Author: kpopreviewed

Hi, my name is Tony and I am the man behind the site, kpopreviewed. Currently an university student who wants to introduce people to KPOP and if you are already into KPOP, different groups and bands.

[Album Review] FEARLESS (1st Mini Album) – LE SSERAFIM

Posted in Album Reviews, KPOPTagged 3 Comments

LE SSERAFIM’s debut mini-album is next up on the reviewing block. LE SSERAFIM, the newest female group that hails from HYBE Entertainment and Source Music, debuted back in May with the title track and mini-album of the same name, FEARLESS. It features a total of 5 songs, including the already mentioned title track. FEARLESS originally featured 6 members. But as of last month, Kim Ga Ram exited the group due to her bullying controversary that emerged whilst the group was promoting their debut. She was quickly sidelined and the group temporarily reformed into a 5 member group before becoming a permanent formation in July.

While LE SSERAFIM’s debut isn’t necessary the best start to the group’s career for obvious reasons, FEARLESS (the title track) was quite successful. It grabbed the attention of a lot of people, including myself. Based on what I saw, it also become a hit and hopefully people will remember the group for their debut track from this era and not because of something else. As for the mini-album, it was a fair one. I am not head over heels over the entire mini-album, but there was at least some good songs on there. Do you agree with me? Let me know in the comments below (after reading my thoughts below, of course!).

FEARLESS Album Cover

1. The World Is My Oyster – Starting off their debut mini-album and their overall debut is the intro track, The World Is My Oyster. The instrumental for this track takes on psychedelic trance, which is right up my alley. There is an epic vibe simmering away in such songs, which makes me like the style. I also enjoy the suspenseful nature behind it. The World Is My Oyster features each of the members speaking in their own languages, introducing themselves as fearless, fitting for a group whose name is an anagram of I’M FEARLESS and begins their career with the title track titled Fearless. Not much else to the track, but a potentially epic one. (8/10)

2. FEARLESS (Title Track) – Click here to read the full review for FEARLESS. (9/10)

3. Blue Flame – The secondary promotion track for LE SSERAFIM’s debut is Blue Flame. It is groovy number, going into down the disco route. The vocal work extremely nice and showcases potential behind the group’s vocals. However, Blue Flame was pretty generic and plain. While I really enjoy the retro sound that has been dominating KPOP for a while now, I am a bit disappointed about the lack of excitement or energy behind the song. If there was some sort of zing or vibrancy to Blue Flame, maybe I would have liked the song more. But it is just too consistent and doesn’t offer anything unique to the group. (6.5/10)

4. The Great Mermaid – To me, the difference between Blue Flame and The Great Mermaid is night and day. The Great Mermaid had so much oomph to its instrumentation thanks to the bass that featured in the song. The energy is exciting and memorable. The instrumental was so textured due to the combination of synths and bass. The vocals, while autotuned, felt fitting for The Great Mermaid, and well rounded. The ‘Na Na Na’ that follows the chorus was so catchy and the retelling of The Little Mermaid story in the lyrics was quite unique. (9/10)

5. Sour Grapes – The final song on this mini-album is Sour Grapes, a much softer track compared to any of the above tracks. It taps into the R&B realm and again features neat vocals. I liked the wavy melodies that the members deliver. It gives Sour Grapes a comforting and dreamy vibe. I did want a bit more to the song. It feels pretty elementary without going further and I am not entirely sure if I enjoy that. As an ender, however, Sour Grapes eases us away from the commotion that the title track caused, along with the upbeat backings of the other tracks on this album. (7/10)

Overall Album Rating – 7.9/10

FEARLESS Teaser Image

[Weekly KPOP Chart] 1st Week of August 2022

Posted in Weekly Charts4 Comments

Apologies for the week delay with what was supposed to be last week’s Weekly KPOP Chart. For those who have missed it, I have been moving out to my own place, and things got a bit hectic as you might suspect. The Weekly KPOP Chart post that is supposed to be published today might come out in a couple of days as I settle in and continue to balance this blog, unpacking, work and a whole bunch of other boring stuff. I won’t keep you for long anymore. Here are the Weekly KPOP Chart post for the 1st Week of August 2022.

Recap & New releases of the Week

During the first week of August 2022, I posted reviews for the new releases, NewJean’s Cookie and YENA’s SMARTPHONE. I also posted reviews for Stray Kids’ FREEZE and Lonely St., and album reviews for (G)I-DLE and MIYEON.

Other releases from this particular week includes:

  • Time Out – Stray Kids
  • The Soju Fairy – Soohyun (U-KISS)
  • Chemical – from20
  • Bad Decisions – BTS, benny blanco, Snoop Dogg
  • Myo (Cat) – Colde
  • Blue – Hyunseong (BF)
  • FOREVER 1 – SNSD
  • Still Sunset – NELL
  • TIME BOMB – Issac Voo
  • Wing Wing – Kep1er

Non-Korean Release of the Week

The first week of August 2022 saw TWICE’s Celebrate become the non-Korean release of the week. It ranked in the 7th position. Per most of the international collaborations and singles by Korean artists, I have yet to review this one. But I will get around to it eventually!

The Charts

Congratulations to ATEEZ for topping the Weekly KPOP Chart for the 1st Week of August 2022 with Guerrilla. This is the second week in a row for ATEEZ and Guerrilla. For more of the charts, keep on reading.

1st Week of August 202231st Jul – 6th Aug 2022
Pos.SongArtistStatus
1GuerrillaATEEZ(=)
2Drummin’TO1(▲ 34)
3Today’s WeatherSon Dong Woon (HIGHLIGHT)(▲ 76)
4ScentYUKIKA(▲ 72)
5SMARTPHONEYena(NEW)
6How We LiveKang Daniel ft. sokodomo(▲ 62)
7CelebrateTWICE(▲ 30)
8POPNayeon (TWICE)(▲ 56)
9PLAY DUMBOMEGA X(▲ 70)
10CircusStray Kids(▲ 69)
11Left & RightCharlie Puth ft. Jungkook (BTS)(▼ 2)
12Rain DayNCT U (Taeil, Kun, Yangyang)(▲ 57)
13FOREVER 1SNSD(NEW)
14HIT YA!Lapilus(▲ 26)
15ParadoXXX InvasionENHYEN(▲ 64)
16Just A DancerSunye(▲ 63)
17CookieNewJeans(NEW)
18NabilleraHyunA(▲ 61)
19Chemicalfrom20(NEW)
20SparklingCHUNG HA(▼ 9)
21DOOMCHITASECRET NUMBER(▲ 58)
22SweetTHE BOYZ(▼ 8)
23imysmMark Tuan (GOT7)(▲ 50)
24Save MeSorn(▼ 6)
25WATCH OUTSUPERKIND(▲ 46)
26MY LOVESeo In Guk ft. Ravi (VIXX)(▲ 28)
27VILLAINPIXY(▲ 19)
28MOREJ-Hope (BTS)(▲ 51)
29Yet To Come (The Most Beautiful Moment)BTS(▲ 50)
30WANNA KNOWIRRIS(▼ 2)

Songs leaving the charts

The following songs have wrapped up their nine week run in the charts system, and will no longer be on the charts from the 2nd Week of August 2022 (i.e. from 7 August 2022):

[Album Review] Glitch Mode / Beatbox (2nd Studio Album / 2nd Studio Album Repackaged) – NCT DREAM

Posted in Album Reviews, KPOPTagged , 4 Comments

Next album on the reviewing block is NCT DREAM’s 2nd studio album, Glitch Mode, and its repackaged version, Beatbox. It has been a while since these albums dropped, with Glitch Mode dropping back in March and Beatbox dropping in May of this year. And I am finally getting around to reviewing them! A total of 15 tracks are present on these albums, including the title tracks Glitch Mode and Beatbox. This makes this album review a lengthy one, so I am going to get straight into it!

Once again, NCT DREAM delivers on quality and quantity. While it was a doozy to write up this album review, I really enjoyed the final product. I even handed out quite a few 10/10’s whilst writing this review. However, I expected this happen as NCT DREAM always has amazing side tracks that needs more attention directed at them. Let me know if you agree with my ratings of each song below in the comments section after reading through my thoughts, of course.

Glitch Mode Album Cover
Beatbox Album Cover

1. Beatbox (비트박스) (Title Track) – Click here to read the full review for Beatbox. (9/10)

2. Fire Alarm (파이어 알람) – Right off the bat, the initial track of the Glitch Mode album grabs your attention. To me, it doesn’t really grab your attention in the same way that a fire alarm alerts you to a fire. But rather, it is fire! Each time I end up listening to the album, I can’t help but groove along to this track. The synth-centric instrumentation was memorable and exciting. The fast tempo of Fire Alarm adds to the excitement and hype energy of the song. It feels relentless without going overboard or overwhelming with synths. The chanty nature of Fire Alarm adds to the memorability if the song, while the rapping was dynamic and the adlibs were effortless. (10/10)

3. Glitch Mode (버퍼링) – Click here to read the full review for Glitch Mode. (6.5/10)

4. Arcade – Arcade is an extremely satisfying mix of EDM and hip-hop influences. That alone makes Arcade a standout track, as everything felt cohesive and the styles naturally go hand-in-hand with each other. But the winning element in Arcade are the members. From the vocal side (my favourite side of this song), it was so flowy and smooth. It left me floored and I always want to delve back into the song due to the vocals. As for the rapping and the chanty sections, they give Arcade so much oomph and heftiness, balancing out the smoothness from the vocals. Another standout track, in my opinion. (10/10)

5. To My First (마지막 인사) – To My First is one of the new tracks on the Beatbox repackaged version. Its position following Arcade was perfect, as it continues those smooth vocals from the previous track. But instead of a EDM and hip-hop hybrid, To My First takes on a R&B sound profile instead. To My First has such amazing harmonies on top of the stunningly smooth vocals and you can feel the emotions that the group pours into this song about their first loves. (9/10)

6. It’s Yours (너를 위한 단어) – Despite being a light track, I really liked the thumping instrumental for It’s Yours. I quite liked how consistent the thumping nature of the instrumental was. It was intriguing, unique and cool. Again, the vocals bring a vibrant factor to the song, whilst the melodies and hooks bring forth a happy and cheerful tone to the song. I particularly like little uptick in melody when one of the vocalists begin their solo part in the chorus. The rapping also gets a tick of approval from me, with the rapping adding a bit of oomph to the song, as well. The simple repetition as the hook was a bit generic, but it caught on quite fast. (9/10)

7. Teddy Bear (잘 자) – Teddy Bear delves into R&B territory, even though the instrumental still has a foot within the EDM genre. I liked the punch the chorus had, which really woke me up from the soft and dreamy vocals. Teddy Bear was quite smooth as well, but I am not as excited about this aspect as per the other songs on this album. The vocal work was a bit linear in terms of trajectory and made the song less engaging as it progressed to the end. (7/10)

8. Sorry Heart – The Beatbox repackaged version brings us the second of two unit tracks (I consider this second as the first unit track consisting of the other members initially featured on the Glitch Mode album). Sorry Heart features Renjun, Haechan and Chenle. This lineup immediately means this is a vocal-centric track, and they do not mess around in this track. It was very stunning, emotionally packed and extremely captivating. The best parts, however, were the harmonies, the ad-libs and the acapella harmony sequence at the very end. This was all done over a soothing guitar instrumentation that allowed the vocals to do all of the speaking. (10/10)

9. Replay (내일 봐) – NCT DREAM regroups following the vocalists’ unit track for Replay. Replay takes me back to the 2000s with its old-school boy group style that easily could have been passed off as a promotional single. NCT DREAM fits in with this sound perfectly! The rapping was on point throughout, and the smooth vocals continue on in this song. Great melodies, but I feel the hooks were undeveloped. (8/10)

10. Saturday Drip – The first unit track from NCT DREAM on the album (even though the second on for this review/on the Beatbox version of the album) features Mark Jeno Jaemin and Jisung. Like Sorry Heart, when you look at Saturday Drip’s lineup, you know that this track will be rap heavy and go down the hip-hop hole. Every time I listened to this track when I play the albums, I find myself fighting an urge to dance. As you may know, hip-hop tracks are not really my style, so this urge to dance comes as a surprise and definitely shows you how much I enjoy the track. I also enjoyed the use of their deep vocals, which felt stylish and trendy. (10/10)

11. Better Than Gold (지금) – Better Than Gold brings a retro flair to the album with its funky and synth track. This one too gives me an urge to dance, but admittedly not as strong as the preceding track. What I think makes this track appealing is its brightness and upbeat nature. With the brass in the bridge, it is very hard to deny that this track is bright and upbeat. The vocals and rapping make it cheerful. A fun track, overall. (8/10)  

12. Drive (미니카) – Drive has this feel-good vibe without stepping into the preppy and upbeat territory. Instead, I find the track to be calming and soothing. But it still puts a smile on your face. It is quite a mature and refined approach to this intention, if you think about it. Again, amazing vocals and rapping takes hold over a simple pop instrumentation. There is absolutely nothing wrong about this song, just one to enjoy. (8/10)

13. Never Goodbye (북극성)  – NCT DREAM almost enters balladry territory with this track. I specifically say ‘almost’, as I feel like the instrumentation doesn’t follow. It remains atmospheric as result to electronic elements and I liked the twinkling detailing the background had. The vocals were very dreamy throughout the song, and the rapping (another not-so-common balladry element) was well executed for this softer track. In terms of me liking this track, I will say Never Goodbye is easily forgotten when considering the bigger picture of the album. But standalone, it is a nice and pleasant track. (7/10)

14. Rewind – Rewind revisits that retro style that NCT DREAM had already touched upon on this album. The piano and synth detailing in the instrumentation definitely brings this retro style to life. The melodies and rapping adds a fun element to the song that I thoroughly enjoy, whilst the vocals brought a youthful appeal to the song. (8/10)

15. On The Way (별 밤) – The final track on the Beatbox album (and the conclusion of the Glitch Mode / Beatbox era for NCT DREAM) is On The Way. It is such a neat ender, summing up the albums in a meaningful manner. I find On The Way had the best parts of the album, such as cool and trendy rapping, smooth vocals and soothing harmonies. The ending of the track was extremely well done, with the harmonies and beautifully sung chanty melodies. There is also a meaningful tinge to this song, which makes it super appropriate at the end. This is all on top of a simple but atmospheric synth instrumental. (9/10)

Overall Album Rating – 8.6/10

Glitch Mode Teaser Image
Beatbox Teaser Image

[Review] Test Me – Xdinary Heroes

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It is time for another review for a release from the near past. The focus of this review is on Xdinary Heroes’ long awaited comeback with Test Me, their first release since their debut with Happy Death Day back in December. Test Me was released less than a month ago as the title track from the group’s first mini-album, Hello World. A music video for the side track and secondary promotional single Strawberry Cake was released in the middle of this week and will be the subject of its own review post in the near future. But until then, here is my review for Test Me.

Test Me is a song that I find myself easily jamming to. Most days, I find Test Me having just the right level of energy to get my head nodding to the music. On the more optimal days, you can find me potentially going into a head banging motion instead whilst listening to the song. There was a subtle electrifying feel to the instrumental that really gets me going. Though I am of the opinion that the group could easily had gone harder, bolder and more pronounced on this front within Test Me. The brief repetition of the song’s title that is shouted out, which serves as the main hook to the song, was catchy and memorable enough for me. The rapping in the second verse was super engaging and packed a punch. Similarly, the vocals do the exact same thing, but there is less of a punch in this department. However, Test Me is slightly weak in sections. I didn’t enjoy the second half of the chorus as much I liked the first half. I felt the momentum unraveled or disengaged in the latter half of the chorus, which stuck out for me. I wished the momentum was maintained. The bridge was also another weak moment, with the layering being unsatisfying and unfulfilling. Had Test Me gone harder (and the same energy was transferred to this part, as well), I think the idea of layering in the bridge would have been more satisfying. But aside from the song’s weaker moment, Test Me still manages to be a likeable song for me.

The music video has this futuristic concept that I thought was very cool. The coloured neon lights and robotics in this music video was really great and fun, even if it was all virtual and computerised. In terms of a plotline, a competition to determine the best rock artist is happening, but the winner was pre-selected from the very beginning. Xdinary Heroes themselves also participated, but were disqualified even before their song began. So they make it their mission to rig the system and get into the final, where they defeat the preselected winner and took the trophy home themselves. All is great, but the question at the start of the video, however, is probably the more intriguing element of this video – “Are Xdinary Heroes the villain or hero” in this case, since they rigged the already rigged system. What is a playful and fun video ended up turning into a moral dilemma. I like it!

Song – 7.5/10
Music Video – 8.5/10
Overall Rating – 7.9/10

[Album Review] memeM (3rd Mini Album) – PURPLE KISS

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Next album to get the review treatment is memeM, PURPLE KISS’ 3rd mini-album since their debut last year. It was released way back at the end of March of this year, and features the title track of the same name. I know this album review is very much delayed, especially since PURPLE KISS has returned more recently with another comeback (NERDY) and their fourth mini-album, Geekyland. That unfortunately won’t be getting the album review treatment until the end of September (if I remember my reviewing schedule correctly). But hopefully the album review for memeM will be a sufficient dose of PURPLE KISS for the time being.

memeM is a solid release from PURPLE KISS. They are only in their second year of their career, so there is still a lot to discover about this group. But if the memeM mini-album is indicative of anything, it has to be the fact that they have a lot of potential, as highlighted by the strong rating this mini-album received. Do you agree with my overall thoughts and individual thoughts on the songs? Let me know in the comments below.

memeM Album Cover

1. Intro: Illusion – The mini-album kicks off with a mysterious intro track. Illusion just spans for over a minute, but considered me intrigued and interested with this opener. There is an exotic colour to this track thanks to the instrumental. And the vocals were sleek and alluring. I would have loved for this to be a full track on its own. (9/10)

2. memeM (Title Track) – Click here to read the full review for memeM. (7/10)

3. Oh My Gosh (날 좀 봐) – Oh My Gosh started off with a pretty chill instrumentation. It is trendy, but there wasn’t really much going on in the background. The vocal work and rapping were solid, and remains so throughout the rest of the track. I did wish the hooks and melodies were more engaging, as better hooks and melodies would have made Oh My Gosh more memorable and better. What I did enjoy with this song is how Oh My Gosh changed momentum and develops itself into a substantial dance track. The chorus felt more amplified and the heavier presence of synths and percussion following the chorus made the song much more attractive and robust. (8/10)

4. Pretty Psycho – Pretty Psycho is my favourite side track from this mini-album. A large part of this is due to the instrumentation – groovy and bass-prominent. There is also a dynamic side of Pretty Psycho, as the tempo changes between sequences. The instrumental sequence of the bridge was very cool, while the twinkling effect during the second half of the bridge gave the song a haunting aspect. All of this could easily rival the likes of NERDY, the group’s more recent comeback, which I enjoyed. But this is only one aspect of Pretty Psycho. The other aspects that I usually comment on – vocals and rapping were really well done in this song, especially during the chorus. Memorable hooks and delivery here. (10/10)

5. JOAH (좋아) – JOAH turns the attention onto the members’ vocals, which have been strong so far on this album. But JOAH magnifies the focus onto the vocals with the song’s slower approach. I like the R&B pop vibe that the instrumental had and the melodies in this slower song were very calming and soothing to listen to. (8/10)

6. Hate Me, Hurt Me, Love Me – This song infuses an upbeat pop energy back into the mini-album with its electronic instrumentation. Its vibrant and bright, which is instantly appealing to me. I did think the actual execution of the instrumental was a bit generic and straightforward, but this isn’t a big deal for me. The vocals keep Hate Me, Hurt Me, Love Me light and pleasant. The chorus melody was vibrant and catchy for me. All of this made the song enjoyable to listen to. (8/10)

7. Cursor (빈틈) – The most captivating song on this album comes at the very end. Cursor really took hold of me during the start, with a balladry-like motif in both instrumentation and vocals. Following the first chorus, the song abruptly tacks on some EDM to the song. This was quite an unexpected change, but one that works. We soon return to those balladry vocals and the captivation continues. I am more upset on how the EDM transitioned into rapping (and into the final chorus). I thought this ruined the flow of the song (more so than the EDM itself), and weakened the integrity of the song. But other than that, a neat track. (8/10)

Overall Album Rating – 8.3/10

memeM Teaser Image

[Review] Time Out – Stray Kids

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As I constantly hinted throughout the last week when I was preparing for the group’s ODDINARY album review, I would be review Stray Kids latest release some time this week. And so, the time has arrived to review the group’s latest mixtape release, Time Out. This release unexpectedly dropped last week on Monday to celebrate four years since the naming of their fanclub, STAYs. Time Out follows the release of three other mixtapes from the group – Gone Days, On Track and Oh.

Stray Kids jumps onto the rock train through Time Out. There was a few aspects that I enjoyed about the song. The first is the intensity of the rock in this track. It brought forth a vibrant, bright and refreshing atmosphere, which makes Time Out suitable as a Summer season. I also like it how it is a different sound to what Stray Kids usually put out, so again it demonstrates Stray Kids’ potential to be versatile. The guitar work was extremely satisfying and packs a punch. In terms of vocals, I liked the liveliness that each member brought to the song. It is a different side to the group that we don’t hear often, as they are usually more serious and edgy. So this goes back to the point about them showcasing their ability to be versatile. I did like Changbin’s part in the pre-chorus. His vocals was very textured thanks to his raspy and deeper tone, and the energy he put behind his part in the pre-chorus made it dynamic and striking. On the more critical side, I did find the hooks and melodies to be on the weaker side of the spectrum, as they don’t come off as memorable. For Time Out, it is the praises for the elements above (namely the instrumental and Changbin’s line) that does this for me.

The accompanying music video is quite simple. It is footage of the members enjoying time with one another on the beach and at a beach house, which makes sense given the song’s sound alignment with the Summer season. It is great to see the members in a more light hearted and carefree manner, full of smiles and uplifting energy. It is very different to the darker notes of their music videos from their latest mini-album.

Song – 9/10
Music Video – 9/10
Overall Rating – 9/10

[Review] Replay – Golden Child

Posted in KPOP, ReviewsTagged 3 Comments

At the start of this week, Golden Child made their comeback with their latest mini-album, AURA (their 6th one to date), and their latest title track Replay. This is Golden Child’s first Korean comeback since the release of Ra Pam Pam and DDARA from last year and the first release following their Japanese debut with A WOO!! and first Japanese comeback with RATA-TAT-TA. Replay unfortunately does not feature Daeyeol, who earlier this year became the first Golden Child member to enlist into the military.

Right off the bat, Replay is electrifying and shocking (in the best way possible) EDM dance track. It has been a while since I could say that with a song, as it has been a while since we have been given a song that really lurches out at you from the first second. And that is one of the aspects of Replay that I quite enjoyed, how the song starts with the chorus, kicking Replay into gear from the very first second with its high-octane energy and never giving you a chance to even ease into the song. Hence why I described Replay as shocking. We do get some reprieve in the verses, but they do maintain the intensity from the chorus, so that the entire track feels cohesive. A bit more about the instrumental – it is super gritty, textured and abrasive throughout, but done so in such a way where it feels satisfying and enjoyable. I like the heavy rock presence we get in the bridge as a dance break and at the end, which capitalises Replay‘s intensity and energy and takes the ending to an epic finale. I liked how the members stayed on top of the instrumentation, as they easily could have been drowned out with the loud, noisy and busy backing. But instead of being shouty or overly aggressive, a sense of refinement was used and the members only pushed themselves slightly. The rapping adds further intensity into Replay, amplifying everything that has been described above. If I have to be critical about Replay, it would be the hooks. They just didn’t take it to the same level as the rest of the song. But honestly, with the thrilling nature of Replay, I can overlook that.

I am not entirely sure, but I believe the premise of the music video is that the members are in jail and they escape so that they can have a chance to ‘replay’. The reason why I am not entirely sure about this is because I feel the music video was a bit under developed when it came to the plotline, but I believe there is one there. It was just really light on. Aside from that, it was a reasonable music video. The editing helped make the video appear more intense, the use of flashing lights heightened this feeling and the members looked amazing throughout the video with their tougher looks.

Choreography was fantastic. I liked the play of textures throughout the performance. The chorus routine was relentless and intense just like the music, whereas the verses allowed the members to showcase a smoother set of moves. I liked how aggressive the choreography for the rock parts of the song were, which really summed up the performance well for me.

Song – 9.5/10
Music Video – 8/10
Performance – 10/10
Overall Rating – 9.2/10

[Review] FOREVER 1 – Girls’ Generation

Posted in KPOP, ReviewsTagged 6 Comments

Please excuse my absence over last Friday and the weekend (the album reviews that did get posted were actually scheduled whilst I was away). As a result of my absence over Friday and the weekend, I have been unable to review one major release from last week in a timely manner. I am talking none other than the legendary Girls’ Generation (or SNSD). After a five year hiatus, Girls’ Generation has returned to celebrate their 15th anniversary as a group with the release of FOREVER 1, the title of both their lead track and 7th studio length album. Their last comeback was back in 2017 with the duo All Night and Holiday.

For me, FOREVER 1 is another track that I would describe as extremely pleasant. It hits all the right nostalgic points for me, especially when I hear the individual members in the same song. Needless to say, I was smiling my way through FOREVER 1 from the first listen and throughout the weekend. The melodies and lyrics all had a heart warming and comforting tinge that made me fall for the song, which I am sure was the intention of the producers behind FOREVER 1. It also makes sense to have these feelings and emotions come about, given that FOREVER 1 appears to be a song that thanks their fans. The pop instrumental is very euphoric, which helps heighten those emotions I had already mentioned and gives off a modern/trendy background to the group’s return. This just means that Girls’ Generation is quite adaptable to the changing landscape of KPOP, as five years has a very big difference. My only critic about FOREVER 1 are the hooks. What we got in terms of a chorus was quite smooth and enjoyable already, with that heart warming tinge I mentioned before being the most prevalent during the chorus and was enough to win me over. And I know the direction in which FOREVER 1 heads in doesn’t call for super catchy hooks that become the focal and trendy part of the song. But compared with Girls’ Generation’s past releases (even their last release before this one), FOREVER 1 lacks in the memorability department. That being said, I can overlook that small lacking aspect and still enjoy the likes of FOREVER 1 and Girls’ Generation’s return.

I kind of wished the music video was a bit more than just what we got. After all, it is Girls’ Generation we are talking about! But given the limitations of the song (i.e. pleasantries doesn’t really allow for a wow factor or something dramatic), I understand why the video had a straight forward standard/plain approach. Aside from that, it was still a bright and colourful video, something that I would expect from Girls’ Generation in some shape or form. And the members look stunning throughout. I liked how the video shows each individual member going on their separate journeys – from acting to modelling to singing careers. There were also some shots of Tiffany on the plane, representing that some members went global! During their solo scenes, the members looks glamourous and refined. But in the end, they all come together to be part of Girls’ Generation. And the outfits during the choreography shots reminded me of their past outfits they have worn on stage (particularly, the sailor coloured/patterns ones), invoking a tidal wave of nostalgia, once again, on me.

The choreography looks great from what I could see from the music video. There really isn’t much to say unfortunately in this department, other than the performance looks like it fits the pleasant nature of the song really well. I am excited to see the group perform on stage later this week nonetheless.

Song – 9/10
Music Video – 8.5/10
Performance – 8/10
Overall Rating – 8.7/10

[Album Review] Real Love (2nd Studio Album) – Oh My Girl

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Next up on the album review chopping block is Real Love, Oh My Girl’s second studio length album since their debut. It was released at the end of March. Leading the album is the title track that shares the same name as the album and features an additional eight tracks. While the release of Real Love is all good news to fans, Real Love also is the final release to feature Jiho as a member, who left the group and their company (WM Entertainment for those who are wondering) following the album’s release and associated promotions following the completion of her contract. All the best to Jiho for her future endeavours and to Oh My Girl as they reform into a six member group.

When I was writing this review, I was wondering how I would best sum it up for you in this initial paragraph. And my best idea was to describe as an ‘pleasant experimentation’. It sounds odd, but it actually the hybrid of two different styles Oh My Girl had attempted on Real Love. There are a handful of songs that I actually describe (repetitively) as pleasant, while there were also a handful of songs that were experimental, unique and different from other artists. Do you have any other ways to describe the album? Let me know in the comments below once you have finished reading my review for Real Love.

Real Love Album Cover

1. Real Love (Title Track) – Click here to read the full review for Real Love. (8/10)

2. Drip – If you were listening to the song for the first time, you would have noticed that there were so many twists throughout Drip. You wouldn’t know where the song is heading, so it keeps you on the edge of your seat. This style might be disjointed, complicated and overwhelming for some, but I really liked it. This pop song’s chorus featured catchy hooks and the verses were felt fashionably sleek. I think there was room for the group to be bolder in some of the segments as some of them were relative forgettable, but it is a great track nonetheless. (8/10)

3. Eden – Acoustics opens up the pleasant sounding Eden, paired with such soft vocals from some of the members. But Eden doesn’t stay acoustic all the way through. Synths are eased in and Eden features an interestingly paced pre-chorus, before proceeding to a glitchy chorus. It is so intriguing that the synths and glitchy chorus doesn’t detract from Eden’s soft and pleasant beginning. It is different overall, but so enjoyable at the same time. The song repeats the same set up of verse, pre-chorus and chorus as described above. But after all this time, Eden still sounds refreshing and original after all this time. (10/10)

4. Replay – Replay forgoes melodies, but brings the bass and rhythm in this freaking amazing song. Replay brings forth voguing vibe, which I believe the group has previously approached in another side track from the top of my memory. But Replay feels just right for a club and/or party. Its groovy, its attitude/sassy and its sleek. And it is super catchy and memorable as a side track on this album. (10/10)

5. Parachute – Parachute feels like it easily could have traded places with Real Love as it too delves into the disco pop genre. While the instrumental was great (I enjoyed the buoyancy the steelpan brought to the instrumental), I did feel the vocals was pretty generic and didn’t bring much excitement. Real Love played around with the vocals, which helped make it interesting for me, whereas Parachute was pretty straight forward. It is slightly disappointing that the vocals weren’t as memorable, as I felt the hooks were. (7/10)

6. Kiss & Fix – Kiss & Fix is another pleasant and soft track on this album. I liked the soft drumming in the instrumentation, as it helps sets the soft tone of the track. The vocals also help out with this. The best showing of vocals comes from Binne and YooA in the bridge. That part of the song floored me. The chorus goes with this nursery-rhyme-chant-esque style which was memorable and easy on the ears. Another great track on the album. (9/10)

7. Blink – Turning to pop, Blink is a nice track. It has pleasant instrumentations that doesn’t catch you off guard or overwhelm you by being excessive. I enjoyed the underlaying guitar in this song. It felt hidden, but it peeked out enough for me to recognise it. The melodies and vocals were nice and enjoyable, as well. The rapping changes up the momentum just enough and at the right time to keep the song from falling into a ‘too consistent’ state. All is good with Blink. (8/10)

8. Dear Rose – Dear Rose is another pleasant track, even though the instrumental and rapping might not be in agreeance with this observation at first glance. I attribute the pleasantness to the vocals, which were quite soft and doesn’t ever stray from how it the song first started. I also find the softness might have come about from another nursery rhyme-like melody that the lyrics were delivered in. The ‘Pretty Little Rose’ hook was quite catchy as well. As for the instrumental, we get dance synths suitable for the club. And the rapping added an edgy tinge to the Dear Rose. Quite the opposite of soft, but somehow Dear Rose makes it work. (8.5/10)

9. Sailing Heart – The album ends with a stunning ballad. I liked the pulsing bass in the background, which added so much depth to the song. Sailing Heart also features a piano-centric instrumental. And the warm and drifty vocals lays on top. Interestingly, Sailing Heart doesn’t have a swayable melody, as the ad-libs were added throughout the song. But that doesn’t instantly mean it is not good. Sailing Heart still managed to captivate and end the album on such a dreamy note. (8/10)

Overall Album Rating – 8.5/10

Real Love Teaser Image

[Album Review] ODDINARY (6th Mini Album) – Stray Kids

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Over the last week or so, I have been reviewing some of Stray Kids’ older (given that they did release new music at the start of this week – I will be reviewing it soon!) but recent releases. And this is all in preparation for this particular album review. ODDINARY is the group’s 6th mini-album, and was released back in March of this year. Headlining this mini-album is the title track MANIAC. But like their recent comebacks, there have been multiple music videos for different tracks as part of the promotions for their comeback. For this mini-album, VENOM, FEVER and Lonely St. all got the music video treatment alongside the title track.

But that is not all, ODDINARY also features 3 additional tracks (one full group and two unit tracks), giving this album a grand total of seven songs. And ODDINARY is another solid release from the group (though not their best to date). The tracks are right up Stray Kids’ alley and were all pretty much cool in their own way. There was a range of good to amazing tracks, with the mini-album containing another 10/10 track on this album, in my opinion. Find out which one by reading onwards.

ODDINARY Album Cover

1. VENOM (거미줄) – Click here to read the full review for VENOM. (7/10)

2. MANIAC (Title Track) – Click here to read the full review for MANIAC. (8/10)

3. Charmer – The first track on the mini-album to not get a music video is Charmer. I quite like this song for the catchy flute work we get in the instrumental-centric chorus. It is quite a focal point for such a hefty and serious sounding track like Charmer. The rest of the track falls squarely into Stray Kids comfort zone of hip-hop and raps, just without the noisy EDM that has become synonymous with Stray Kids’ title tracks. All of this is makes Charmer a strong track. There was also a great display of vocals, especially when all the instrumental was all stripped away. (8/10)

4. FREEZE (땡) – Click here to read the full review for FREEZE. (9/10)

5. Lonely St. – Click here to read the full review for Lonely St. (7.5/10)

6. Waiting For Us (피어난다) – Waiting For Us is the first of two unit tracks. It features Bangchan, Lee Know, Seungmin and I.N, with the quartet giving us this atmospheric rock ballad. My first impression of this song remains vividly in my mind, simply because it was stunning the first time around and it still is! The vocal work in this song was spectacular and riveting, especially the harmonies during bridge. In particular, Lee Know genuinely surprised me with his ability to keep on par with the other members in this song. The melodies were so drifty, and I really liked the kick and amplification of everything during the chorus. It was all captivating, and that earns this song a 10/10. (10/10)

7. Muddy Waters – The other half of the group (Changbin, Han, Hyunjin and Felix) show off their rapping skills with this old school hip-hop track. Again, I am not a hip-hop or even a rap song person. But Muddy Waters was definitely cool and hip. I really enjoyed the jazzy roots of the instrumentation, which gave the song a golden and vintage type of feel. The members went hard with their raps, impressing me with their delivery. Altogether, we have a groovy and enjoyable track to round out the album. (9/10)

Overall Album Rating – 8.4/10

ODDINARY Teaser Image

[Album Review] MY (1st Mini Album) – MIYEON ((G)I-DLE)

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I believe I mentioned that this particular album review was going to be published on Monday, but I had to postpone to the end of this week as I couldn’t complete it in time. So without further delay, here is my review for MIYEON’s solo debut mini-album, MY, released at the end of April of this year. In addition to the title track DRIVE, MY features an additional five tracks. MIYEON’s solo debut follows her group’s comeback with TOMBOY and I NEVER DIE (which I posted the album review for over the weekend).

MY is a great start to MIYEON’s solo career. There was a strong showing of her potential as a solo artist, with a number of the songs on the album ranking on the higher end of the scale. She also scores a 10/10 from me for a side track. I am glad MIYEON had the opportunity to shine herself and showcase her vocals. Hope her next solo release isn’t too far off.

MY Album Cover

1. Rose – Starting off is Rose, which also doubles as a lovely beginning to the album. Rose has an extremely pleasant instrumental, drawing on a really nice waltz pace that aids Rose’s loveable appeal. The melodies in this song are a highlight, as they really caught hold of me and I could not help sway along to both Rose’s melodies and waltz instrumental. Miyeon herself was very inviting with her vocals and they bring a smile to my face every time I listen to the song. Rose genuinely surprised me, as its style is usually not my cup of tea. But it is a strong start to the album, nonetheless. (9/10)

2. Drive (Title Track) – Click here for the full review for Drive. (9/10)

3. Softly – I quite enjoy the upbeat nature of Softly. It isn’t expected for a song titled Softly, but it somehow works. It might be due to Miyeon, who brings a brightness and vibrant factor to the song. There is a spring to her voice that makes Softly so enjoyable. Or it could be due to the accompaniment of that intriguing string instrument (not sure if it is some sort of metallic harp or a different type of guitar) and classical instrumentation in the background. It is relatively soft, but it definitely makes itself known. To me, it is an interesting combination and it constantly feels like it is on a forward trajectory to clash. But as stated in my second sentence – it works. I just wished the hooks were more promising and memorable. (7.5/10)

4. TE AMO – TE AMO is probably my pick for hidden gem on this mini-album. There was just so much to get out of the track and to enjoy from it. I love Miyeon’s use of her nasally vocals in this song. It is the first thing that stands out on this track. Her vocals build as the song progresses, creating a riveting piece. The strength of her vocals as the song moves along was also very impressive. I also really enjoyed the pop instrumentation of TE AMO, particularly the bolstered nature of the chorus and the acoustic guitars in the bridge. The repetition of TE AMO was so simple, but it works wonderfully as the hook. A 10/10 from me. (10/10)

5. Charging (ft. JUNNY) – Best described as a R&B ballad, Charging excelled when both Miyeon and JUNNY were singing together. Those harmonies were the best part of the song. I found the solo moments to be a drawing point. Miyeon’s solo sequences featured over the top of slow and balladry instrumentation throughout the entirety of the song. As a result, Miyeon was on the blander side, but her solo sequences get better as Charging progresses. On the other hand, JUNNY’s vocals/solo moments were accompanied by a more upbeat tinge, which made his solo section more appealing to my taste. But as mentioned at the start, it is when they are together that Charging is at its peak. (7/10)

6. Rain (소나기) – The album closes out with Rain, a ballad with an interesting guitar-led backdrop. With Rain, you can feel her emotions through her vocals more vividly. Due to this, I found her vocals to be quite captivating and stunning in this track. The instrumental had an upbeat tinge to it, and also delves slightly into rock territory. This makes for an interesting dynamic for a ballad that I actually quite enjoyed. It spins the emotional side of the song in a different light, but sounds so good at the same time. (9/10)

Overall Album Rating – 8.6/10

MY Teaser Image

[Review] Lonely St. – Stray Kids

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The final track from Stray Kids’ ODDINARY mini-album to receive the music video treatment was Lonely St.. And so, before I can proceed to an album review for ODDINARY, I will also be reviewing Lonely St. in this post. It follows the release of music videos for VENOM, MANIAC and FREEZE. Following the album review, there will be one more Stray Kids review next week, for their unexpected release earlier this week. So keep your eyes out for that.

Stray Kids brings the emotions out with Lonely St., with the song taking the form of a ballad. But it isn’t your usual type of ballad, given the hefty pop/punk rock instrumentation and the use of autotune. I don’t mean to suggest that the song is a let down or terrible. It was just an interesting take on a ballad. Obviously, these elements to Lonely St. allows the song to fit the grander picture of ODDINARY, given that Stray Kids music is usually heavy on the synths and autotune and the three tracks from the album that I have reviewed thus far. As expected with a ballad, however, the vocals of Stray Kids are on full display and I quite liked the push the members give to their vocals. Also, the autotune usage was nice and all. It didn’t get too much in the way of showcasing the vocals – though I am always for dialing down autotune to hear a rawer approach to the vocals (such as during their concert). The rappers also have a push on their end, enabling emotionally charged sequences to come about and fit in with the rest of Lonely St. I feel the pop/punk rock instrumentation also enables this. I think the lacking aspect of Lonely St. are the melodies. I find them straight forward and I feel this straight forwardness I find the melodies to be straight forward and I feel this pretty much rubs off on the rest of the song. There is nothing wrong with being straight-forward, but I think Lonely St. could have used something more enticing in this department to be more appealing. I also thought the ending was too abrupt, which you know is something that I don’t personally like.

The music video features the members running away and being isolated, as per the title of the track. I quite liked the mix of studio and outdoor shots in this video, which made it more interesting than it should be. The grey palette of the music video also sets the tone for the video really well, complementing the likes of the song perfectly. The members’ acting was quite decent, as well. The only aspect of the video that I am not entirely sure of is the ending with Lee Know getting up (and all the members lying around him). The abrupt ending to the song does justify something to follow after the ending of the song, but what we got just raises questions regarding that end – like how did all the members get there and what does it all mean?

Song – 7.5/10
Music Video – 8/10
Overall Rating – 7.7/10

[Review] SMARTPHONE – YENA

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We return to the usual transmission of reviews for new releases with the latest comeback. This particular comeback belongs to YENA, who made her solo debut earlier this year with the single SMILEY (ft. BIBI) following her IZ*ONE days. Today, YENA returns with a new single SMARTPHONE and her second mini-album of the same name.

YENA continues to delve into that fun style for this comeback, the same approach she took with her debut track. I must admit that I didn’t necessarily fall head over heels for SMARTPHONE upon the first listen like I did with SMILEY. But this fun style is definitely infectious and I was soon enjoying the track by just having a second listen. The instrumental definitely helps out a lot with this, taking on a very upbeat and energetic pop rock style that is pretty much all the rage now in KPOP. I do think SMARTPHONE‘s approach was more blastful, which instantly earns points for me. There was just so much energy coming from the chorus when the pop rock was at its strongest and coming at us relentlessly. I also enjoyed the extra oomph the synths added to the song, which was gave the song some additional appeal points. The pop rock was the more prominent aspect of SMARTPHONE, so the synths acted like detailing in the song. YENA sounds awesome in this song, with her youthful vocals and raps. The energy she brings into the SMARTPHONE is extremely bright, adding more to that fun and perky style of music I mentioned at the start. And it also helps that SMARTPHONE‘s hooks were catchy and addictive. If I had to be critical, I would point out the pre-choruses were the weakest part of the song, in my opinion. They just didn’t have the momentum I felt it should have to lead from the verses and lead to the choruses. But that had minimal impact upon me enjoying SMARTPHONE!

To match the fun and energetic style of SMARTPHONE, the music video takes it all on board with quite a concept. Essentially, YENA is part of a smartphone game, where she needs to save her friends from the evil and menacing duck, who has kidnapped them. She succeeds, giving the evil duck an uppercut. It was quite cute that the evil duck had sent its duck minions to fight YENA, which she easily defeated. In the end, they all party together – friends and foe – showing the light hearted nature of the video. Aside from the concept, I liked that the video was bright and colourful, and never lets up on these fronts.

The choreography looks great. It embodies the energetic nature of the song really well. I also liked the cuteness element to the choreography. Usually, I am not a fan of this. But I find YENA to be very adorable and her expressions just brought the stage to a whole new level. I quite the like the hand movements during the song’s chorus hooks, and the parts where her tongue are sticking out are quite memorable.

Song – 9/10
Music Video – 9/10
Performance – 8.5/10
Overall Rating – 8.9/10

[Review] FREEZE – Stray Kids

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It is time to review another Stray Kids release. But not the new one just yet. That is on hold until I complete the other Stray Kids Korean releases that I have passed over so far this year. Instead, I am prioritizing the side tracks from Stray Kids’ sixth mini-album, ODDINARY, that got the music video treatment, ahead of their impending album review which I am looking to (and hopefully post later this week). Last week, I covered their VENOM track. As for this review, I will be focusing on the release FREEZE, the album’s fourth track.

FREEZE is quite an aggressive and abrasive track (if not one of their most aggressive and abrasive tracks to date), something that is pretty much up Stray Kids’ alley. I am sure these are the first words that pop into most people’s minds. I also find it bold, dynamic and packed full of energy, the latter two being noticeably absent from the group’s first track on the album. Therefore, I quite enjoyed the likes of FREEZE. The EDM is, without any doubt, very strong, and I quite like the trap elements in the chorus. It is quite a centrepiece and definitely embodies all the adjectives that I have used thus far in the review (and possibly even taking them to the next level). I would also describe as the bigger picture that is FREEZE to be balanced. Interesting word choice for an EDM track like this one, but not once did I find the overload of synths and texture to be overwhelming. Per usual, the rappers definitely stand out in this song. They were rough and harsh, complementing the abrasive nature of the song. The vocals help bring a bit of relief, and I liked how they stayed on top of the synths. They easily could have slipped and been smothered by the synths. I like the smoothness from the ending, with that contrast being a highlight for me. I did think the ending was a bit abrupt, but I do understand that the nature of this song calls for an abrupt ending. It doesn’t make sense for a fade out to be featured at the ending. If anything, I wished the hooks were meatier. That was the only element I thought was lacking in FREEZE, especially since it relied so heavily on the instrumental for its memorable factor.

It seems like the group are going after the white coat gang in this music video, with half of Stray Kids going undercover into a meeting with said gang and the other half listening close by to the events of the meeting. Not sure if the group are like police, but based on the fiery ending, I don’t think so. An epic shoot out happens (though, I am going also going to describe it as impossible) and the members listening in rush in to provide backup. But the white coat gang manages to capture all of them, and tie them up. The gang then leaves the group alone in a warehouse. Not sure why there is no one watching them, but okay. Stray Kids find the green chemical that seems to be causing some trouble in the media (see the Korean news paper article at the start – I presume the white coat gang are behind such an attack). They then confront the gang and use the green chemical against them, causing that very strong warehouse fire at the end. But the ending seems a bit confusing. We close out the video with I.N smiling in a manner that is a bit suspicious (as if he is making fun of Stray Kids), while posing with a gun. I don’t know if this suggest that Stray Kids is after the wrong people, and should have looked internally with themselves. Aside from the plotline, there were some really great visual effects, particularly during the shootout scene.

Song – 9/10
Music Video – 9/10
Overall Rating – 9/10

[Review] Cookie – NewJeans

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It is a new week. And it all starts with the debut of a new group. NewJeans is the group’s name, and they are a five member female group from ADOR, a subsidiary of HYBE. The lineup consist of Minji, Hanni, Danielle, Haerin, Hyein. NewJeans previously released music videos for Attention, Hype Boy (multiple videos in this case) and Hurt. A review for each of these songs/videos (and a hybrid review for Hype Boy) will be posted in the coming weeks, so keep your eyes peeled for that. But for now, here is my review for the group’s debut track, Cookie.

First impression of Cookie is that the song is rather flat. I appreciate that the group is doing something different, avoiding the cliches of cutesy sounds or girl crush concepts. The new group went with a minimalistic approach with Cookie. While minimalistic approaches have been praised on my blog before, I felt the same praise could not be applied to Cookie. The feeling I should have got from Cookie was new and/or refreshing. I also expected a track that had more oomph or changed momentum once in a while. Instead, we are provided with a box with limited amounts of fat synths, trap elements and a paced beat. It didn’t go anything further, which is the source of my frustration. There was a bit of a change at the bridge of Cookie, which inserted some dynamic energy. But that was pretty relative and short-lived. Vocal wise, I didn’t get anything impressive out of Cookie. However, I do find the mature vibes and the cutesy lyrics to be an interesting and abstract combination, and the vocal work is charming. To avoid an overwhelming song, I liked that the hooks weren’t too bold or stood out too much. This complimented the minimalistic style in which Cookie was aiming for and paired well with the vocals. I wished there was more to the song, just to give NewJeans that launch they need to show KPOP their potential.

While the minimalistic vibes of the song didn’t work, I enjoyed the minimalistic aspects of Cookie‘s music video. There wasn’t too much to the video. The most we got were some CGI during the bridge, and a large cookie/CD rolling in the background. Other than that, we got a very big room and a bench, which was utilized in the performance. Interestingly, the video was shot in a way where the sets did not feel empty or spacious, despite it clearly being empty and spacious. Clever. I also liked the retro tinge we got from the visuals in the video, which helped add a bit more substance to the video than had it been without it.

Performance-wise, the choreography looked great. It wasn’t too energetic, but it wasn’t a drag, as well. I did enjoy the dance break that we got, which help provide a bit more energy to the entire comeback package that is Cookie. I also like the hip and cool vibe the member brought to the performance, which helped make it engaging for me to watch from start to end each time.

Song – 6.5/10
Music Video – 8/10
Performance – 9/10
Overall Rating – 7.5/10

[Album Review] I NEVER DIE (1st Studio Album) – (G)I-DLE

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I jump back to mid-March for the next album review. More specifically, (G)I-DLE’s first studio length album since their debut in 2017. It is titled I NEVER DIE, and features the title track TOMBOY. Since the release of this album and TOMBOY, the group has embarked on their first world tour and Miyeon also made her solo debut with Drive. An album review for her release is coming tomorrow, so keep your eyes out for that.

I NEVER DIE features 8 tracks, which includes the title track. It is a strong album from the group, as I would recommend all of them to any new listeners. There are different genres, so I am sure everyone will find something they will enjoy. I NEVER DIE is a momentous release. Not only is this release their first studio length album, but it is also the first release since the group’s reformation as a quintet. And if this album is the basis as their future as a five member group, the group has it in the bag. That may or may not be a failed pun in reference to the trendy MY BAG single, which is featured on this album as well.

I NEVER DIE Album Cover

1. TOMBOY (Title Track) – Since the release of the TOMBOY, the song has grown on my considerably. Hence, I have decided to increase the song ranking for TOMBOY from a 6.5/10 to an 8/10. I will address this in a future post on the blog. Click here to read the original review for TOMBOY. (8/10)

2. Never Stop Me (말리지 마) – Following the title track is the awesome pop rock, Never Stop Me. It brings me back to the early 2000s when pop rock was the rage (a time that I wouldn’t mind reliving music wise, as I grew up in that era). I love the energy that is exuded from the song, especially during the blastful chorus. I did think some of the vocals could have been tweaked to be a lower register, as the higher pitched vocals just didn’t fit in. (8/10)

3. VILLAIN DIES – I just love the haunting side of this track, with the use of the bass and violins in the instrumental of this electro-pop anthem. The haunting nature extends over to the vocals as well, particularly in the pre-chorus. The anti-drop of a chorus was also very cool, and I think it would enable a great performance on stage. I also liked how the song ended, bringing that haunting vibe full circle. However, I wished there was a tidbit of instrumentation at the very to feel fully complete. (9/10)

4. ALREADY – ALREADY dials the music back a bit, dipping into R&B territory. The instrumental is sleek and refined, bubbling away in the background. At one point, the instrumental enters dramatic territory, with a militaristic drumming being the focal point for the instrumental/dance break. I quite enjoyed the consistency behind the vocals and melodies in this song. I think this helped ALREADY become so balanced and distilled. (8/10)

5. POLAROID – Also dipping into R&B territory is POLAROID, which I thought was a fantastic song. The acoustic guitar instrumental was stunningly beautiful. What this track does extremely well is that it highlights the members’ vocals. The airy tone they give to each end of each line in the chorus made the English so memorable. The melodies are stunning and so drifty to listen to. (10/10)

6. ESCAPE – (G)I-DLE bring a taste of euro-pop to the album with ESCAPE. I find the instrumental to be quite atmospheric, chill and laidback. I enjoyed the zing that the rock elements bring to ESCAPE, and I feel this song is super perfect for a breezy road trip down the coast. Again, standout vocals in this track. And the melodies and hooks are very enjoyable. I just wished the ending eased us out, rather than just ending as it did. (9/10)

7. LIAR – LIAR brings back the amped up energy and vibes with this rock centric song. ‘Amped up’ is the right phrase, as they do not mess around with this bolstered instrumental. I love the rock feel of LIAR, head banging along to the music. However, I am not too keen on the glitches in the instrumental. I think this is their way of giving the rock genre a more modern take. But it felt unneeded. I really liked the vocals, with Yuqi suiting this style of music. The hooks could have been more profound, given the domination of the instrumentation in this song. (8.5/10)

8. MY BAG – The album ends with a hip-hop song. Personally, MY BAG is not my cup of tea. But even I admit that it is a banger, and I can see why it was chosen as a secondary promotional track and why it has caught on with some listeners. Listening to this song, I feel cool, hip and on trend (sorry if I sound like a grandparent). (8/10)

Overall Album Rating – 8.6/10

I NEVER DIE Teaser Image