[Review] Heart Burn – Sunmi

It has felt like it has been a while since we have heard new music from Sunmi, even though we have heard the odd single or two from her since her last official promotions of You Can’t Sit With Us from August of last year. Since then, she has released two special singles (Go or Stop? and Oh Sorry Ya). But as already mentioned, neither were promoted (and hence no review was written for them). Today, Sunmi returned with the new single Heart Burn.

Described as the day version of her pporappippam (a song that depicts a Summer night’s atmosphere), Sunmi describes Heart Burn as the heat of a Summer’s day. I quite enjoyed the likes of Heart Burn, simply for the pleasant nature of the song. Yes, it joins a string of pleasant songs that we have gotten thus far this year. But with a heavy presence of EDM still dominating the likes of the industry, pleasant songs like Heart Burn are much appreciated by yours truly. I quite like the easy going atmosphere that the song has, making it quite ‘easy on the ears’, as I always say. The melodies and instrumental were relatively simple, but they were still quite appealing and catchy nonetheless. The guitar and percussion creates a low-key pop instrumental, which came off as refreshing to me. I quite liked the sparing use and intriguing nature of the high pitch squeaky synth that fills up the non-vocal sections of the song. It was a simple use of the synth, but I thought it was clever to confine it to just those moments so avoid overuse, which in turn made it quite attractive. I also like Sunmi’s vocals throughout Heart Burn. They blended very nicely into the song, keeping true to the pleasant and easy going nature of the song. Her vocals were quite consistent throughout Heart Burn, never really breaking free from a standard motif. But somehow it works and makes Heart Burn more appealing. When compared to her other works, however, Heart Burn doesn’t really stick out for me. But it is still a really neat song.

The music video starts off quite innocent and almost cutesy in a way, with Sunmi playing about in the garden and playing with a dog. But it was soon revealed that Sunmi is an immortal femme fatale, who has caused the death of multiple men throughout history. She strikes in 1856, 1926, 1966, 1969 in the scenes, causing at least four deaths (that we know of). Sunmi’s portray is very fitting, given her sensual style we have seen in past music videos. I did wish the change of emotions of sorrow and guilt to happiness that we do see in the video was a bit more snappy and sudden, just to make the story a bit more apparent. And maybe a modern day shot of her going for her next victim would have been a nice closer to the video. But I guess that might lead into cheesy territory.

Usually, you see idols put a bit of energy into their performance to come off sensual. But what I saw in Sunmi’s performance was very little energy, but it somehow manages to come off as effortlessly sensual. I am amazed at her skills. I also liked the fans throughout the performance. They are aesthetic and artsy. They also added a fair bit of oomph to the stage.

Song – 8.5/10
Music Video – 9/10
Performance – 8.5/10
Overall Rating – 8.7/10

[Review] BOOM – HUTA (Lee Minhyuk (BTOB))

Also making his comeback today is HUTA (a.k.a Lee Minhyuk from BTOB) who returns as a solo artist after three years with the title track and his second studio length album, both titled BOOM. HUTA did make a small comeback in 2021 with the single, Good Night, but that flew under most people’s radar and wasn’t reviewable due to a lack of promotive material. So I won’t consider that a full fledged comeback, and so BOOM follows HUTA’s 2019 solo debut release, YA, and his first studio length album, HUTAZONE. HUTA also recently promoted as part of BTOB, who made their grand return earlier this year with The Song.

BOOM lives up to its name, as it is explosive and packs a punch. This is thanks to two elements – the instrumental and HUTA himself. BOOM is described to be a ‘hybrid wonk trap style song with an elaborate bass line’ (taken from SOOMPI). The percussive and trap elements combined with the bass brought a dramatic flair to the song that gets your blood flowing. The wonky sub-genre, which I personally have not heard of before today (or I may have, but never had it described to me as ‘wonk’) or experience in KPOP before, doesn’t really help bring out the explosive side of the song. But it comes through the most during the choruses, and adds a background centrepiece to BOOM‘s centrepiece. Combining the two, you have a pretty powerfully unique track that doesn’t hold back. HUTA himself brings aggression into the song, with his iron solid rapping extremely bolstered and passionate at the same time. This aligns with the instrumental strongly, creating a dynamic piece. But interestingly, it isn’t the instrumental or rapping that takes the cake for me in BOOM. It is HUTA’s vocals that somehow managed to steal the show, especially the ‘aight‘, ‘high‘ or ‘hi‘ we get in the lyrics. He goes high pitch with these words, which contrasts really well with the deeper and harder sounds. The rest of his vocals are smooth, yet maintains a raspiness to them. The chorus was catchy and memorable, thanks to the ‘Boom Shaka Laka‘ line. Overall, HUTA kills it with BOOM and impresses me with his versatility, once again.

Three music videos into HUTA’s solo career (YA, Tonight (With Melody) and now BOOM), and HUTA shown his abs once again. I sense a theme and a connection with fellow soloist WONHO. Anyhow, the music video for BOOM is dark and edgy, as one would expect. The video also uses a lot of red or orangey-red lighting, which I persume is to highlight and emphasise the aggression that HUTA brings to the song. All of this feels very appropriate for BOOM. I liked the forest background for some of the shots, as it felt a bit more freeing than the closed sets we got and managed to still work in tandem with the rest of the shots. I also liked it when he punched the camera. And of course, HUTA looks great throughout the video (abs or clothed)!

BOOM also shows off HUTA’s performance skills with a cool choreography. Based on what I saw in the video, it isn’t exactly groundbreaking. But it had aggression, it had smoothness, it had sensual moves. It practically had everything! What does freak me out are the masked dancers. It takes the idea of masks to a whole new level, as there are no eyes holes on the mask. Instead, the front of the mask is decorated with shiny stones that reflect the light. Sounds cool in theory, but very dark in practicality. The floating throne (made up of the dancers) at the start was a pretty cool idea.

Song – 9/10
Music Video – 8/10
Performance – 8/10
Overall Rating – 8.5/10

[Review] Stay This Way – fromis_9

Making their comeback today is fromis_9, who returns with their new single Stay This Way and fifth mini-album, From Our Memento Box. This follows the group’s last comeback, DM, which occurred earlier this year and really stole my attention for many many weeks. The group was originally going to kick off promotions with a comeback showcase, but some members were unfortunately injured over the weekend in a car crash and the decision was made to cancel the showcase. It is currently said that the affected members do not have serious injuries, but it is currently unsure whether promotions can go ahead this week.

Stay This Way continues the pleasant nature that fromis_9 visited in DM. Majority of the song felt similar, and so Stay This Way thrives on the familiarity front – fitting for a song titled Stay This Way. Their vocals were super nice, and the melodies still had a bounce to them that made them enjoyable. I could also easily carry over DM’s description for the instrumental ‘a pop track with no frills, and is quite light, soft and pleasant (in a positive sense) as well‘, though I felt Stay This Way had a minute difference (more on that in a second). I am just glad that the producers have allowed fromis_9 to explore more of this pleasant style, since its suits them so well and DM proved to be a very successful for them. But there are differences between the song that makes Stay This Way its own song. One obvious difference is the presence of rapping, which I thought added a different dynamic to the pleasantries. But it is delivery in a way that is kept in line with the pleasant nature of the song. Is it the best rap performance? Not really. But it does the job and adds something else to Stay This Way, as already mentioned. Less apparent is the instrumental which I already mentioned to be similar. But I also felt that Stay This Way which had a slight kick to it thanks to what felt like a faster tempo to bring up the energy since it is a Summer release. The repetition of the song’s title was also a neat change and hook to the song, though unimaginative. Overall, Stay This Way carries on what I really enjoyed from their previous comeback but does what it needs to to be its own song.

Most of the video looks super fitting and logical given the current season the song is released in. I believe it also fits in with the lyrics of the song, as well. The members appear to having fun in the outdoors surroundings. When the members are smiling and look like they are enjoying the outdoors, the video felt natural. I believe the pale filter helps heighten this. However, there were moments when the members felt a bit forced, especially when they looking serious and throwing model looks at us during solo and unit shots. Not really the natural vibe there, to be honest.

Based on what I can see in the music video, the choreography for this comeback looks good. It seems like the chorus would be the most attractive point, as the chorus’ choreography parts drew my attention the most. I might return to this review and update it once a live performance happens.

Song – 8.5/10
Music Video – 8/10
Performance – 8/10
Overall Rating – 8.3/10

[Album Review] REFUGE (2nd Mini Album) – Moonbin & Sanha (ASTRO)

The next album to be reviewed is Moonbin & Sanha’s second mini-album, RFFUGE, which dropped mid-March this year. It features the title track WHO, and four additional singles including Ghost Town, which served as the mini-album’s pre-release single. Moonbin & Sanha’s comeback follows the debut of ASTRO’s second subunit, JinJin & Rocky, who made their debut with the single Just Breath and mini-album Restore. Their comeback precedes ASTRO’s Candy Sugar Pop comeback and the group’s third studio album, Drive to the Starry Road (which I will be reviewing at a later date).

I can’t remember the exact reason why I chose to review REFUGE, as it has been a while since its release. I just have it down as ‘TO REVIEW’ in my notes. It has been bumped up slightly, however, as I don’t think I can handle another full length album review this weekend, but thought it would be nice to still put out an album review. And REFUGE was the first mini-album on my list to review. Overall, REFUGE was a decent album with some good and weaker songs. It is still worth a listen, as you may find something you like, as I did.

REFUGE Album Cover

1. WHO (Title Track)Click here to read the full review of WHO. (6.5/10)

2. BOOBOO takes on the R&B genre. I personally like the beat, the brighter tone, the clear vocals and the intriguing nature of the twangs we get in the instrumental. But beyond that, I find BOO to be just a decent track. Unfortunately, the melodies or hooks weren’t as memorable as they could be. And compared to the other tracks on the album, BOO easily becomes the forgotten single. (7/10)

3. DIADIA is more of my jam. The disco influences in the crunchy instrumental brought a more dynamic profile to the song (which I find to be extremely memorable), and I find myself having a boogie in my chair every time this song comes on. I really liked their vocals throughout DIA, with this song showing off their vocals in the best on this album. There is no standout hook in this song, as the instrumental really dominated the track for me. But I feel there is enough in terms of melodies to help boost the song’s memorability factor. (8/10)

4. DistanceDistance brings forth balladry energy. Distance starts off with an acoustic centric instrumental which I thought was really soothing and nice, before developing into a more bolstered instrumental that somehow maintains the acoustic roots it began with. I find myself swaying along to the song, as the pair delivers very captivating vocals and melodies. I am not entirely keen on the siren-like synths, but they do help fill up the background of the song, creating a heftier number. (8.5/10)

5. Ghost Town (Pre-Release Track)Click here to read the full review of Ghost Town. (7/10)

Overall Album Rating – 7.4/10

[Weekly KPOP Chart] 4th Week of June 2022

Guess who remembered the Weekly KPOP Chart this time! And it is out on the day it is supposed to come out!

Welcome to the Weekly KPOP Charts for the 4th Week of June 2022. Crazy to think that we went the second half of 2022 in the next week. Of course, I will be making sure more reviews (both songs and album) come your way this week. I know I have promised more lately, and I have been very skimpy with them (as I find myself little time to focus on the blog for a few reasons – tiredness being one of them). But I will try my best to knock out a few more than the usual one or two this week (as I should have more time on my hands this week). Until then, here are my Weekly KPOP Charts for the 4th Week of June 2022.

New releases of the Week

In addition to the reviews I wrote this past week for Kep1er’s Up! and LOONA’s Flip That, here are the other new releases of the week:

  • WATCH OUT – SUPERKIND
  • Move Like This – Kang Daniel & An Yujin (IVE) ft. Kim Yuna
  • HIT YA! – Lapillus
  • Life Goes On – Onew (SHNee)
  • Fresh – Colde
  • LOUDER – TAN
  • SUGAR – Youngjae (GOT7)
  • Ring The Alarm – KARD
  • Color Me – JUNNY ft. CHUNG HA
  • Reference – Lee Mu Jin
  • Scent – YUKIKA
  • Save Me – Sorn
  • Life’s Too Short – aespa
  • Left & Right – Charlie Puth ft. Jungkook (BTS)
  • POP – Nayeon (TWICE)
  • How We Live – Kang Daniel ft. sokodomo

Throwback Corner

Sorry for not featuring a Throwback Song in last week’s Weekly KPOP Chart post. For this past week, I have selected SNSD’s Holiday (one of the singles from their last comeback) as the throwback song, as I gear myself up for their potential and long awaited return for their 15th anniversary later this year.

Non-Korean Release of the Week

Stray Kids’ CIRCUS is the past week’s non-Korean song release of the week, ranking in the 23rd position. This is CIRCUS‘ second week in a row to be featured in this segment. Check out Stray Kids’ CIRCUS below (a review will be coming soon for the song).

The Charts

Congratulations to NCT DREAM for topping the Weekly KPOP Chart for the 4th Week of June 2022 with Beatbox. This is the second week which Beatbox have topped the Weekly KPOP Charts, with the first week being the 1st Week of June 2022. For more of the charts, keep on reading.

3rd Week of June 202212th Jun – 18th Jun 2022
Pos.SongArtistStatus
1BeatboxNCT DREAM(▲ 5)
2Flip ThatLOONA(NEW)
3Up!Kep1er(NEW)
4Good Boy Gone BadTXT(▲ 3)
5BUT YOUiKON(▲ 3)
6Upside DownKang Daniel(▲ 10)
7PLAY DUMBOMEGA X(▼ 4)
8Ring The AlarmKARD(NEW)
9SUGARYoungjae (GOT7)(NEW)
10C.I.T.T (Cheese In The Trap)Moonbyul (MAMAMOO)(▲ 57)
11LOVEMONSTA X(▼ 2)
12NANANAGOT7(▲ 11)
13WhistleBrave Girls(▼ 12)
14Yet To Come (The Most Beautiful Moment)BTS(▼ 10)
15UndercoverVERIVERY(▲ 14)
16Red Sun!VIVIZ(▲ 44)
17POPbugaboo(▲ 29)
18FEARLESSLE SSERAFIM(▼ 5)
19Roller CoasterJeong Sewoon(▲ 48)
20CRAZYWONHO(▼ 9)
21Play Hide & SeekICHILLIN’(▲ 46)
22HOTSEVENTEEN(▼ 20)
23CIRCUSStray Kids(▼ 18)
24BoombabboomEPISODE(▲ 43)
25I HATE YOUWOODZ(▲ 2)
26Your EyesStray Kids(▲ 35)
27DEEPHYO (SNSD)(▲ 40)
28Thumbs UpBLANK2Y(▲ 39)
29Love Shhh!Jo Yuri(▼ 17)
30MY LOVESeo In Guk ft. RAVI (VIXX)(▲ 43)

Songs leaving the charts

The following songs have wrapped up their nine week run in the charts system, and will no longer be on the charts starting next week:

[Album Review] Pilmography (1st Studio Album) – WONPIL (DAY6)

At the start of February this year, Wonpil made his solo debut with Pilmography, two months prior to his military enlistment. This release comes in the form of a studio album (which is a rare form of a debut, though it has been done before), which is lead by the single Voiceless. In addition to Voiceless, there are nine other addition tracks on the album – some of which have been performed live by Wonpil in some form following the album’s release. Today, I will finally be reviewing the album (almost five months after its release).

Going into the album, I thought we would be getting ballad after ballad for some reason. I guess Wonpil looks like a ballad type of guy. But I was genuinely surprised that ballads only make up a small portion of the album. Instead, we got different song styles coming through. It is all in the realm of music that can be performed by a band, but it isn’t all rock (as one might think when it comes to band music) or ballads. I highly recommend you check out this album, as some of the songs are stunning. Others are surprising or just plain old pleasant. But all are very good songs.

Pilmography Album Cover

1. Voiceless (안녕, 잘 가)Click here for the full review of Voiceless. (9/10)

2. Sincerity (지우게) – At first, I thought Sincerity was a straight forward ballad with striking piano, which I totally enjoyed. But as the song continues, it unexpectedly changes momentum via the insertion of synths during the choruses. It isn’t a complete shakeup though, as the beat is maintained and the song reverts between the two as its progresses along. I also found it to be quite cohesive, as a result. I enjoyed the way Wonpil’s vocals climbed to match the intensity that the synths bring and how he brought an airiness of the verses to give it some colour. (9/10)

3. A Writer in a Love Story (소설 속의 작가가 되어) – You can tell that A Writer in a Love Story is a lot more cheerful compared to some of the other song, thanks to its upbeat and jazzy tone. I feel that this brought a warm feel to the album as a result. And since it is cold where I am, I was really feeling it. I also like how Wonpil’s vocals compliments different genres, with his vocals sounding splendid in this enjoyable and pleasant song. (8/10)

4. Walk With Me (우리 더 걸을까) – The acoustic nature of Walk With Me feels very fitting for the Springtime in which the album was released in. It felt like a song that easily could have risen in the charts had it been standalone and well promoted, just like how some other Spring songs tend to rise out of nowhere during the Spring season on the Korean charts. Wonpil sounds sweet and warm touch to the song, complimenting the lyrics and overall feel of the song, which highlights the loving nature of the song. (8/10)

5. Stranded (외딴섬의 외톨이) – One of my picks for best song on Pilmography is Stranded, simply because I don’t mind having this song on repeat. It brings back synths, bringing forth a jazzy city pop vibe, and an upbeat tempo. Both are appealing aspects on a vocal centric album like this. I find Wonpil’s voice to be the best in Stranded, as he pulled out a few different techniques to make the song more interesting on his part. I particularly enjoyed his interaction with the backing vocals in the pre-chorus for this song. (10/10)

6. Someday, Spring Will Come (언젠가 봄은 찾아올 거야) – If you are looking for a softer and an ‘easy on the ear’ song, Someday, Spring Will Come is the song for you. It is, however, a more bittersweet song, reminding us that there is always good news down the track or ‘light at the end of the tunnel’ (for this song, the good news or light is likened to be Spring). The instrumental is interesting, bringing in horns and flutes into the mix. Not unheard of, but it a bit different set of instruments commonly heard. I enjoyed the percussion in this song, which made the song extremely pleasant. Wonpil’s vocals are good, but they felt a bit flat in this song. (7/10)

7. Pieces (휴지조각) – Another favourite of mine from this album. Pieces takes on a pop profile and explores Wonpil’s lower registers, both of which hasn’t really been touched upon on this album in great detail yet. I really like the pulsing melody in the verses and throughout instrumental. It creates an intriguing and different dynamic that is quite cool. I also enjoyed the building momentum towards the lyric-less chorus. It’s a bit abstract, but that makes the track unique and individualistic, which I am always for. (10/10)

8. Last Goodbye (늦은 끝) – We re-enter ballad territory with Last Goodbye, with features a piano only instrumental that is quite beautiful. It actually didn’t occur to me at first (only as I was typing this review) that the instrumental was just piano, as the piano compensated for what usual is present (i.e. some form of percussion, strings etc.). With such an instrumental, the focus is squarely on Wonpil. And as indicated throughout this album, he shows off his vocals in a manner that is extremely pure and untouched. (9/10)

9. Unpainted Canvas (그리다 보면)Unpainted Canvas is an uplifting pop rock song that is so captivating to listen to. While I try hard not to think of DAY6 whilst writing this album review since this is Wonpil’s own work, I felt that Unpainted Canvas is the most DAY6-like track thanks to the rock band feel that the instrumental brings. I also enjoyed the lyrics, conveying one’s journey from young to present via the idea of painting or drawing a future. I also liked Wonpil’s vocals throughout this track, as well. (8.5/10)

10. A Journey (행운을 빌어 줘) – Final song on this stunning album is A Journey. Wonpil saves one of the best to the very end. It closes out with the message that he will be back as a better person and to wish him luck for what is to come next in his journey. It is also the most surprising track on the album thanks to its synth/band instrumental that drives the song forward. The chorus is just so vibrant and cheerful, and I like how Wonpil matches this energy with his vocals. (10/10)

Overall Album Rating – 8.9/10

Pilmography Teaser Image

[Review] Flip That – LOONA

As mentioned in my last song review, two Queendom 2 participants made their comeback this week. Now it is time for the second group and runner up of the competition to get their review. LOONA has made a comeback with a special Summer mini-album, Flip That, which features the title track of the same name. Aside from Queendom 2, this is the first time we are seeing the group following their PTT (Paint The Town) Korean comeback and their Japanese debut Hula Hoop.

Compared to their last few releases (which have been more powerful and intense releases), Flip That brings a very different colour to the group’s discography. Flip That is described as a house based track. But instead of the usual likes of house EDM, Flip That is more subdued, light and airy. That being said, there is still heft and bass to the instrumental. This creates an interesting and almost aesthetic atmosphere that feels unique and different. Their vocals take on a sweeter and brighter tone profile, which I find to pair extremely well with the instrumentation and its subdued nature. Keeping the song is check and balance are the rappers, who too brought a smidge of heft to the song. But while this sound combination sounds successful so far, I don’t find Flip That to be LOONA’s most riveting piece to date. This determination came down to the melodies and hooks. A small part of me felt Flip That‘s melodies and hooks were memorable to a degree. But a much larger part of me a feels that the melodies and hooks were underwhelming, underdeveloped and underplayed. It didn’t feel enough, if you understand what I mean. I wished it was teased out a bit more and brought a more dynamic touch to the song. Overall, Flip That does have its pros and cons. At this stage, I like it for its uniqueness and thinks that this compensates for the rest of the track.

To match the song’s subdued sound, Flip That‘s accompanying music video takes on a more lighthearted and innocent look compared to their recent music videos. Its bright and airy. There is a lot of colour (though not bold or heavy handed, which I find it be quite nice and easy on the eyes). I really love the forest background that was selected for one of the choreography shots in music video. Its so vivid, and the producers put a lot of thought in ensuring that the video remained balanced with the 12 members and bright white outfits. Not entirely sure if the video is trying to tell a story of some kind, but it can easily be summed up as the members enjoying their time outdoors (or towards their next location/comeback).

Just like the song and music video, the choreography takes on a lighter, cuter and more delicate feel. I like what they did with the formation of the second chorus, and the chorus routine in general. And also, I like that they kept their signature synchronisation. But as a whole piece, I didn’t feel like it was as captivating as the performance could have be.

Song – 8/10
Music Video – 7.5/10
Performance – 6.5/10
Overall Rating – 7.7/10

[Weekly KPOP Chart] 3rd Week of June 2022

This was supposed to be posted on Monday, but guess who forgot about it completely! Welcome to the next Weekly KPOP Charts post. This one is for last week, the 3rd Week of June 2022. Not much to update on aside from more reviews and album reviews coming your way this weekend. And I will make the next Weekly KPOP Chart will come on time this weekend. So without anymore delays (and before I forget to press ‘publish’), here is the Weekly KPOP Chart for the 3rd Week of June 2022.

New releases of the Week

In addition to the reviews I wrote last week for WONHO’s CRAZY and OMEGA X’ PLAY DUMB, here are the other new releases of the week:

  • POP – bugAboo
  • KILLER – FAINIT
  • MY LOVE – Seo In Guk ft. RAVI (VIXX)
  • Blue Sky – BDC
  • ZERO – DRIPPIN
  • VILLIAN – PIXY
  • Stupid Cool – DAWN
  • Sweet – THE BOYZ

Non-Korean Release of the Week

Stray Kids’ CIRCUS is the past week’s non-Korean song release of the week, ranking in the 5th position. Check out Stray Kids’ CIRCUS below (a review will be coming soon for the song).

The Charts

Congratulations to Brave Girls for topping the Weekly KPOP Chart for the 3rd Week of June 2022 with their Queendom 2 finale single, Whistle. This is the second week in a row in which the group/song have topped the Weekly KPOP Charts. For more of the charts, keep on reading.

3rd Week of June 202212th Jun – 18th Jun 2022
Pos.SongArtistStatus
1WhistleBrave Girls(=)
2HOTSEVENTEEN(▲ 9)
3PLAY DUMBOMEGA X(NEW)
4Yet To Come (The Most Beautiful Moment)BTS(▲ 6)
5CircusStray Kids(▲ 61)
6BeatboxNCT DREAM(▼ 4)
7Good Boy Gone BadTXT(▼ 1)
8BUT YOUiKON(▼ 1)
9LOVEMONSTA X(=)
10Montage_ONEWE(▲ 63)
11CrazyWonho(NEW)
12Love Shhh!Jo Yuri(▲ 61)
13FEARLESSLE SSERAFIM(▼ 10)
14FameCiipher(▲ 46)
15Bring It OnONEUS(▼ 10)
16Upside DownKang Daniel(=)
17SaviorAB6IX(▲ 48)
18Candy Sugar PopASTRO(▼ 5)
19BusinessSoyou ft. BE’O(▲ 54)
20D-DayWheein (Mamamoo)(▲ 31)
21NowPsy ft. Hwasa (Mamamoo)(▲ 52)
22MemoriesMe:us(▲ 51)
23NANANAGOT7(▼ 6)
24Happy BirthdayColde(▲ 49)
25canvasBF(▲ 47)
26RATA-TATA-TAGolden Child(▲ 8)
27I HATE YOUWOODZ(▲ 46)
28Waka BoomHyolyn ft. Lee Young Ji(▲ 5)
29UndercoverVERIVERY(▲ 28)
30DARARI (Remix)TREASURE(▲ 43)

Songs leaving the charts

The following songs have wrapped up their nine week run in the charts system, and will no longer be on the charts starting next week:

  • D-Day – Wheein (Mamamoo)
  • Hit Me Up – Min ft. JMIN
  • I Want You To Be Happy – APINK
  • FINE! – HA:TFELT
  • Seoul – BOL4
  • 1 of 9 – YOUNITE
  • EVERYBODY – YOUNITE ft. DJ Juice
  • Make It Right – Jungmo
  • SO GOOD – DRIPPIN
  • Crossing In The Line – BOUN
  • Memory – BOUN
  • Overcome – Mimi
  • Savior – Kim Sung Kyu (Infinite)
  • Bluebird – Ryeowook (Super Junior)
  • Memories – Me:us

[Review] Up! – Kep1er

This week started off with two Queendom 2 acts making their comeback. First up on the reviewing block is Kep1er, who makes their grand return with Up!. This is featured on the group’s second mini-album, Doublast. This comes after the group’s debut back in January 2022 with WA DA DA, and more recently, their participation on Queendom 2 (as already mentioned).

Up! comes out at the right time, capitalising on the current Summer season in which Korea (and Northern Hemisphere) is in. This is the time we want to hear bright and vibrant songs, and I feel that Up! hits that part of the brief with no doubts. The track also capitalises on the group’s youthfulness, and brings about a fun and upbeat energy to a mix (which is synonymous with the Summer season). Both goes hand in hand in setting up Up!. There are a few aspects in the song that I quite like. The synths used in this song are felt refreshing and didn’t feel like a repeat of what we have heard thus far this year in terms of Summer songs. Up! features some really cool rapping that adds some deepness to the song and keeps the song grounded. The chorus was brought a trendy pop sound to the table and was pleasantly catchy. I do think a stronger melodic hook would have been more satisfying overall, but what we got in Up! is perfectly fine already. On the other hand, the post-chorus felt weak and didn’t feel concentrated enough. In addition to that, I also felt that Up!‘s reliance on cuteness is a hit or miss I wished it was toned down as it is a bit too cliché. A summer track can be youthful, without the need to steer into the cute domain. The vocals were plain in comparison to the rapping. Even with the autotune, it didn’t do much for me. And finally, the second half of the instrumental break in the bridge felt forced. The brighter first half was fine and fits in with the rest of the track, but the more intense second half (taking on a dubstep like approach), was unnecessary and creates an imbalance with the rest of the song. But overall, Up! is a decent Summer track.

A very colourful and vibrant video accompanies the release. No surprises there. For the most part, the video was decent, alongside the music. I did see them trying to push a cutesy agenda, which I am not entirely a fan of. But at the same time, it wasn’t a terrible concept for this video. There were some scenes that I could have done without, such as the awkward laptop POV scene and the lemon charging scene. They felt very random and didn’t make much sense to me.

I quite liked what they did with the chorus in this routine, with the arm wave at the start and the two lines of members. As for the dance break, I liked how bouncy the first half felt. And as much as I disagree with the second half of the dance break, the routine was pretty good. The rest of the choreography otherwise felt standard for me.

Song – 7/10
Music Video – 7/10
Performance – 8/10
Overall Rating – 7.2/10

[Album Review] VOYAGER (1st Single Album) – KIHYUN (MONSTA X)

As mentioned yesterday on Twitter (yes, I have a Twitter account – @kpopreviewed), there would be two album reviews today (as I was slightly busy yesterday). The second album review of the day is for KIHYUN’s official solo debut, which occurred back in March of this year. The solo debut was titled VOYAGER, and is the title for both the lead single and single album. In addition to VOYAGER, the single album also consist of two additional side tracks. Following his solo debut, KIHYUN returned with MONSTA X through their LOVE and Shape of Love comeback (which I will be writing an album review for some time in the future). It was also recently announced that KIHYUN had renewed his contract with Starship Entertainment.

I am a bit disappointed that KIHYUN’s solo debut came in the form of three songs (i.e. the very typical length for a single album). It is far too short to appreciate what KIHYUN has to offer. He definitely deserves a mini-album, at the very least. But hey, this is what KIHYUN has provided us, so I shouldn’t be complaining. Again, a strong album release from this seasoned KPOP artist. VOYAGER takes the cake for best song on the album, but the other two songs have their own charm. Continue scrolling to see what I thought about those songs.

VOYAGER Album Cover

1. VOYAGER (Title Track)Click here to read the full review of VOYAGER. (9/10)

2. , (COMMA)COMMA continues the pop rock vibe from the title track, but opts for a much softer and more emotional atmosphere, expressing his own desire to take a break or rest when he is lost, similar to how a comma brings a brief pause in a sentence. It is a completely different energy to what we got before it, as KIHYUN’s vocals convey more emotions in this song. I quite like the oomph he puts behind his vocals during the chorus, in contrast with the softer approach he takes in the verses. It makes for a slightly more riveting piece. The instrumental feels on trend, but I wished it was a bit more innovative, just so COMMA can have a bit of an edge. (8/10)

3. RAINRAIN opts for a more intense instrumental piece, featuring what felt like a slow burning rock instrumental. The intensity is so gripping, it was quite hard to be distracted from the song (or to turn away from the song). KIHYUN’s vocals are powerful and felt so loaded, particularly during the chorus, which in turn felt relatively explosive. I did like how he kept held himself back throughout RAIN, keeping that energy and intensity simmering away until the end to make it a captivating piece. (9/10)

Overall Album Rating – 8.7/10

VOYAGER Teaser Image

[Album Review] Be Together (3rd Studio Album) – BTOB

It has been almost a month since my last album review. But I am finally getting back to writing them and posting them on weekends. But be aware as I am quite back up with a very long list of many great albums I want to review, so please bare with me. The first album I want to visit is BTOB’s third studio length album, Be Together, which was released back in February of this year. Featured on this album is the title track The Song, nine side tracks, an intro, an interlude and an outro track. So it is definitely jammed packed. This album, for those who may not recall, was also BTOB’s grand comeback as a full group since 2018 and follows the military enlistment of all members (aside from Peniel).

As a quick summary. I find myself to be a fan of every song on this album in one way or another. That is the greatest outcome for any album. Knowing BTOB’s background and successful songs, there are obviously ballads on this album. But some of the album’s standouts are not ballads and are more so hidden gems on this album (as they are placed in the midst of the many ballads on this album). But obviously, more on those songs as I get to them. So without any more delays (or else this might get delayed), let’s me get straight into the first album review after a while, BTOB’s Be Together.

Be Together Album Cover

1. Intro: The Trace (Intro: 발자취) – The album starts off with a fairly simple introductory track. Over a really nice piano melody that sets a balladry tone for the album, we can hear someone walking through the snow. It is piece I can vividly imagine and see myself in.

2. The Song (노래) (Title Track) Click here to read the full review for The Song. (9/10)

3. Blooming Day (봄이 피어나) – My favourite aspects of Blooming Day are the presence of the raps in the verses. Minhyuk really pushed the song to the next level with his sequence, while Peniel brought a nice flow. They also brought whole lot of intensity to the ballad, which peaked my interest in the song and made it so captivating. I also liked that the chorus follows the momentum of the raps creating a powerful centrepiece. The ad-libs in the final chorus also builds the intensity and gives off a similar effect. (10/10)

4. Be Together (우리) Be Together, the namesake for this album, continues the album’s ballad focus. Be Together is a beautiful one with a swayable atmosphere and melody that you will know I would like. I really like the rock elements in the instrumental of this ballad, which throws out the idea that a ballad has to be classically instrumented in order to beautiful. The vocals stand out in this one, showcasing strong and powerful vocals. The rappers held themselves back with small and slighter sequences, but I liked how their parts still had intensity. (9/10)

5. My Way My Way changes the momentum of the album up with a more upbeat track, delving into a R&B and hip-hop mix. It sounds quite urban, and is a song that I wouldn’t mind listening to whilst walking through a hip neighbourhood. I like how everyone brought their A-game for this track. Unlike the preceding track, both vocalists and rappers’ factions of the group were on par with each other and brought great energy to the song. I particularly like the echoing effect of the post-chorus hook. (9/10)

6. WhiskeyWhiskey follows My Way’s more urban feel, but opts for a R&B instrumental that feels groovier while the lyrics are a lot sexier. There is also a sleekness to the song’s instrumental that I totally digging. I really like the character and personality that the members put behind their vocals. It just adds depth and energy to the song that would have felt plain had more standard vocals/raps been used. It also demonstrates BTOB’s vocal versatility between members, but their ability to also remain cohesive. For example, Peniel’s more hip-hop aligned breakdown in the second verse was a surprising presence, but fits into the bigger picture that is Whiskey. (8/10)

7. Interlude: Re – The album features an interlude track, Re, which is a minute and a half of a soothing piano melody. It brings down the energy of the album following some upbeat tracks, enabling the next track to be placed.

8. LonelyLonely is another ballad on this album. But rather than being your typical slow or flowy ballad, Lonely is a fairly intense ballad thanks to the presence of the strings throughout the track. Not in the dramatic sense, but more so in a captivating sense. In addition to the strings, the members’ vocals also build up the intensity of the song and adds to that captivation. It isn’t a smashing ballad like the others earlier on this album, but Lonely is still a strong one nonetheless. (8/10)

9. Dance With Me (춤)Dance With Me bring up the album’s energy levels with another dynamic track. The energy is quite refreshing and thoroughly enjoyable. And for that, I deem it as one of my favourite side tracks on this album. Dance With Me features some really cool and intriguing guitar work at the start. But that is not only where we get the guitar work. I liked how the guitar makes a presence throughout the song, pulling the different segments together. The powerful vocals are a highlight in this song, while the upbeat nature enables the rappers to dive into their parts. (10/10)

10. Higher – Thanks to its rock influences, Higher is definitely the odd one out on this album. But instead of me questioning its presence on the album, Higher steals my attention and carries me away. Before I know it, the song is over and I am left wanting more. I remember it leaving me floored when I listened to the album back in February. And after four months, Higher still leaves me on the edge of my seat and gets me head banging! I quite liked the snowballing effect the energy has, which is thanks to both the rock instrumentation and the members’ powerful energy they channeled through the song. (10/10)

11. Thank YouThank You is the type of song to bring a smile to your face. At least, it did for me. Thank You had a tall order in following the likes of Higher, but I think it handled it pretty well. The song is much sweeter (to match the lyrics) and less energy driven, but it wasn’t as an extreme step down in terms of upbeatness. I like the jazzy notes within the instrumental, the more loving vocals the members provide to the song and the random burst of brass we get consistently in the backing. (8.5/10)

12. It’s All Good (흘려보내) – The second last song on the album remains in upbeat territory with its pop rock instrumentation, but you can tell that the group is slowly tuning down the energy to help ease us off the album. It isn’t as a riveting piece as it could be, but it has its charms. I really like the soaring and floaty melodies that It’s All Good has. My only critical note about the song is Minhyuk’s powerful and strong entrance in the bridge, which contrasts practically everything in the track and it feels a bit unexpected. I am not entirely sure what to think of this. It works with the idea of a pop rock instrumental, but it doesn’t work in harmony as with the rest of the song. (7/10)

13. Outro: Encore – Ending the album is an outro track, titled Encore. Usually, when the title includes the ‘Outro’ tag, it is something brief, and not a full-fledged 4-minute-long track like how Encore was. It is fitting that the album closes out with a ballad, just like how it started. I enjoyed how stunning this one was, from start to end, vocals to raps. I really liked the high notes in this as well, giving the track a breathtaking element. Encore is classically and acoustically instrumented and was quite riveting. An amazing end to the album. (10/10)

Overall Album Rating – 9/10

Be Together Teaser Image

[Review] PLAY DUMB – OMEGA X

Naturally, the night I decided to take off (yesterday) had multiple comebacks. But don’t worry, I will (slowly) get around to them! First up (and I will explain why I chose this one to be first up from yesterday’s options for a review) is OMEGA X’s PLAY DUMB, which is the title track off their 1st studio length album. This is the group’s first comeback that I am reviewing since their debut with VAMOS last year, Story Written In Music. However, OMEGA X has had two comebacks since their debut which I have yet to cover including What’s Goin’ On and Love Like This, both of which will be reviewed in some form in the future. As for now, here is my review for their third comeback track, PLAY DUMB.

Out of all the releases from the 15 June 2022, PLAY DUMB was my favourite. And it was so for a very simple reason – it was fun and had strong ‘feel-good’ vibes which I needed after a long day. PLAY DUMB isn’t an innovative pop song, but it also doesn’t feel like a straight up copy of another bright and vibrant pop song from the top of my head (though one could say it is similar to other songs of an equivalent nature and I wouldn’t disagree with them). In addition to the vibes that I already mentioned, I found PLAY DUMB to have lively but also pleasant instrumental, stepping away from the heaviness that synths that we hear so often nowadays. I love the funky vibes that the guitar brought to the post-chorus hook. PLAY DUMB also features a strong showing of vocals and raps from the members, which is always appreciable. It also contains some decent hooks and melodies which I thought tied the song together really well. I really enjoyed the inclination of the pre-choruses, which helped drive up the energy of PLAY DUMB to make the chorus even better. There was something about the melody and the instrumental combination that worked really well and attracted my attention towards the song. I do think PLAY DUMB would have benefited from a more centric hook or melody for the actual chorus sequence, just to drive up the memorable factor of the song. But the hooks and melodies we did get in the song still works fine. Overall, PLAY DUMB is definitely a fun release, with its vibrant and brightness suitable for the Summer season.

Listening to the song, the accompanying music video had to fulfil one criterion for me to be considered successful – be fun. And I feel like that was nailed perfectly. The members looked like they were having a blast with one another and there were some funny scenes throughout. I also like the vivid colours of the video, which just works extremely well in bringing out that vibrancy from the song. If you missed the concept that was consistently present from start to end, it is just tennis. The sport was the pure focus of the video (aside from laughs and having fun). I did wonder what happened to the massive tennis ball that featured at the start of the video (the one that came crashing into Earth, put on displayed and subsequently stolen by one of the members so they can sketch it). I thought that whole ‘plotline’ was a bit of fun and would have liked it to make some sort of reappearance in the video at the end or something. it just disappearing didn’t make sense to me, and I am a bit disappointed by that.

The choreography was nice and worked well with the fun and energetic side of the song. I liked the refreshing vibes the members brought to the stage. I would have liked more bounce to the choreography (I think the song calls for this), but what we got was perfectly fine!

Song – 9/10
Music Video – 8.5/10
Performance – 8/10
Overall Rating – 8.7/10

[Review] CRAZY – WONHO

One of the new comebacks that started off this new week is WONHO’s, who returns with his new mini-album, FACADE, on Monday. Featured on this new mini-album is the title track CRAZY, which follows his earlier comeback of this year, EYE ON YOU, from February.

CRAZY knows exactly how to tease, opting for a uniquely groovy and sensual atmosphere that only an artist like WONHO can pull off. I can think of a few artists who may have potential to deliver part of what CRAZY achieves, but no one could nail this exact vibe like how WONHO has. I love the feeling that CRAZY leaves behind once I am finished listening to the song – I simply want more from the track. But in a good way, as in I want to go back to CRAZY to continuously satisfy my craving for that groovy undertone that oozes from the song and the brief rock detailing that adds a refined sense of oomph and abrasiveness to the song that makes the chorus so damn good. The track intentionally under delivers by just a hair, just to get me to click that replay button one more time – but time and time again. CRAZY starts off with and revisits these crunchy yet deep rap-like vocals. As far as I am aware, no one is attributed to these vocals, which are worked into the background. But they kick off the title track with some flair and excitement. Following that, an electronic bass riff kicks in and this is followed up with WONHO’s sleek and silky vocals. The verses a bit bland, if I have to suggest something critical about CRAZY. But that is easily overlooked once the chorus kicks in, coming off as how I have already describe the track with the groovy underlay and the rock detailing. In hindsight, I do think the bridge could have gone further, just to prevent the song from being overly consistent and push the boundaries a bit. But overall, CRAZY is a top notch track that plays towards WONHO’s strengths.

It is not a WONHO video if he is not teasing us visually as well. And it is definitely not a WONHO video without some form of abs or muscles showing. Aside from the usual talk of muscles and abs, there is a modern aesthetic that suits CRAZY so well. The simplicity from those choreography sets is wonderful and much appreciated, given the amount of dancers that accompanies WONHO for this comebacks. However, I do like the busy nature of the car yard scenes and the some of the solo sets thanks to the way the background is staged or the lights. The ending is a bit cryptic, with the massive head and mouth opening up. I wonder if this is the start to some series (or are we possibly already in the midst of some series?).

The choreography for this comeback is lowkey, but I like how it took on that groovy feel. It definitely looks cool. It fits in with the music, as the music doesn’t really call for much intensity. However, I did like the intensity that WONHO and the dancers delivered for the final sequence, and like how they eased out with a slow rock vibe. I also like the domino effect the female dancers delivered in the second pre-chorus.

Song – 9/10
Music Video – 9/10
Performance – 8.5/10
Overall Rating – 8.9/10

[Weekly KPOP Chart] 2nd Week of June 2022

Another week has passed. But the difference this time around is that Queendom 2 done and dusted! While I did mention that I was supposed to get onto some song and album reviews straight away many times now, once I wrapped up my final Queendom 2 post, I have decided to delay that slightly until tomorrow and take a bit of a break after a slightly busy weekend. So, I will be back tomorrow with reviews being my ultimate focus for the next few weeks. In the meanwhile. here is the Weekly KPOP Charts post for the second week of June 2022.

New releases of the Week

In addition to the reviews I wrote last week for SECRET NUMBER’s DOOMCHITA and BTS’ Yet To Come (The Most Beautiful Moment), here are the other new releases of the week:

  • Snail – Kim Jae Hwan
  • 11:59 – APR PROJECT
  • Today’s Weather – Son Dongwoon (HIGHLIGHT)
  • Boombabboom – EPISODE
  • Let’s End It Here – Park Hyunkyu (VROMANCE)
  • WHO – TRENDZ
  • Danger – woo!ah!
  • Circus – Stray Kids

Throwback Corner

Another song that I am sure has made it onto this corner before is SEVENTEEN’s Rock With You. But it is my throwback song for the week. I have been completing digging this song this week, on top of this week’s charts listens.

Non-Korean Release of the Week

Golden Child’s RATA-TAT-TAT is the past week’s non-Korean song release of the week, ranking in the 34th position. Check out Golden Child’s RATA-TAT-TAT below (a review will be coming soon for the song).

The Charts

Congratulations to Brave Girls for topping the Weekly KPOP Chart for the 2nd Week of June 2022 with their Queendom 2 finale single, Whistle. For more of the charts, keep on reading.

2nd Week of June 20225th Jun – 11th Jun 2022
Pos.SongArtistStatus
1WhistleBrave Girls(▲ 9)
2BeatboxNCT DREAM(▼ 1)
3FEARLESSLE SSERAFIM(▲ 28)
4ALIVELIGHTSUM(▲ 65)
5Bring It OnONEUS(▲ 1)
6Good Boy Gone BadTXT(▲ 7)
7BUT YOUiKON(▼ 2)
8THE GIRLS (Can’t Turn Me Down)Kep1er(▲ 29)
9LOVEMONSTA X(▲ 27)
10Yet To Come (The Most Beautiful Moment)BTS(NEW)
11HOTSEVENTEEN(▼ 9)
12AURAWJSN(▲ 16)
13Candy Sugar PopASTRO(▲ 8)
14Stupid O’ClockVICTON(▼ 11)
15Red Sun!VIVIZ(▲ 10)
16Upside DownKang Daniel(=)
17NANANAGOT7(▲ 6)
18Starry RoadKei(▲ 51)
19Love TheoryTaeyong (NCT) & Wonstein(▲ 8)
20POSELOONA(▼ 5)
21BluebirdRyeowook (Super Junior)(▲ 48)
22DriveMiyeon ((G)I-DLE)(▼ 13)
23DOOMCHITASECRET NUMBER(NEW)
24ACACIAYezi(▲ 11)
25Do you wanna get downLUNARSOLAR(▲ 26)
26CelebPsy(▼ 15)
27MOVETNX(▲ 42)
28CupidDKZ(▲ 10)
29YOUNG BOYHELLO GLOOM(▲ 40)
30ZOOMJESSI(▼ 26)

Songs leaving the charts

The following songs have wrapped up their nine week run in the charts system, and will no longer be on the charts starting next week:

[Review] Yet To Come (The Most Beautiful Moment) – BTS

It has been a while, but BTS is officially back in South Korea with their latest Korean single, Yet to Come (The Most Beautiful Moment). The new single dropped today and is featured as the title track from the group’s first anthology album, Proof, which features a range of songs from the last nine years of the group’s discography. It is also the group’s first domestic comeback since 2020’s Life Goes On and Be, and the subsequent English hits – Dynamite, Butter and Permission to Dance.

If I had to summarise Yet To Come in a few simple words, my pick would be “a sentimental pop ballad”. Nothing more, nothing less. From my listens to the song thus far since its release on Friday, I can say that it sounds good and has a swayable melody that I find in what I consider to be good ballads. Yet To Come‘s instrumental had a hip-hop tinge to it, which make sense given the group’s roots in the genre. It is a bit airy and simple (even for my taste), but that allows the other elements to shine more brightly. The high pitch squealy like synths in the background were extremely subtle, but they helped cut the plainness of the song. The vocal and rapping work was nice, and I quite liked the idea of the rapping in the chorus, giving the centrepiece of Yet To Come a bit more energy that prevents the song from being consistently plain. RM, Suga and J-Hope’s flow throughout the song (not just the chorus) was great. Although, I am not a fan of Suga’s rapping at the beginning of the second verse, however, with the autotune. It was an odd ball moment that I didn’t find fit with the rest of the song. The vocalists sound well rounded, but their parts didn’t stand out as much like how the rappers’ did. My biggest issue with the song is not with the group’s execution of Yet To Come, but rather the song’s choice. After their chart topping hits in the Western market, I expected a song with much more fanfare for their ‘grand and long-awaited return’. I wasn’t necessarily expecting a full fledged dance track, but something with a bit more flair than a track that reflects on the past and looks into the future. For some, Yet To Come might be the track that pulls on their heartstrings. And that is absolutely okay. But for me, I find the track to be one of those that I don’t really need to check out again after writing my review.

When I watched the video for Yet To Come, I felt the shots were throwbacks to previous videos. The order in which the members sat and ended the music video in was the order in which the members sat in for their Just One Day music video. V holding a red rose throws back to solo teaser photos from their Map of The Soul: Persona and Boy With Luv (ft. Halsey) comeback. His uniform also seems to remind me of their ‘school uniform days’ which encompasses their School trilogy days, most specifically Boy In Luv. Jungkook standing in front of the rusty blue ‘You Never Walk Alone’ wheel, the train (which featured in J-Hope’s solo shot) and Jimin’s white shoes takes me back to Spring Day. The pick-up truck we driving around and in the background of JIN’s shot brings back memories of RUN‘s ending. RM’s solo shot consist of a shipping container, which seems to link up with their RUN music video, as well. The big winged statue and the scene where JIN covers V’s eyes reminds me of Blood Sweat & Tears. Suga’s solo scene with the butterfly might be connection to their Butterfly song from 2015. The yellow school bus we see at the end reminds us of the bus that featured in No More Dream music video. Aside from the trip down memory lane, the video was shot in beautiful desert location that feels quite scenic despite it being just sand and blue skies.

Song – 7/10
Music Video – 9/10
Overall Rating – 7.8/10

[Special] Queendom 2 – Final Round – Live Comeback Stages – EP.10

It is time we crown the next Queen of KPOP through the second season of Queendom. Following the success of Queendom Season 1 (which crowned Mamamoo as the winner), Road to Kingdom (which gave The Boyz a one way ticket to the next competition) and Kingdom: Legendary War (which crowned Stray Kids as the winner), Queendom is officially back with six new female participants. This season sees WJSN (Cosmic Girls), LOONA, Brave Girls, Kep1er, VIVIZ and Hyolyn battle it out for the Queendom title, while Taeyeon (from SNSD) takes the helm as MC this time around.

As I have reviewed part of Queendom, all of Road To Kingdom and Kingdom: Legendary War, I will also be reviewing the stages of Queendom 2, recapping the high caliber performances from each round and also putting forward my thoughts on what the ranking should have been for that round.


Final Round – Live Comeback Stages

Every stage and performance over the past three rounds was working up towards the final episode, where the competitors of Queendom 2 were able to perform never heard before singles for the time to a live audience. These singles were released a week prior to the final episode in preparation for the final round.

Scores were still be calculated from the songs’ release and from the actual live stages to help determine the winner of the second season of Queendom. From its release digitally, the songs were already in competition with one another to see who could get the most streams on domestic music charts and globally through Spotify. YouTube views from their past performances from Queendom 2, votes from fans and audience votes from the night of the live performances were also calculated. These, in addition to the points the competitors had picked up from the three preliminary rounds, were into determining the final winner.

At the end of the final round, the winner was crowned. You can find out who won the Queendom 2 title at the end of this post.

Per usual, as part of my recap/review of the final stages, I will be looking at the song, concept and choreography of the final stages. You can find out who I thought should have won (or if I agree with who was crowned as the winner) at the end of this post, as well.


Waka Boom (My Way) – Hyolyn ft. Lee Young Ji

First up is Hyolyn, and Waka Boom, which begins with a fierce militaristic and bold introduction. It isn’t exactly original, but it definitely does get the adrenaline pumping. The rest of the song continues a similar reliance on percussion which was very ‘in your face’ and actually felt overwhelming at times. As for vocals, we get a few different styles of delivery from the soloist, such as a rap-spoken style at the start where her tone felt like she was teasing us slightly, powerful vocals in the verse, and a more standard and blander tone for the chorus. However, Hyolyn shines the best during the pop melody centric parts that form part of the pre-chorus and during her high notes (her high note just before Lee Young Ji’s sequence was my favourite for its clean and sharp execution). On the topic of Lee Young Ji, her deeper tone rapping matched up well with this fierce style and I like the colour she brought to Waka Boom. The hooks weren’t great, not as memorable, and I think they didn’t get an opportunity to shine due to the instrumentation. Overall, a powerful start. But not really my cup of tea.

Hyolyn starts the performance with a bold entrance fitting for royalty and fittingly begins performing Waka Boom on the throne. She subsequently delivers a powerful stage with a very large emphasis on the gold colour (also fitting). The rest of the performance was quite fierce, with the dancers hyping up the performance as well as performing the choreography. Lee Young Ji also features on stage, and I liked her idea of having her travel from the other competitors to the stage. Her participation in the choreography also helped add fierceness to the stage. I like that Hyolyn also finishes up with cool crown (though less horns would have been appreciated) and a waterfall on the screen, which throws us back to the first round during Touch My Body. This performance’s wow moment was when Hyolyn dropped from the platform. It was no low drop, as she as raised quite high. My only complaint is that the male dancers could have worn something that didn’t give off the impression that the budget ran out.


AURA – WJSN (Cosmic Girls)

AURA begins with an atmospheric and scenic narration. I didn’t find it add much to the audio, but it clearly helps out on stage. Anyhow, I felt the song was a bit weak in that it instrumentally felt lacking and doesn’t deliver much impact when I turn my attention to the other aspects of the song. I wished that the producers of AURA did something a little different to what WJSN usually does (given that it is for Queendom), but do enough with it to allow the song to be recognisable as a WJSN title track. What I did like in the song were the whistles, which acted as a memorable hook to the song and was quite stilling, and Yeonjung’s piercing vocals in the chorus and her soaring vocals in the bridge. I felt they added some much needed oomph to the stage, but more still needed. The weakest moment would have to be the rapping. Sorry Exy, but I didn’t like the start stop part of the sequence.

WJSN put their wow factor at the start of the performance with their use of drones. I always wondered when this day would come, given that we see it use to form spectacular display. WJSN’s drone start is by no means spectacular, but it was original. I also enjoyed the performance sequence following the narration/drone start. The harps made it super beautiful, while the rest of the music made it theatrical and cinematic. I like that the images behind the group, as they perform, appear to pay homage to their fantastical and mystical era of concepts. I also like the laser light display when the stage was displayed. As for the choreography, WJSN has a real knack for making their choreography graceful and elegant, yet powerful enough to be cool and trendy. I also really like their hand movements during the whistles.


THE GIRLS (Can’t Turn Me Down) – Kep1er

In the last round, Kep1er performed The Boys (a cover of SNSD’s hit). For the final round, they perform their original song, THE GIRLS (Can’t Turn Me Down). For the most part, THE GIRLS was a decent song. There was a lot of potential behind the verses, pre-choruses and bridge of the song. But the biggest let down of THE GIRLS was the choruses, which felt more like of a sad fizzle for me. There is no impact or memorable factor whatsoever with this chorus, which is usually the most prevalent part of a song and is known for being memorable. The instrumental break helped delivery some impact, but that was more so for the performance aspect rather than audio-wise. I would love to hear more of those brass in the first verse or the flowy melodies of the pre-chorus, as both could have really helped make THE GIRLS better for me. What caught my attention was that the lesser heard members of the group (i.e. Bahiyyh and Mashiro) had larger parts than usual in this song, which makes my soft spot for members who are overshadowed and overlooked happy.

If the performance nailed one thing, it has to be the introduction. When the members fanned out at the start and that fire appeared out of nowhere, it blew my socks off and I loved every second of it. I liked the simplicity of their outfits and wonder if their yellow soled shoes was a bit of a spoiler for their upcoming comeback. I also liked the part where they used the audience as the background of the performance. Choreography-wise, I thought the routine was decent. I liked the energy the rappers shared during the second verse and the dance break was expectedly bombastic. I also enjoyed the overall aesthetic when all the members were on top of the bleachers/steps and the dancers below them.


Red Sun! – VIVIZ

From what I have heard, Red Sun! was actually supposed to be a GFriend song in the past. But it was released under VIVIZ for Queendom 2 instead. I like that VIVIZ kept things original, moving away from the final stages reliance on synths and electronic elements. Instead, Red Sun! opts for jazzy and classically instrumented background which sets them apart from the competition for obvious reasons. I can see how the song could have been released under GFriend, but I feel some moments reminded me of IU’s Red Shoes (which I personally felt was cool, and potentially a nice nostalgic throwback) for the group. I did like how pleasant the vocals were and how they kept to the style of the song. The jazzy melodies were the best! However, since it is a competition, I did want some more powerful vocals in Red Sun!. A stunning and well rounded high note would have been appreciated, just to give Red Sun! that peak it needed. But overall, a very strong effort from VIVIZ!

VIVIZ’s stage takes on an Alice in Wonderland musical look, which I thought was really cool. But instead of Alice, the VIVIZ members were (obviously) the main characters for this adventure. I liked at the start, when they walked into the this alternative world, they emerged in colourful dresses, met some very tall men and had some playful interactions with some tea cups. I kind of wished there was more of these elements, just to continually bring the idea of a fairytale to the front of the performance. As it progressed, I felt this was unique and magical touch was lost and it turned the performance into an ordinary one. I also felt the producers for this stage could have added a wow factor the performance. Maybe some costume changes for the members (they were colourful, but they were painfully plain dresses). Or maybe a large drop of shiny confetti during the ‘rain’ scenes on the stage, just to give that illusion. As for the choreography for this stage, I felt it was elegant and graceful. And I quite liked how they moved about the stage, resembling a musical, which helps deliver the concept.


POSE – LOONA

When I first heard POSE in the snippet teaser that the show uploaded, POSE attracted my attention the most. But when I listen to POSE as a whole piece, that attraction seems to have been lost. I feel that POSE is similar to Kep1er’s THE GIRLS. Both songs had verses that had potential. In POSE, the verses had a sleek feel to it, which I think the group could have taken better advantage of when it comes to the performance (more on that later). But the choruses was the disappointing element. There is no impact to the chorus, and it was super weak here. However, POSE does take the edge a bit, simply because I think the chorus was consistent with the verses. Even during the final chorus and during the bridge, the song stayed consistent. Some points for that, but I wanted more. I think POSE could have been better had it changed momentum and kicked the energy by many notches. I was waiting for that kick to happen, but that never became fruitful. The rapping in POSE added a nice dynamic flavour to the song, while the vocals didn’t have much to it.

I think the ‘red carpet’ start of the performance could have been extended and been a more substantial component of the performance. Though I wished they modernised it to be more of a model’s catwalk, and then have LOONA crash the catwalk. I think this would have tied to the song’s sleeker profile to the performance a bit better than the five second of ‘red carpet’ that we did get. I did like how they used the red carpet set they had on stage as a walkway for the other members during the pre-choruses, though. I liked the hip-hop direction that the stage took with the outfits the members donned. But I think they could have sleeker with the outfits, just to work with the music a bit better. Also with the hip-hop in mind, I wished they had more b-boying and similar going on stage. They did hint towards it, but I wanted to see more substantial b-boying. Interestingly, the stage did incorporate some more energy as I had wanted in the song, via the dance break and in the ending. Why this was left out of the actual official audio? I don’t know, but I am glad the performance managed to incorporated it in.


Whistle – Brave Girls

Out of all the six songs, Brave Girls’ Whistle was catchiest and has what it takes to be a comeback track for the group. It is a summery and refreshing track, especially after all the synths from the other stages (aside from VIVIZ’s stage). The subtle guitar in the background gives off a beachy feel, while the whistles that featured in the instrumental made sense given the song’s title. I liked how solid the vocals were, and how good ‘Whistle, Whistle, Whi‘ hook was. I did think the formula/structure that formed Whistle was a bit ordinary (i.e. verse, chorus, rap verse, chorus, bridge, chorus, final outro), though that is why I think the song would make a good comeback track (or a side track, at least). I did think Whistle could have been more dynamic. Some more interesting vocal work or a touch more dynamic in the instrumental would not have hurt and helped take Whistle to the next level.

The beach theme that the stage had made a lot of sense, given the summery and beachy vibes that the song had. I like how it started with the end of their previous performance (i.e. last round’s rendition of Red Sun). I also thought it was clever for the members and dancers all had their hair hidden away in those straw hats. Them taking their hats off and allowing their hair to come down was actually a bit of a wow factor and seems like an original idea. Again, like in the previous performance, I would have loved to have heard the Latin influence as a second round of the post-chorus following the second chorus in the official audio. It had exactly what I wanted in terms of adding a bit more to the performance. Even the cringy ‘Oh My God‘ could have been added in, and I would have been happy. As for the choreography, I really liked their commitment with their bare feet. It just adds more value to the concept. In addition, I liked the added energy they had for the chorus, which helps makes this a more exciting song.


And This Round’s Winner Is…

As the saying goes, ‘leaving the best until last’. And I felt that was what was done on the night the finale aired. Whistle is my favourite track from the six competitors. Aside from VIVIZ’s song/stage and WJSN’s stage, I think the rest of the competition for this final round was fairly weak (and hence, disappointing) and didn’t live up to the standard that Queendom (season 1) or any of the Kingdom’s finale stages/songs had set. More excitement and original ideas were needed and I think the finale stages were the best time to pull out those aspects.

Below are the official rankings based on the scores from the final stages ONLY including YouTube views, streaming points and audience points, but not including any preliminary round points (that’s the next table). Next to them is who I thought should have won the round, had it been another round in the Queendom 2 competition (and not the final).

PositionOfficial Queendom 2 RankingKPOPREVIEWED’s Personal Ranking
1LOONABrave Girls
2WJSNVIVIZ
3VIVIZWJSN
4Kep1erLOONA
5Brave GirlsHyolyn
6HyolynKep1er

And the overall winner of Queendom 2 is…

Drumroll please!

WJSN was crowned the winners of Queendom 2!! Congratulations to WJSN!

It was a bit of a shock, given the official rankings from the first two round clearly showed Hyolyn was the front runner for the title of Queendom 2. But things did take a turn in Round 3 when Brave Girls took the win overall, and in this final, where Hyolyn shockingly dropped to the bottom. LOONA perhaps could have taken the win this competition had their first round performance counted. But WJSN was fairly consistent in terms of ranking throughout the competition, never placing below 3rd place for the entire season.

Per usual, however, I have used my rankings from each episode (including EP.0) to calculate I think should have won. See if I agree below with the official rankings, or if I shake my final results with my personal rankings. And let me know if you agree with the show, my personal rankings or if you have a different order altogether of who should have won!

PositionOfficial Queendom 2 RankingKPOPREVIEWED’s Personal Ranking
1WJSNHyolyn
2LOONAWJSN
3VIVIZLOONA
4HyolynVIVIZ
5Kep1erBrave Girls
6Brave GirlsKep1er

Thank you for reading through my Queendom 2 posts. You can find a whole list of them down below (and at the end of each post). Unfortunately, time got away from me this time, so I could not keep up with the episodes as they aired. But I hope you enjoyed these recaps and reviews as much as I enjoyed writing them!

Up next: Each participant’s impending comeback!!!

Queendom 2 – Opening Show Performance Rankings EP.0
Queendom 2 – Round 1 – Representative Song Battle – EP.1&2
Queendom 2 – Round 2 – Cover Song Battle – EP.3&4
Queendom 2 – Round 3 (Part 1) – Position Unit Battle – EP.6&7
Queendom 2 – Round 3 (Part 2) – FANtastic Queendom – EP.8&9
Queendom 2 – Final Round – Live Comeback Stages – EP.10