies in for pre-2011 releases). It pained me to stop at an odd number, but I thought it would be a nice subtle hint at what the end of the special series would entail. it was also a great reflection over the last 10 years. So many releases were sifted through, and so many binges were carried out.

10 years is a long time. 3653 days to be precise (because Korea and mothers with new born babies have this weird obsession with celebrating a certain number of days). Just to put into perspective:

  • approx. 2406 song reviews written to date (in some capacity, however this number does not includes any songs that I have reviewed in an album review format)
  • 430 album reviews written to date
  • 632 followers (a much higher number than what I had ever expected)
  • over 1,300,000 views
  • over 620,000 unique visitors
  • over 850 comments (most of which is me, but still a bunch of comments over the years)
  • over 2380 likes

I am sure other similar blogs have much higher numbers than mine (I see a lot more traffic on my fellow peers blogs). But if you were to ask me 10 years ago that I would have over 1,300,000 views to something, I would laugh and ask if you are joking.

To be honest, I never thought I would reach 10 years. For those who don’t know, KPOPREVIEWED was started as an escape from my studies (I was in high school then). Fast forward 10 years, I have graduated both high school and university, and even moved out to live independently. It was only a few years ago that I thought to even try harder at blogging (as I didn’t have much of a part time job while studying at university and researched ways I could develop skills for a job – blogging was one of them), and I think it paid off. Since then, it has helped land me my full time job (interestingly, this blog and my work have nothing to do with one another) and has been an interesting ice-breaker with some people.

But the biggest reason to why the blog has lasted so long is YOU! The views on my blog have grown exponentially of the last few years. I presume this growing number of views each year tells me that there is an appetite for what I post and it drives me to continue posting. So my biggest thanks to everyone out there, no matter if you have been following the blog since day one or have just discovered the blog today. As cliché as it sounds, I could not have done this without your support, and for that I am grateful for you. 🙂

So what does this post mean for me? Is this reflective and thanking post the end of KPOPREVIEWED? Nope. I think I bit more in me. Whether I will last another 10 years, that’s a different story. However, I will promise (and I truly mean this one – I know I don’t have the best track record of promises because of this year) that once I work out when my time is up, I will let you know and bid you all a proper farewell. I think it is the right thing for me to do and it would help give me some closure before I officially move on. But in the meanwhile, I am sticking around and have a lot of catching up to do. And a lot more posting to do. (A lot of still coming up, such as the 2021 KPOPREVIEWED Awards, new and returning segments that I really want to do etc.)

I leave you with my personal favourite releases below – one of each from the 10 years I have been around (plus 2021, since the blog has been active in 2021). (I honestly have no idea to celebrate 10 years – though I am baking cookies later today :D).

Massive thanks again and see you tomorrow (for the start of another decade)!

2011 – Sixth Sense (Brown Eyed Girls)

2012 – Poison (Secret)

2013 – Female President (Girl’s Day)

2014 – Sugar Free (T-ARA)

2015 – Ah Yeah (EXID)

2016 – Very Nice (SEVENTEEN)

2017 – Hwi Hwi (Laboum)

2018 – I Love You (EXID)

2019 – Time Of Our Life (DAY6)

2020 – Back Door (Stray Kids)

2021 – Beautiful Beautiful (ONF) (at this point in time – may change)

[Special] Looking Back: Best and Notable Artists

As part of a super special series, I will be doing rewinding the clock and reflecting on the years that have passed by focusing on certain aspects that have defined KPOP. All will make sense once I reach the end of this series.

It is without a doubt that KPOP would not be what it is currently without its artists. After all, they are the main attraction of the industry. Over the years, we have seen a lot of artists come and go. Some have truly succeeded and their careers have broken boundaries. Others have disappeared from the industry, following scandals, early disbandments or contract curses. Some have stayed the long haul and have enjoyed long term careers in the industry. Some have even gone into acting and other lines of work, following their careers on our screens.

Today, I will be going through the best and notable artists of each year that has passed. From 2017 – 2020, the artists in the bold text were voted by you through the annual KPOPREVIEWED Awards to be the Best Artists (male group, female group, male solo and female solo) of the respective year, while those underneath the bolded header text are those who I thought were the notable artists of the respective year. For 2013 – 2016, all artists listed (regardless of bolded text and normal text) are those who I thought were the Best Artists of those years. For 2011 and 2012, I have only listed the groups and solo act that I thought would be considered Best Artists for those years in a retrospective point of view.

Also linked are playlist containing one track from each of the artists listed for each year.

2020



Other notable artists

Golden Child
Lovelyz
Baekhyun (EXO)
IU

BTS & Stray Kids
EVERGLOW & BLACKPINK
Taemin (SHINee)
Hwasa (Mamamoo)

2019



Other notable artists

TWICE
EXO
Taemin (SHINee)
IU

BTS & ATEEZ
Mamamoo & Red Velvet
Zico
CHUNGHA

2018



Other notable artists

BTS
Red Velvet
Seungri (ex-Big Bang)
Taeyeon (SNSD)

SHINee
BLACKPINK
Eric Nam
Sunmi

2017



Other notable artists

Red Velvet
EXO & B.A.P (tie)
IU & Sunmi (tie)
G-DRAGON (Big Bang)

Seventeen
Bobby (iKON)

2016



Other notable artists

Seventeen
Mamamoo
Zico
Taeyeon (SNSD)

GOT7
Oh My Girl
Eric Nam
Hyosung (ex-Secret)

2015



Other notable artists:

EXID
GOT7
Tayeon (SNSD)
Kim Sung Kyu (Infinite)

Red Velvet
BTS
Amber (F(x))
Lee Hong Ki (FT Island)

2014



Other notable artists:

VIXX
Girl’s Day
Crush
Song Ji Eun (ex-Secret)

BEAST
APINK
JungGiGo
Sunmi

2013


Other notable artists

Girl’s Day
SHINee
Ailee

Infinite & VIXX
Miss A & Rainbow
K.Will & IU

2012


U-KISS
Secret
IU

2011

Big Bang
2NE1
IU

[Special] Looking Back: Best and Notable Albums

As part of a super special series, I will be doing rewinding the clock and reflecting on the years that have passed by focusing on certain aspects that have defined KPOP. All will make sense once I reach the end of this series.

In today’s ‘Looking Back’ post, I turn my attention to albums in the KPOP industry. Albums offer a lot of insight into an artist, as it gives the artist more opportunities to express themselves. We (the listeners) find ourselves delving into the albums of artists we like, and finding that ‘hidden gem’ or an alternative track that should have been the title track of the album. Other times, we give an album of a less familiar group a go to discover their music and potentially becomes fans of them! This is the power of the album, and it has definitely been an effective tool in the industry.

Nowadays, album sales are a very indicative parameter of how successful a KPOP artist is. Selling the most albums to date is BTS (no surprises there), with their 2020 release being the most sold album in KPOP. And more artists are joining BTS on the upper end of the most sold list, including NCT, Seventeen, TXT, EXO and Stray Kids. It is very interesting to note that physical albums, for the most part, were on the downtrend in the ’00s, with digital charts being the new way to listen to music. But I guess posters, photocards, photobooks and other merchandise included in KPOP albums have given them new life.

Below, I have listed the best and most notable albums of the year. For years 2018 – 2020, the album in the bolded text is the album that you all voted as being the best album of the respective year. In 2014 – 2016, the album stated in the bolded header text is the album that I chose to be the best album of the respective year. In 2011 – 2013 and 2017, I have retrospectively chosen two albums for Best Album and most notable album as there was not Best Album categories in those years. For each ‘Best Album’, I have also provided the Spotify playlist (sorry to WordPress app users, I don’t think you can see the Spotify playlists).

2020: -77.82*-78.29 (2nd Mini Album) – EVERGLOW

Other notable albums:

The Book of Us: The Demon (6th Mini Album) – DAY6
24 Part 1 (1st Studio Album) – Jeong Sewoon

2019: Love Poem (5th Mini Album) – IU

Other notable album:

The Book of Us: Gravity (3rd Studio Album) – DAY6

2018: The Story of Light (6th Studio Album) – SHINee

Other notable album:

Love Yourself: Answer (3rd Compilation Album) – BTS

2017: Palette (4th Studio Album) – IU

Other notable album:

White Night (3rd Studio Album) – Taeyang (Big Bang)

2016: Wings (2nd Studio Album) -BTS

Other notable album:

Carnival (5th Mini Album) – B.A.P

2015: 4Walls (4th Studio Album) – F(x)

Other notable album:

Basic (6th Studio Album) – DAY6

2014: Red Light (3rd Studio Album) – F(x)

Other notable album:

PLAY (1st Studio Album) – DAY6

2013: Pink Tape (2nd Studio Album) – F(x)

Other notable album:

Everybody (5th Mini Album) – SHINee

2012: Alive/Still Alive (5th Studio Album/5th Studio Album Repackaged) – Big Bang

Other notable album:

One Of A Kind (1st Mini Album) – G-Dragon (Big Bang)

2011: Wonder World (2nd Studio Album) – Wonder Girls

Other notable album:

Neverland (2nd Studio Album) – U-KISS

[Special] Looking Back: Non-Korean Songs

As part of a super special series, I will be doing rewinding the clock and reflecting on the years that have passed by focusing on certain aspects that have defined KPOP. All will make sense once I reach the end of this series.

Over the years, KPOP have expanded into other music industries. It started with just the Korean market. Soon, KPOP artists entered the nearby Japanese pop music market, which was a very successful move for some groups, who thrived and ended up focusing more on Japanese promotions. Historically, a number of Korean acts failed to make it big in the Western pop music industry, But that all changed very recently with the success of BTS and other groups who have a big international fanbase in the Western pop music scene. Today, I will be looking back at the Best and Notable non-Korean tracks released by Korean artists.

From 2017 to 2020, the songs listed in the bold text are those who were voted in as Best International Song/Best Non-Korean Song by a Korean Artist/Best Japanese Song for those years. I have also listed an additional song as a notable song where there is one available. From 2016 and earlier, the song in the bold text are those that I have selected to be the Best Japanese Song for those years.

2020 – Dynamite (BTS)

Other notable non-Korean song: Fallin’ Flower (Seventeen)

2019 – Breakthrough (TWICE)

Other notable non-Korean song: Moonwalk (WAYV)

2018 – Electric Kiss (EXO)

Other notable non-Korean song: Call Call Call (Seventeen)

2017 – One More Time (TWICE)

2016 – Sayonara Hitori (Taemin (SHINee))

2015 – Can’t Wait To Love You (BEAST/HIGHLIGHT)

2014 – F.F.Y (MYNAME)

2013 – Bunny Style (T-ARA)

2012 – Dazzling Girl (SHINee)

2011 – TICK TACK (UKISS)

[Special] Looking Back: Best and Notable Choreographies

As part of a super special series, I will be doing rewinding the clock and reflecting on the years that have passed by focusing on certain aspects that have defined KPOP. All will make sense once I reach the end of this series.

Another visual aspect of the comebacks in KPOP are the choreographies. To me, this makes KPOP very unique. As far as I am aware, Korea is one of the few countries in which artists can promote on stage for 6 days a week, and promotional periods range between 1 to 4 weeks. That is a crazy amount of stage performances that KPOP idols need to do. But it is exposure that a lot of groups need to make it to the top. And there is a vast variety of performances out there, as you can tell from the list below, which contains the best and notable choreographies in KPOP.

For the past how many years, you and I have selected the best choreographies. In the more recent years (2017 – 2020), I have opened up the floor to allow you to vote in the annual KPOPRVIEWED Awards. Those who you have selected to be the best choreographies of that year are in the bolded header text, while those that I noted in normal text for those relevant years as what I considered to be the best choreographies. For 2016 and eelier, the bolded text is what I decided to the Best Choreographies, and the normal text was my second pick.

I have also compiled a playlist of the listed choreographies for each year.

2020


Other notable choreographies:

ONE (LUCID DREAM) – Golden Child
DUN DUN – EVERGLOW
Criminal – Taemin (SHINee)
NUNU NANA – JESSI

Back Door – Stray Kids
Naughty – Red Velvet Irene & Selugi
Open Mind – Wonho
Stay Tonight – Chungha

2019


Other Notable Choreographies

Butterfly – LOONA
Love Shot – EXO
Want – Taemin (SHINee)

HIP – Mamamoo
Side Effects – Stray Kids
LALALAY – Sunmi

2018

Other notable choreographies:

Thanks – Seventeen
Woman – BoA

Lullaby – GOT7
I Love You – EXID

2017

Other notable choreography:

Don’t Wanna Cry – SEVENTEEN

Gashina – Sunmi

2016

Other notable choreography:

Hard Carry – GOT7

The Eye – Infinite

2015

Other Notable Choreography:

DOPE – BTS

If You Do – GOT7

2014

Other notable choreography:

Sugar Free – T-ARA

Back – Infinite

2013

Other notable choreographies:

Everybody – SHINee
Growl – EXO

Expectation – Girl’s Day
Very Good – BLOCK B

2012

Other notable choreographies:

Sherlock – SHINee

Alone – Sistar
The Chaser – Infinite

2011

Other notable choreography:

Neverland – UKISS

The Boys – SNSD

Pre-2011

Sorry Sorry – Super Junior
Gee – SNSD
Lucifer – SHINee
Nobody – Wonder Girls
Heartbeat – SHINee

[Special] Looking Back: Best and Notable Music Videos

As part of a super special series, I will be doing rewinding the clock and reflecting on the years that have passed by focusing on certain aspects that have defined KPOP. All will make sense once I reach the end of this series.

One of the most visual aspects of KPOP is the music video. Over the years, we have seen a lot of amazing music videos, with a lot of them featuring amazing sets, vivid concepts and cinematic quality storylines. When you look at a lot of videos (especially some of the ones featured below), you can tell that a lot of effort and planning has been put into such videos. Sometimes budgets can exceed millions of dollars in some cases and complex stories covered by multiple videos and comebacks. In this post, I look over the music videos that you and I have picked as the best music videos.

Between 2017 to 2020, the music video in the header text were selected as the Best Music Video by you through the yearly KPOPREVIEWED Awards, while the music videos in the header text from 2016 and earlier were chosen by me (as back then, only I determined the winners of Best Music Video categories). Under each header, I have also listed one or two extra music videos that were also considered notable, as this was also determined by you or me in relevant years.

2020 – LADIDA (EVERGLOW)

Other notable music video: Back Door (Stray Kids)

2019 – Obsession (EXO)

Other notable music videos: Feel Special (TWICE) & HIT (SEVENTEEN)

2018 – Fake Love (BTS)

Other notable music videos: DDU-DU DDU-DU (BLACKPINK)

2017 – Peek-A-Boo (Red Velvet)

Other notable music videos: You In Me (KARD)

2016 – Skydive (B.A.P)

Other notable music videos: Blood Sweat & Tears (BTS)

2015 – You (G.Soul)

Other notable music videos: Pray (FT Island)

2014 – The Story of our Lives (G.O.D ft. Megan Lee)

Other notable music videos: Red Light (f(x))

2013 – G.R.8.U (VIXX)

Other notable music videos: ONE SHOT (B.A.P) & Growl (EXO)

2012 – Fantastic Baby (Big Bang)

Other notable music videos: Sherlock (SHINee) & This Is War (MBLAQ)

2011 – Cleansing Cream (Brown Eyed Girls)

Other notable music videos: Love Song (Big Bang) & Going Crazy (Song Ji Eun ft. Bang Yong Guk

Pre-2011 – Haru Haru (BIG BANG), Gee (SNSD), Mirotic (TVXQ)

[Special] Looking Back: Best and Notable Debuts

As part of a super special series, I will be doing rewinding the clock and reflecting on the years that have passed by focusing on certain aspects that have defined KPOP. All will make sense once I reach the end of this series.

Each year there are new groups and solo acts starting out in the industry. Many of the groups and soloists on this list have literally defined and shaped KPOP in remarkable and iconic way. Other groups or soloists unfortunately did not have much of a chance to do so, while some others are just starting out and could become the next big thing in the industry. In this post, I look back at the debuts that you picked as the best and my personal favourite debuts over the years.

From 2017 to 2020, the debuts listed in the bold header texts are based on the winners of the KPOPREVIEWED Awards of the respective year, which were chosen by you. Underneath the headings for 2017 – 2020 (in the plain text), I listed my personal favourite debuts from these years. For the other years, the bold header texts are my personal favourites (I didn’t open voting up to you all during these years) and included other notable debuts in that respective year there as well. There is also an accompanying playlist for the debut singles for each of the groups/soloists listed.

PS. This post might take a while to load as there is a playlist for each year.

2020 – DRIPPIN, aespa, WOODZ, Ryu Sujeong (Lovelyz)

Personal favourites – TREASURE, Weeekly, WOODZ, YooA (Oh My Girl)

2019 – ITZY, TXT, Hwasa (Mamamoo), Baekhyun (EXO)

Personal Favourites – EVERGLOW, AB6IX, Hwasa (Mamamoo), HUTA (Lee Minhyuk – BTOB)

2018 – Stray Kids, (G)I-DLE, Yuri (SNSD)

Personal Favourites – The Boyz, fromis_9, Kim Dong Han

2017 – Dream Catcher, Wanna One, Kim Chungha

Personal Favourite – Dream Catcher, Wanna One, Jeong Sewoon

2016 – ASTRO, WJSN (Cosmic Girls)

2015 – GFriend, Seventeen, Jonghyun (SHINee), G.Soul

2014 – GOT7, Mamamoo, HA:TFELT, Jung Hyosung (former member of Secret)

2013 – BESTie, Sunmi, HISTORY

2012 – B.A.P, GLAM, Ailee

2011 – APINK, B1A4

Pre-2011 Notable Debuts – BEAST (now known as HIGHLIGHT), MISS A, Infinite, CN BLUE, 4MINUTE, T-ARA, 2NE1, 2PM, SHINee, SNSD

[Special] K-Pop Songs of the Summer Review: Hot Summer – f(x)

Over time, the K-Pop Review community has grown from a few individuals into a full subset of the internet. Now, TheBiasList, Kbopped, 10/10 – Music, Hallyureviews, Jei’s Kulture Notes, Deforested Music, A Floating Realm in the Corner, 8.5 Music, and Kpopreviewed are working together, to create a series, where we review our favorite K-Pop summer song.

Be sure to check out everyone’s posts in the links below!

10/10 – Music (Blog / Hi Ya Ya – TVXQ Review)
Blueraspberrysyrup (Blog / Summer 127 – NCT 127 Review)
Kbopped (Blog / The Star of Stars – SNUPER)
Jei’s Kulture Notes (Blog / Boogie Up – WJSN Review)
Hallyureviews (Blog – / Power – EXO Review)
8.5 Music (Blog / View – SHINee Review)
Kpopreviewed (This Blog!! / Hot Summer – f(x))
Deforested Music (Blog / Wave – ATEEZ)
The Bias List (Blog / Loving U – Sistar)


There are so many artists and songs that are synonymous with Summer released over the years. But since I have been around for a while now (I won’t put a number on it – that can be the subject for a later post), I have reviewed a large bulk of them already. So, when I found a song that I haven’t reviewed yet that also suited the theme of this collaboration, I actually felt like the stars align. My chosen song is F(x)’s Hot Summer, which was released way back in June 2011. This particular decade young track was released as the title track for the repackaged version of their first studio album, Pinocchio, and was a massive hit in Summer of that year.

I vaguely remember not enjoying Hot Summer when it was first released for some reason (don’t remember what exactly – it has been 10 years). But like many songs that I have expressed dislike for or criticised, Hot Summer has become an iconic track to have on my Summer playlist. But how so? Well, Hot Summer continually repeats its title throughout the song, especially in the chorus. It is pretty much in your face and there is no escaping it. A bit of an extreme tactic, but it got keyed into my memory. Now, there isn’t summer where my mind don’t gravitate towards the song, especially when the temperatures are unbearable (a bit of song and dance may ensue). Throw that over an synth-heavy (pretty much the norm for back then) and bright instrumentation that comes off as refreshing, and you pretty much have a strong catchy track. What I also liked about Hot Summer now is how it just keeps on going. There was virtually no breaks throughout the song, so the energy is very consistent and just continually pumps. But I think the textures that come from the synths and the vocals do a good job of distracting you from that consistency, and hence I don’t see it as a problem. We do get a bit of reprieve following in the chorus, with the whispery-like delivery of the song’s title (repetition, once again), which was really cool and a nice change in momentum. I would have liked to hear transitional effects between various parts of the song, just so the various sections could be more easily identified and defined. When it comes to the vocals and rapping, Hot Summer is a solid number. The vocals, which bring an undeniable pop influence to the song, stood out over an already loud and texturally heavy instrumentation. I also really liked how edgy they sounded in the first verse. Amber’s rap, although brief, was a nice intense moment that worked well with the rest of the song and allowed Amber to show her style off more. The interesting part is the high-pitch whiny ‘Hot Summer‘ we get in the last iteration of the chorus that blends into the instrumentation. It feels pretty much ahead of its time. Hot Summer is a song that I keep going back to, especially when the temperatures start heating up where I live, and it is one of my many recommended KPOP Songs of the Summer.

Not too sure what the premise for this music video is. A pink tank rolls down the street doesn’t seem that summery to me. But it was an epic entrance for the group and definitely feels like a F(x) thing to do. Aside from the questionable background, I thought the music video was pretty decent and rather simple (which you know I like). The brightness reminds you of a really hot summers day. They outfits provided that pop of colour (alongside the pink tank) in such a barren city landscape. Even the red outfits in their studio sets managed to show Summer in a simple dual colour fashion.

The iconic choreography for this comeback was pretty much self explanatory. Too hot, fan yourself. It is also simple, so people like me who have two left feet and look really awkward dancing (like those dancers we see in the background at the end of the video) can pull it off reasonably well. That being said, there is a bit of complexity with the rest of the performance (i.e. formations and other parts of the routines) that results in the choreography for this release being quite balanced and looking good.

Song – 9/10
Music Video – 7/10
Performance – 9/10
Overall Rating – 8.4/10

[Special] Number 1 Songs from July 2020 to June 2021

As we have already wrapped up another July to June period, it is time for me to recap a full year’s worth of Weekly KPOP Charts winners! These are the song that topped the Weekly KPOP Charts segment between July 2020 and June 2021. As a quick recap, I personally decide on these charts. Songs that I prefer rank higher as I tend to gravitate towards them more. You will see the same artists return to the top of the charts throughout the year. But I also tend to surprise myself when an unexpected artist top of the charts for a particular week. So let’s have this walk down memory lane and see who topped the Weekly KPOP Charts between July 2020 and June 2021.


Left & Right – Seventeen
(1st Week of July 2020)
(2nd Week of July 2020)

Apple – GFriend
(3rd Week of July 2020)

Naughty – Red Velvet – Irene & Seulgi
(4th Week of July 2020)

Waves – Kang Daniel ft. Jamie Park & Simon Dominic
(5th Week of July 2020)

Now or Never – April
(1st Week of August 2020)

DUMDI DUMDI – (G)I-DLE
(2nd Week of August 2020)

Gotta Go – Soyou
(3rd Week of August 2020)

GUNSHOT – KARD
(4th Week of August 2020)

HELICOPTER – CLC
(1st Week of September 2020)

TO BE OR NOT TO BE – ONEUS
(2nd Week of September 2020)

Back Door – Stray Kids*#
(3rd Week of September 2020)
(4th Week of September 2020)
(1st Week of October 2020)
*Stray Kids was awarded Song with Most Weekly KPOP Chart Wins in 2020 with Back Door.
#Stray Kids was awarded Artist with Most Weekly KPOP Chart Wins in 2020 with God’s Menu and Back Door.

Pump It Up – Golden Child
(2nd Week of October 2020)

Daisy – Pentagon*
(3rd Week of October 2020)
(4th Week of October 2020)
(1st Week of November 2020)
*Pentagon was awarded Song with Most Weekly KPOP Chart Wins in 2002 with Daisy.

HOME;RUN – SEVENTEEN
(5th Week of October 2020)

MAGO – GFRIEND
(2nd Week of November 2020)

Happening – AKMU
(3rd Week of November 2020)

Life Goes On – BTS
(4th Week of November 2020)

LAST PIECE – GOT7
(1st Week of December 2020)
(3rd Week of December 2020)

Panorama – IZ*ONE
(2nd Week of December 2020)

Better – BoA
(4th Week of December 2020)

Bump Bump – WOODZ
(5th Week of December 2020)


Cry For Me – TWICE
(1st Week of January 2021)

HWAA – (G)I-DLE
(2nd Week of January 2021)

Love So Sweet – Cherry Bullet
(3rd Week of January 2021)

Celebrity – IU
(4th Week of January 2021)
(3rd Week of February 2021)

Burn It – Golden Child
(1st Week of February 2021)

U MAD – Bobby (iKON)
(2nd Week of February 2021)

Beautiful Beautiful – ONF**/##
(4th Week of February 2021)
(1st Week of March 2021)
(2nd Week of March 2021)
**Currently the Artist with Most Weekly KPOP Chart Wins in 2021
##Currently the Song with Most Weekly KPOP Chart Wins in 2021

DO or NOT – Pentagon
(3rd Week of March 2021)
(4th Week of March 2021)

LILAC – IU
(5th Week of March 2021)

Unnatural – WJSN (Cosmic Girls)
(1st Week of April 2021)

I Wouldn’t Look For You – Kim Jae Hwan
(2nd Week of April 2021)

Antidote – Kang Daniel
(3rd Week of April 2021)

Drunk-Dazed – ENHYPEN
(4th Week of April 2021)

Ugly Dance – ONF**
(1st Week of May 2021)
**Currently the Artist with Most Weekly KPOP Chart Wins in 2021

Dun Dun Dance – Oh My Girl
(2nd Week of May 2021)
(3rd Week of May 2021)

Hurt – Baekhyun (EXO) & Seomoon Tak
(4th Week of May 2021)

Where Are We Now – Mamamoo
(1st Week of June 2021)

Sneakers – Ha Sung Woon
(2nd Week of June 2021)

Chi Mat Ba Ram – Brave Girls
(3rd Week of June 2021)
(4th Week of June 2021)

Ready To Love – Seventeen
(5th Week of June 2021)

[Special] Personal Favourite Songs from 1st Half of 2021

Within a blink of an eye, another 6 months have passed. 2021 was still an awful year with lockdowns, isolation and the pandemic still dominating news headlines. I feel that these events, amongst other things, has really slowed me down this year. But at least, KPOP was on the pleasures that I still had to get me through these last 6 months.

A lot of albums and a lot of songs were released, per usual, in the span of the first 6 months of 2021. And I am still playing catch up with some to write reviews for! I will get there eventually! But in the meanwhile, I thought I share with you 10 KPOP songs that are my personal favourites from the last 6 months (in no particular order). Why 10? Well, it is an even number and I just couldn’t decide on a few, so I went with a couple :D. (Please note that this is irrespective of my reviews – songs can grow on you over time!)

Let me know if we shared similar taste in 2021 so far? And if we don’t, then comment below what your favourite songs of the year are! I would love to see what you all have been enjoying.

[Special] Kingdom: Legendary War Review – WHO IS THE KING (Final Round)

Earlier this month, Kingdom: Legendary War began its run, pitting six well known and high performing male groups against one another for the throne. The Boyz, winner of the prequel season Road To Kingdom last year, is featured as one of these male groups. During the 2020 MAMA Awards, it was confirmed that Stray Kids and ATEEZ will be participating. And in January 2021, it was also confirmed that iKON, BTOB and SF9 will be joining the lineup. It was also confirmed that TVXQ (a name in the industry worthy of the Kingdom title without a doubt) will be hosting, but this was later reduced to just Max Changmin, as Yunho was involved in a scandal and was edited out as much as possible (and will not make an appearance in future rounds).

As I have reviewed part of Queendom and all of Road To Kingdom, I will also be reviewing the stages of Kingdom: Legendary War, recapping the high caliber performances from each round and also putting forward my thoughts on what the ranking should have been for that round.


Final Round – WHO IS THE KING?

After two months of performances, we have finally reached the final round. WHO IS THE KING? started a week prior to the episode airing, with the final songs released to see which group would garner more attention on the music charts. This attention (and their ranking on the music charts) would determine the first set of points the group’s would get, thus contributing to their final score.

When the episode starting airing, fans were given the opportunity to live vote for their favourite groups, thus creating a second set of points the groups were able to get in the final round.

At the conclusion of the performances, the live votes were tallied and added to all the points which the groups have accumulated throughout the competition. The group with the most points would be crowned the King!

For this review/rundown, I will be having a deeper listen to the songs released by each of the groups and a closer watch of the performances. I will also be giving a final rating based on these aspects, allowing me to determine a rank for the final round.

Then I will look at all my rankings I have done since the start of the show to determine who I thin should have been crowned the King! See you at the end.


The Real (멋) – ATEEZ

Going first up in the final round is always a daunting task and that task was assigned to ATEEZ. But knowing ATEEZ’s style, this task was going to be a piece of cake for the group. The Real taps into the hip-hop genre, combining it with a really dynamic and upbeat instrumentation filled with abrasive synths that has a sense of familiarity for me. I am sure somewhere on the blog, I have heard these same synths somewhere. But despite that, I really like that ATEEZ took those synths and really made it their own hype song. ATEEZ’s rappers kept the song dynamic, especially in the verses, and helped moved the song along. The vocalists really help give The Real some definition, and kept the song grounded and still for a brief moment. I think this was needed to prevent the song from being too overwhelming with the synths and energy. It also made the chorus that followed become more impactful. But what really sold me with this song is the energy that comes off it. I love the relentless energy that just doesn’t stop coming at you. And I also really liked how the energy just kept on piling up, especially towards the end. It was an exciting and stimulating opener to the round. It even got the crowd (i.e. other participants) hyped up. Definitely a style I would like ATEEZ to continue with in the future.

I feel the stage for this performance was a bit weak. While the choreography and energy was undeniable, I felt the performance could have had more of a wow factor to it. It might have been a stylistic choice to not include a wowing moment in the performance, but I felt that is where this performance fell short. I really like how the markings on the locker and the way the microphones were positioned to make the hangul of the song’s title appear at the right angles. That would have taken a while to set up and to ensure the camera work was on point (we all know how sometimes camera people like to not capture the right moments). I also feel the other stage props and setups had a fun vibe to them, which also matches the song (i.e. the puppet box and the chickens). As for the choreography, it definitely had that hype energy that felt on par with the song. I also felt their stage presence and personality made the choreography more energetic.

Final Rating – 7.9/10


WOLFGANG – Stray Kids

With WOLFGANG, Stray Kids relies heavily on momentum and intensity to get through their performance. There is also a showcase display of vocals and rapping from the members throughout the song. But I feel that comes second in WOLFGANG. I feels the members could have been a bit more angsty at certain parts (like in some of their other performances), which would have made for a more intense and thrilling performance. This would have made the dynamic performance even more dynamic and powerful, and give them more room to experiment with performance strategies on stage. I also find it interesting that none of the members really stood out to me in this WOLFGANG. Each member brought their individual style to the song, but the limelight was shared between members. Instrumentally, I liked the choir-like background to this song. It gives of a suspenseful atmosphere and does a good job of contrasting with the vocal/rapping delivery that we did get in the song. It also felt like something was simmering away in the background, concentrating as the song progressed along. Glad to hear in the end that energy was released in a relentless and concentrated manner that makes for a really thrilling ender to the performance. It started with the EDM instrumental break before leading into a dramatic increase in strings for the final sequence. It definitely showed Stray Kid’s powerful potential and it gave what I thought the performance definitely needed.

I really like the idea of the members turning into werewolves for this performance. The members started out as humans, before they start donning fur to show their transition from human to werewolf. But I think they are new to this transition, with some of dance moves starting off small (i.e. when they jump off the dancers back the first time). But as we get towards the end, the members become used to this change and exert more dominance, leading them to leaping off the dancers’ back the second time around. The choreography for the ending sequence also looked really powerful, matching the energy they exuded in the song. The show-stopping moment of the performance has to be Bangchan putting on the wolf attire showing some skin in the process, which I assume has thrown the STAY fandom into disarray.

Final Ranking – 8.1/10


KINGDOM COME – THE BOYZ

The Boyz rounded out their Kingdom journey (Road To Kingdom & Kingdom: Legendary War) with KINGDOM COME. I liked that their song reminded me of their winning song from Road To Kingdom (CHECKMATE). This one sounds more intense, especially thanks to the powerful orchestral influence the producers of the song infused into the chorus. To compliment the chorus, KINGDOM COME teases us with less intense strings in the verses. Their vocals and rapping also fits in really neatly. The second half of the second verse brings in a really stylish and cool electronic-based instrumental break to facilitate a dance break on stage (more on that in a bit). It led to Juyeon’s dance break, which retained the dynamic thumping but opted for strings rather than EDM. The chorus returns, before transitioning with a really cool rough textured electronic sequence to the bridge song, which showcased nice vocals from New, a bit of deep rapping from Sunwoo and a spectacular elongated high note from Sangyeon. This marked an entrance to the final chorus, which I am sure had the same energy levels as the previous chorus. But until this point, KINGDOM COME has been snowballing all its energy to release it during the final chorus to give off an ‘edge of your seat’ vibe. I really like the autotuned ‘Until Kingdom Come‘ line that repeats. I didn’t notice it at first, but I think it added to the suspense that contributed to a really strong ender from The Boyz.

What I really liked about this stage is the pre-recorded footages featured in the performance. As mentioned at the start, this performance wraps up their time on the Kingdom series. In the first pre-recorded footage, we see each individual member wearing a different stage outfit from each of their RTK and Kingdom performances. The second pre-recorded footage we see features Younghoon, who couldn’t physically dance in this performance due to an injury. And the third pre-recorded footage features the members dance in white shirts and black pants while it is raining in the background. These pre-recorded footages were interlaced throughout the stage performance, allowing for different visuals to be in play, similar to how a music video switches between solo shots and choreography scenes. A unique concept and idea. On stage, The Boyz pulled off really both intense and graceful dance breaks (the latter being in a shallow pool of water) and powerful choreography that was captivating to watch. I liked fiery red colour of the stage at the end that showed us their passion.

Final Ranking – 8.7/10


Show And Prove (피날레) – BTOB

What I really like about Show and Prove is how uplifting it sounds. And because of this, it has a very different sound to all the songs by the other participants of Kingdom: Legendary War. I really like the dramatic rock-influence instrumental sequence that kicked off the song, which lead into Peniel’s opening narration to enjoy their stage, Changsub and Eunkwang’s vocal pairing and Minhyuk’s rap sequence. Up until this point, it appears that BTOB had opted for a rock styled instrumental for the song. But what keeps Show and Prove exciting is that they changed up the style for the chorus, opting for a much brighter and warmer melody. The rock influence remains, but it clear the vocals do most of the speaking during the song’s central parts. And while we are on the topic of vocals, the members’ smoothness really sell me this song. You can also feel the passion and energy through their vocals, which makes a really great song to finish their journey on Kingdom with. I particularly commend Changsub, who seems to employ a bit of a musical flair with his vocals in this song. The same structure of rock-dominance in the verses and the warm melodies for the chorus repeats again, repeating the same level of captivation from the first time they did it. The entire bridge and final chorus sequence, consisting of Minhyuk’s vocals, high notes from the members, harmonies between the members in a choir like manner and more of Peniel’s speech, gave me goosebumps and was a really polished finish Show and Prove.

For the final stage, the members of BTOB keep true to themselves and focus on what they know best. They don’t dance or participate in the accompanying choreography. Instead, they showcase their vocals. Despite opting this arrangement in terms of the stage performance, it doesn’t mean it is any less dynamic or impactful. I am sure I have mentioned this somewhere on my blog, but their vocals speak volumes. That being said, the dancers did a lot to give a bit of a wow factor to the stage and I liked how BTOB used the stage for this performance. If I were to nitpick at one aspect, it has to be how the stage was set up for the final sequence. I think some of the dancers should have been in front of the members (who were already on high blocks). I think the stage would have looked better and potentially warmer, as a result to fit the song’s vibes. But overall, a really strong performance by BTOB, who were clever and played with their strengths.

Final Ranking – 9.1/10


At Ease (열중쉬어) – iKON

There was no surprise when I heard At Ease for the first time. It taps into hip-hop, which is iKON’s preferred genre of music whenever they release something. Like most of their songs, the rap is dominant in At Ease, which definitely plays towards their strengths. But based on what I heard, the rapping in At Ease was pretty standard for iKON. Nothing special in that department. Similar comments can be said about the vocals that make up the pre-chorus, though I was glad for some melodic flair in the song. It the last few seconds of the chorus when the song gears up for the chorus drop that starts pulling my attention towards the song. The repetition of the ‘Play Play Play‘, paired with the drumming instrumentation, was a really cool and intense buildup. Then came the chorus, which brought all the energy down. While I do wonder where all that energy those last few seconds had brought to the song, the militaristic vibes and bombastic creates a very powerful atmosphere that I feel iKON could only create. I do think it pairs well with the rapping we get in the verses, even though I did mention they felt standard. Their anthem ending sequence was expected, as it tends to appear in all iKON songs (and have been appearing in their Kingdom stages). And while I do groan at the unoriginality of how they approached the ending, I do find the energy that comes off this sequence to be fitting for this song. It felt like a last hurrah, following all the seriousness that the chorus felt, infusing a bit of freestyle and fun into the song. Personally, At Ease isn’t my preferred song of the bunch. But they definitely infused their roots into the song.

As for the stage, I did like the way they used the fences. From the mini ‘rooms’ created by the fences (like how the cameraman was trapped in at the end of the performance), to how the cameraman shot through the fence to create an edgy effect. I did think they could have taken the stage a step further and made it more interesting. Aside from the fences, there wasn’t much to really talk about. As for the choreography, it was good. Though like the stage, I think more could have been done. I do find their outfits interesting. I would have thought they would have gone something to compliment the militaristic style of the song. But I guess that would have been cliché.

Final Rating – 7/10


Believer (숨) – SF9

SF9 finishes up the final round with Believer. The song comes off as smooth and showcases the charm that SF9 was most successful with during the earlier rounds of Kingdom: Legendary War (i.e. sensual). What I find interesting about Believer is that it is the least bold song out of the bunch. But that might be a good thing on one hand. All the other performances rely on dramatic flair and powerful instrumentation. Believer differentiated itself as a result from the pack, allowing it to become an ‘easy on the ears’ listen, which is definitely appreciable after so many powerful and intense sounds. But on the flip side, it might not be able to standout and become forgotten within the mix of powerful songs. For me, I feel the former (it being a good thing) to be the case here. Though, I do think there is room for the song to be bolder with its instrumentation. The synths in this song are quite stylish and sound like they have never been done before in KPOP. It is almost trippy and hypnotic in a way (combined with the percussion we get in the instrumentation). I find the vocal work to be quite sleek, while the rapping infuse a bit of edge to the song. As for the chorus, the melodies were memorable and catchy. The ‘Tuk Tuk Tuk‘ at the end of each line in the chorus was very addictive.

Of all the six stages, I think SF9’s was the stylish. And that is thanks to that hexagonal mirror structure present, which reflects the stage’s lighting and imagery from the screen. As a result it gives off a really cool effect that takes me back to a few music videos from KPOP’s past. I also like how it wasn’t just a tube, but rather segments that SF9 used really well to reveal members and have them quickly disappear. As for the choreography, SF9’s stage was also pretty cool. I really like the idea of mirroring that was employed in the routine (seen during the start with Hwiyoung and Yoo Taeyang and then again between Chani and Youngbin after first chorus). I am not entirely sure what the story behind the choreography, but it seems like there is a struggle between light and darkness based on the imagery we see on stage. I did wish they brought more of a sensual vibe to the choreography, though. The best part of the stage has be Zuho’s stage presence during his rap sequence, where we saw the light and dark come together in a moment of peace. His outfit was split between the two sides and the contacts he was wearing was quite scary, but at the same time, very memorable.

Final Rating – 8.6/10


And the winner of this round is…

Formal results for the final performances were not provided, with the crowning of the king taking precedence once the performances wrapped up. We did get to see digital results for the final round, but these are based on their rankings on music charts since the release of the songs a week prior to the final episode. The ranking for the digital music points were The Boyz (1st), Stray Kids (2nd), BTOB (3rd), ATEEZ (4th), iKON (5th) and SF9 (6th).

As a result, I have decided to ranking the final performances amongst each other. The table below shows the ranking for the final round only. Keep on scrolling down if you want to find out how I ranked each group’s performance throughout the entire Kingdom: Legendary War series.

Do you agree with my ranking of this round? Comment below if you agree/disagree. Plus include what you think the ranking would have been like!

RankKPOPREVIEWED’s Final Round Ranking
1stBTOB
2ndThe Boyz
3rdSF9
4thStray Kids
5thATEEZ
6thiKON

And the winner of Kingdom: Legendary War is…

And it is the moment you have been waiting for! I will be sure not to going into dramatic pauses, like what Changmin did on Thursday. I did laugh at how quick MNET decided to flash the final results on our screen on Thursday at the very end.

For the most part, I agree with the crowned winner, which was ultimately Stray Kids! But it the rest of the rankings which I for the most part did not agree with, considering how I ranked the performances and stages from all the rounds. You can see the results below!

Do you agree with the shows’ ranking? Or do you agree with mine? Or do you disagree with both and have a different ranking in mind? Let me know in the comments section below!

RankingFinal Kingdom: Legendary War ResultsFinal KPOPREVIEWED Ranking
1stStray KidsStray Kids
2ndThe BoyzBTOB
3rdATEEZATEEZ
4thBTOBThe Boyz
5thiKONSF9
6thSF9iKON

And that’s it! Thank you once again for sticking around for my review and thoughts for Kingdom: Legendary War! While I do have negative thoughts on how MNET operates, I do hope that we get to see more Queendom and Kingdom seasons in the future. Congratulations to all the groups for their amazing performances. Mad respect to all of them and I can’t wait to see all of their future comebacks and works! (Now to get back on track with the reviews…)

Preliminary Round – 100 Second Rundown/Review
1st Round – To The World
2nd Round – RE-BORN
3rd Round – Part A – Collaboration
3rd Round – Part B – NO LIMIT
Final Round – WHO IS THE KING?